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All right, CONAN.

2
00:00:04,560 --> 00:00:05,440
You look great.

3
00:00:05,440 --> 00:00:08,440
And the show's about to start,
so time to hit the stage.

4
00:00:08,520 --> 00:00:11,520
I feel like something's a little off.

5
00:00:11,880 --> 00:00:12,560
Really?

6
00:00:12,560 --> 00:00:13,840
Yeah.

7
00:00:13,840 --> 00:00:16,480
Don't you think it's

8
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a bit much?

9
00:00:19,960 --> 00:00:21,120
No, I don't think so.

10
00:00:21,120 --> 00:00:23,480
You look fine. So. Break a leg.

11
00:00:23,480 --> 00:00:25,440
No, no.
I think you used way too much weight.

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Oh, sweetie, I didn't use any white.

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That's just you.

14
00:00:29,880 --> 00:00:32,320
Okay, you got to wash this off.
We start again.

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CONAN That would take, like, 2 hours.

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00:00:34,440 --> 00:00:35,960
Delroy Lindo is seated.

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Delroy Lindo can wait.

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I can't look like this.

19
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You look fine. Go.

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I look like Betty Davis with lupus.

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CONAN Go. I won't do it.

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I said go.

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Oh, no.

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What the hell is that?

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But two months dead.

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Hey, not so much. Not to so

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to the of

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these kids who

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came through being honest.

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What's the plan?

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I'm going to turn this gas station.

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I'm going to slow down.

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You just roll. He's talking about a head.

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Both hips replaced.

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No. Sure. Hey,

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hey, yo.

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Okay.

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Jumbo for his from the get go. No.

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What's your point?

40
00:02:51,040 --> 00:02:54,040
We can get back to the important stuff
like the fans.

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Cool guy.

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Feels as if the wealth of knowledge
that I goombas get club with.

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There's got to be failure.

44
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We deliver literally,

45
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because the system was just
the food was telling me ever to reach for.

46
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I could get a lot better when I mean
a here wants to learn it was done

47
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it was a buffet
you could show this to food stick my

48
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some cool air for a dilemma Lyndal that

49
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is I mean you know the idea pop up

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called me and

51
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ten cooking LA may nurse for the ten.

52
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Oh wow.

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Hey, listen.

54
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Yeah.

55
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Get his kids chasing me.

56
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Can I just come in and hide?

57
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And I believe you.

58
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But this here juke joint blues music.

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Juke joint and created music.

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Oh, down he All the pipes,
The pipes are falling.

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Yeah, This guy likes it.

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Please welcome your host,

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CONAN O'Brien,

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back here.

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Back here.

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Thank you very much.

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Big thanks.

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Big thanks to Amy Madigan for the wig.

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Thank you so much, Amy.
Thank you for that.

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Hey, I am CONAN O'Brien.

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And I am honored to be the last human

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host of the Academy Award. Yes.

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Yeah.

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Next year, it's
going to be a rainbow in a tux.

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So check that out.

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No, it's great to be back hosting
the Oscars last year when I hosted.

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Los Angeles was on fire.

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But this year, everything's going great.

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Oh, you applaud that.

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That's weird.

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That's weird.

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Security is extremely tight tonight.

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I just got to mention that.

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Yeah.

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I'm told there's concerns about attacks
from both the opera

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and ballet communities.

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They're just mad

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you left out jazz.

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I should warn you,
tonight could get political.

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And if that makes you uncomfortable,

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00:06:27,360 --> 00:06:30,360
there's an alternate Oscars
being hosted by Kid Rock.

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00:06:30,960 --> 00:06:33,960
Yeah, it's at the Dave
and Buster's down the street.

93
00:06:35,040 --> 00:06:37,120
A lot of tickets for that.

94
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Netflix. This is exciting.

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A lot of cool people are here
and some of them behind the scenes.

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Netflix CEO Ted Sarandos is here.

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And this is exciting.

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It's his first time in a theater.

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00:06:52,200 --> 00:06:55,200
This is what they're talking about.

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Why are they all together
enjoying themselves?

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It should be home alone

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00:07:02,520 --> 00:07:05,520
where I can monetize that.

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Yeah, I'm going to

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so many so many great films this year.

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Just what an incredible year for film,
wasn't it?

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Absolutely stunning.

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Yeah,

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I said that last year, but I was lying.

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No, this year is stunning.

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I love Hamnet.

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I love begonia.

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Yeah. What the amazing.

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Yeah.

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Yeah. Between Hamlet, Begonia.

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It's been a big year for movies
that sound like off brand lunchmeat.

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So that's

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had a little begonia around ten.

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That's not sitting too well

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on the ride home.

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You'll appreciate it at the

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at the beginning of Hamnet,
a message comes on the screen

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explaining that the names Hamnet
and Hamlet were used interchangeably.

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Yeah, that's when I knew

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I'd better buckle up.

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Rollercoaster In Hamnet William,

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Shakespeare's wife, Agnes,
gives birth by herself in the woods.

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Whereas we call that here in America
a affordable health care.

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No. Two real for you, huh?

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All right,

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everyone. I loved everyone.

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A popcorn movie was great.

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That one was terrific.

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Yeah,

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that's one is up for best picture.

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It's the story of a racecar driver who
finally wins after deciding to go faster.

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Yeah.

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Yeah.

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F1 received four nominations.

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F1 did so well.

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They're making a sequel.

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Caps lock.

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Some of these I do for myself.

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And ladies and gentlemen,
let's hear it for sinners.

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Let's hear.

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Yeah.

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Yeah.

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Sinners.

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Director Ryan Coogler said he declined
to become a voting member of the Academy

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because he doesn't like judging his fellow
artist's work.

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Yeah. Yeah.

151
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But the rest of you pricks
seem to love it.

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One battle after another.

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I love that film.

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What a great film. Amazing film.

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Lots of memorable scenes from one battle
after another.

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Best supporting actor nominee Sean Penn,
of course, got an erection at gunpoint.

157
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And then Paul Thomas Anderson said, Hey,
let's put that in the film, huh?

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I was in a movie this year.

159
00:10:12,720 --> 00:10:15,720
Yeah, I was in a movie with

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the lovely Rose Byrne.

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My costar
Rose Byrne is nominated for Best Actress.

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And if I had legs, I'd kick you.

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Yeah.

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Yeah.

165
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It's hard to act in a scene with someone
you've always had a massive crush on.

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But, Rose, you did a fantastic job.

167
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Admirable restraint.

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This year we've added a new category
to the Oscars.

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Best Casting.

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I have a big task.

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00:10:46,520 --> 00:10:48,040
Help!

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Yeah.

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Which means tonight.

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One casting director will win an Oscar.

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And for the rest of you,
we've decided to go in another direction.

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Their dream killers.

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00:11:01,360 --> 00:11:03,480
They are

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a lot of lesser known categories.

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Tonight, of course, will be honoring
the best documentary, short films or.

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Yeah, best documentary.

181
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Short films,

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or as I like to call them.

183
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What the hell is that all about?

184
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Best documentary, short films,

185
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or as I like to call them, little fads.

186
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It's you watching.

187
00:11:43,760 --> 00:11:44,800
I Did it make you sad?

188
00:11:44,800 --> 00:11:47,800
Little bit.

189
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Amazon Studios

190
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didn't receive any nominations this year.

191
00:11:52,800 --> 00:11:53,640
Yeah.

192
00:11:53,640 --> 00:11:57,640
Also shut out Wal Mart, Alibaba and Chewy.

193
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Why isn't the website I order toilet paper

194
00:12:01,600 --> 00:12:04,600
from winning more Oscars?

195
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It's the first time since 2012.

196
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First time since 2012
that there are no British actors

197
00:12:17,280 --> 00:12:20,320
nominated for best actor or best actress.

198
00:12:21,360 --> 00:12:23,320
Yeah, British spokesperson said.

199
00:12:23,320 --> 00:12:26,320
Yeah, well,
at least we arrest our pedophiles.

200
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So you got that going.

201
00:12:40,680 --> 00:12:41,880
By the way, I have to say

202
00:12:41,880 --> 00:12:46,120
again, Michael B Jordan,
you were incredible, incredible playing

203
00:12:46,840 --> 00:12:50,640
identical twin brother Smoke and stack
and Center is just amazing.

204
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I cannot get enough of this man.

205
00:12:53,160 --> 00:12:54,800
So it's a special treat.

206
00:12:54,800 --> 00:12:58,720
Every seat filler at tonight's
Oscars will be Michael B Jordan.

207
00:12:58,720 --> 00:13:01,720
Check it out.

208
00:13:03,440 --> 00:13:05,640
Yeah.

209
00:13:05,640 --> 00:13:06,960
By the way, how am I looking tonight?

210
00:13:06,960 --> 00:13:09,960
Michael B Jordan's.

211
00:13:11,360 --> 00:13:13,120
Well,

212
00:13:13,120 --> 00:13:14,920
Leonardo DiCaprio is here, sir.

213
00:13:14,920 --> 00:13:15,720
Good to see you.

214
00:13:15,720 --> 00:13:18,720
I bought you.

215
00:13:19,080 --> 00:13:22,280
He's the star of so many movies
and the King of means.

216
00:13:22,280 --> 00:13:25,280
He's the king of means, this guy.

217
00:13:25,840 --> 00:13:28,840
Let's make a new meme with Leo right now.

218
00:13:29,760 --> 00:13:32,760
That feeling
when you didn't agree to this.

219
00:13:41,000 --> 00:13:44,000
They'll pull that up in editing

220
00:13:44,280 --> 00:13:44,840
live.

221
00:13:44,840 --> 00:13:48,520
Okay, We'll talk later.

222
00:13:48,520 --> 00:13:51,760
Tonight's Oscars are being watched by more

223
00:13:51,760 --> 00:13:54,760
than a billion people around the world.

224
00:13:54,800 --> 00:13:56,040
Yeah, let's

225
00:13:57,000 --> 00:13:58,880
let's say hi to some of them.

226
00:13:58,880 --> 00:14:01,800
If you're watching from Spain

227
00:14:01,800 --> 00:14:03,720
or as I call Ryanair superstar

228
00:14:03,720 --> 00:14:06,720
Darlene
Love, the company that all of our viewers,

229
00:14:06,840 --> 00:14:10,520
if you're seeing us in Argentina or LA.

230
00:14:10,680 --> 00:14:12,000
So I cyclone hear Brian.

231
00:14:12,000 --> 00:14:15,000
Yes And plus our Darlene Love
you and Benita all of us first

232
00:14:15,640 --> 00:14:18,440
and to our friends in Los Angeles.

233
00:14:18,440 --> 00:14:20,120
Hola. So I call her Brian.

234
00:14:20,120 --> 00:14:20,760
That's impressive.

235
00:14:20,760 --> 00:14:23,760
Darlene Love will be that.

236
00:14:31,480 --> 00:14:34,120
Yes. Tonight is an international event.

237
00:14:34,120 --> 00:14:38,360
If I can be serious for just a moment,
everyone watching right now

238
00:14:38,760 --> 00:14:42,320
around the world is all too aware
that these are very chaotic,

239
00:14:42,840 --> 00:14:45,400
frightening times.

240
00:14:45,400 --> 00:14:48,400
It's at moments like these that I believe

241
00:14:49,440 --> 00:14:52,000
that the Oscars are particularly resonant.

242
00:14:52,000 --> 00:14:53,160
Check it out.

243
00:14:53,160 --> 00:14:58,160
31 countries across six
continents are represented this evening.

244
00:14:58,880 --> 00:15:01,640
And every film. Every film.

245
00:15:03,400 --> 00:15:07,400
Every film we salute
is the product of thousands of people

246
00:15:07,400 --> 00:15:10,920
speaking different languages,
working hard to make something of beauty.

247
00:15:11,840 --> 00:15:14,840
We pay tribute tonight not just to film,

248
00:15:15,240 --> 00:15:18,240
but to the ideals of global artistry,

249
00:15:18,840 --> 00:15:22,520
collaboration, patience, resilience

250
00:15:23,160 --> 00:15:26,560
and that rarest of qualities
today, optimism.

251
00:15:27,680 --> 00:15:30,680
So let us please celebrate.

252
00:15:30,960 --> 00:15:33,960
Let us celebrate.

253
00:15:35,240 --> 00:15:36,840
Let us celebrate.

254
00:15:36,840 --> 00:15:39,240
Not because we think all is well, but

255
00:15:39,240 --> 00:15:42,480
because we work and hope for better days
ahead.

256
00:15:43,040 --> 00:15:49,200
Now we're about to start
handing out awards.

257
00:15:49,240 --> 00:15:52,920
I just want to say this
in the spirit of optimism

258
00:15:54,120 --> 00:15:54,800
and joy.

259
00:15:54,800 --> 00:15:57,040
I've seen a lot of these ceremonies.

260
00:15:57,040 --> 00:15:59,520
I'm always so impressed by

261
00:15:59,520 --> 00:16:02,520
how gracious the winners are, really.

262
00:16:02,840 --> 00:16:08,040
When you guys win, you share your glory
with your co nominees,

263
00:16:08,280 --> 00:16:11,280
with your team, with your spouse.

264
00:16:12,000 --> 00:16:16,400
It's refreshing to see
all this modesty and genuine humility.

265
00:16:21,760 --> 00:16:23,480
But honestly,

266
00:16:23,480 --> 00:16:25,720
I don't know if I could do that.

267
00:16:25,720 --> 00:16:27,600
If it were me

268
00:16:27,600 --> 00:16:30,440
and I was up for an Oscar.

269
00:16:30,440 --> 00:16:32,680
The nominees for best Achievement

270
00:16:32,680 --> 00:16:35,920
are Antonio Banderas.

271
00:16:36,720 --> 00:16:38,520
Renee Zellweger.

272
00:16:38,520 --> 00:16:40,440
Denzel Washington.

273
00:16:40,440 --> 00:16:42,040
Glenn Close.

274
00:16:42,040 --> 00:16:45,000
And CONAN O'Brien.

275
00:16:45,000 --> 00:16:48,960
And the winner is CONAN O'Brien.

276
00:17:12,319 --> 00:17:15,319
His Oscar win has been feted.

277
00:17:15,440 --> 00:17:18,560
My God, he is the greatest.

278
00:17:18,720 --> 00:17:22,880
Just check out the record in this himself.

279
00:17:22,880 --> 00:17:25,880
And he's grateful to none.

280
00:17:25,960 --> 00:17:28,520
Even the haters can't hate.

281
00:17:28,520 --> 00:17:35,240
Number one,
he promised my agent my highest fees yet.

282
00:17:35,760 --> 00:17:38,960
And all the money this

283
00:17:45,720 --> 00:17:48,720
Cicero

284
00:17:50,160 --> 00:17:51,160
come to me

285
00:17:51,160 --> 00:17:55,880
to try to come to me.

286
00:17:56,400 --> 00:17:59,400
Yeah.

287
00:18:00,240 --> 00:18:09,320
Oh, this is how all answers will be
handed out tonight.

288
00:18:09,640 --> 00:18:12,760
Josh Groban, everybody give it up for him.

289
00:18:14,040 --> 00:18:16,320
Here to present our first award,

290
00:18:16,320 --> 00:18:19,600
fellow Oscar winner Zoe Saldana.

291
00:18:36,480 --> 00:18:39,480
Ladies, ladies, ladies, ladies.

292
00:18:41,680 --> 00:18:44,880
What I loved
about every single performance nominated

293
00:18:44,880 --> 00:18:49,840
for supporting actress
was the sheer scope of contrast contained.

294
00:18:50,160 --> 00:18:53,280
And each one there was vulnerability

295
00:18:53,280 --> 00:18:56,280
and fearlessness,

296
00:18:56,400 --> 00:18:58,440
fierce physicality and quiet

297
00:18:58,440 --> 00:19:02,600
emotion, both subtlety and a balls

298
00:19:02,600 --> 00:19:06,840
to the wall commitment
to what each one of you put on screen.

299
00:19:08,000 --> 00:19:09,360
You all allowed.

300
00:19:09,360 --> 00:19:12,360
What makes the art of acting
so exhilarating?

301
00:19:16,920 --> 00:19:19,680
Elle Fanning Sentimental value.

302
00:19:19,680 --> 00:19:22,680
I can't tell you.

303
00:19:23,760 --> 00:19:26,400
Oh, what? Oh,

304
00:19:26,400 --> 00:19:28,360
well,

305
00:19:28,360 --> 00:19:30,840
Inga, Eve's daughter lust sentimental

306
00:19:30,840 --> 00:19:34,040
that if you think of her
as losing your best

307
00:19:35,320 --> 00:19:38,320
dancer in this hall,
I would prefer it more than it is.

308
00:19:39,560 --> 00:19:41,480
Amy Madigan Weapons.

309
00:19:41,480 --> 00:19:44,080
I had realized far too late.

310
00:19:44,080 --> 00:19:46,560
And I was standing on the wrong corner.

311
00:19:46,560 --> 00:19:48,440
And by the time I put that together.

312
00:19:48,440 --> 00:19:50,840
Oh, I'd missed it entirely.

313
00:19:50,840 --> 00:19:54,840
So I had to walk all the
way across town to get here.

314
00:19:55,800 --> 00:19:58,360
When we massacre singers

315
00:19:58,360 --> 00:20:01,760
away from our work, everyone who

316
00:20:01,800 --> 00:20:05,320
my grandmother taught me to keep you
and that crazy brother, you're safe.

317
00:20:05,680 --> 00:20:08,680
Every day since you've been gone.

318
00:20:08,760 --> 00:20:10,320
Teyana Taylor one barrel of

319
00:20:10,320 --> 00:20:14,120
After an emotional meta series in 2000.

320
00:20:14,120 --> 00:20:17,120
While you

321
00:20:17,880 --> 00:20:20,480
and your crumbling ego would never do this
revolution.

322
00:20:20,480 --> 00:20:23,480
Make me.

323
00:20:27,200 --> 00:20:30,200
And the Oscar goes to

324
00:20:30,600 --> 00:20:33,600
Amy Madigan.

325
00:20:37,200 --> 00:20:38,600
This is the first Oscar winner

326
00:20:38,600 --> 00:20:41,600
and second nomination for not.

327
00:21:10,600 --> 00:21:13,600
This is great.

328
00:21:14,520 --> 00:21:17,400
Everybody is asking me and the press
and all is well.

329
00:21:17,400 --> 00:21:19,120
It's been 40 years.

330
00:21:19,120 --> 00:21:22,520
And you know what's different about this
time is different

331
00:21:22,520 --> 00:21:25,520
is you got this little old guy. So,

332
00:21:26,400 --> 00:21:29,400
I mean, I was in the shower last night
trying to think of

333
00:21:30,160 --> 00:21:34,520
something to say as I was shaving my legs
and I went, I got pants on.

334
00:21:34,520 --> 00:21:36,400
I don't have to worry about that.

335
00:21:36,400 --> 00:21:38,240
I'm sorry. And,

336
00:21:39,240 --> 00:21:41,880
you know, we were kind of advised that,

337
00:21:41,880 --> 00:21:44,840
you know, don't say all these names
because nobody knows

338
00:21:44,840 --> 00:21:48,000
who the hell these people are,
but you're not rattling them off.

339
00:21:48,000 --> 00:21:51,400
They're people that mean something to you
that you couldn't be here

340
00:21:51,720 --> 00:21:54,720
without them.

341
00:21:57,440 --> 00:22:00,400
That first and foremost, I just have to

342
00:22:00,400 --> 00:22:03,400
thank Zack Krieger, a writer and director.

343
00:22:05,040 --> 00:22:08,040
He just wrote
He just wrote a dream part in one eye.

344
00:22:08,120 --> 00:22:12,840
Let me just grab it by the throat
and we ball.

345
00:22:14,360 --> 00:22:15,840
You know, I want to thank Mary,

346
00:22:15,840 --> 00:22:19,160
You know who's on
set all the time, our producer.

347
00:22:19,600 --> 00:22:24,320
And of course, you know Warner
Brothers in New Line and Pam and Mike.

348
00:22:24,320 --> 00:22:28,520
But, you know, it's
all the people who helped me get here.

349
00:22:28,560 --> 00:22:29,440
You know, you're just

350
00:22:30,400 --> 00:22:33,320
as you can tell, I'm a little flummoxed,
you know.

351
00:22:33,320 --> 00:22:38,360
I mean, I also want to
just give some tribute to Al and Inga

352
00:22:38,680 --> 00:22:40,600
and Wunmi and Teyana.

353
00:22:40,600 --> 00:22:47,760
I met

354
00:22:47,760 --> 00:22:50,760
oh, my legs are shaking

355
00:22:50,800 --> 00:22:54,720
because when I was doing all the weapons
stuff, I was kind of traveling on my own.

356
00:22:55,000 --> 00:22:59,160
And people from one battle
and people from sinners

357
00:22:59,160 --> 00:23:02,160
and all the films, they just kind of

358
00:23:02,160 --> 00:23:06,000
gave me a hug and said, Yeah, come on in
and let us know you and you can know us.

359
00:23:06,000 --> 00:23:09,880
So I think that but most of all,
I want to thank my beautiful daughter,

360
00:23:09,880 --> 00:23:12,880
Lily, her husband, Sean,

361
00:23:13,360 --> 00:23:15,360
and of course, all the dogs.

362
00:23:15,360 --> 00:23:18,680
But the most important is my beloved Ed,

363
00:23:23,560 --> 00:23:26,560
who's been with me for ever.

364
00:23:26,920 --> 00:23:29,040
And that's the longest time.

365
00:23:29,040 --> 00:23:33,440
And none of this would mean anything
if he wasn't by my side.

366
00:23:33,640 --> 00:23:35,880
So thank you
very much. I'm very overwhelmed.

367
00:23:53,080 --> 00:23:54,840
Coming up next, will

368
00:23:54,840 --> 00:23:59,400
Channing Tatum celebrate music
from sinners here on the Oscars?

369
00:23:59,400 --> 00:24:02,400
From Adobe Theater at Ovation Hall.

370
00:24:10,359 --> 00:24:11,679
Fighting with Timothy right now.

371
00:24:11,679 --> 00:24:13,679
We're fighting, right?

372
00:24:13,679 --> 00:24:16,039
He doesn't think so. All right.

373
00:24:16,039 --> 00:24:16,919
Welcome back.

374
00:24:16,919 --> 00:24:20,279
We're coming to you live from the
has a small penis theater.

375
00:24:21,879 --> 00:24:24,879
Let's see him
put his name in front of that.

376
00:24:35,119 --> 00:24:36,879
Starting in 2029.

377
00:24:36,879 --> 00:24:37,479
Did you know this?

378
00:24:37,479 --> 00:24:41,959
Instead of ABC, the Oscars
are going to air solely on YouTube.

379
00:24:42,399 --> 00:24:45,399
Yeah, It's the future. Yes, Big change.

380
00:24:45,639 --> 00:24:48,839
Some people are worried this will change
how the Oscars are viewed.

381
00:24:49,479 --> 00:24:53,719
But I've been assured that they will know
pretty much for a feed from hundred

382
00:24:54,039 --> 00:24:57,439
2500 moments of brightness,
conveniently perfect to have

383
00:24:58,959 --> 00:25:02,039
the same flashlight that killed bin Laden.

384
00:25:07,479 --> 00:25:08,319
Sorry about that.

385
00:25:08,319 --> 00:25:11,319
But like I said, I don't think
this is going to change the Oscars at all.

386
00:25:11,439 --> 00:25:12,879
I think this is a joke.

387
00:25:12,879 --> 00:25:15,759
Have you been injured in the tactical
flashlight related incident?

388
00:25:15,759 --> 00:25:17,679
You may be eligible for compensation.

389
00:25:17,679 --> 00:25:21,439
Don't let big tactical flashlight
get the better of you.

390
00:25:26,559 --> 00:25:29,559
For Jane Lynch,

391
00:25:29,639 --> 00:25:30,879
our next presenters

392
00:25:30,879 --> 00:25:33,919
are the two most aggressive
alpha males in my book club.

393
00:25:33,919 --> 00:25:36,919
Please
welcome Will Arnett and Channing Tatum.

394
00:25:47,239 --> 00:25:50,239
we are here to celebrate excellence
in animation.

395
00:25:50,439 --> 00:25:51,159
That is right.

396
00:25:51,159 --> 00:25:54,359
And yeah, it is right. That's right.

397
00:25:54,679 --> 00:25:57,639
And we'll add that
such a big fan of your work

398
00:25:57,639 --> 00:26:01,159
in animation,
BoJack Horseman, Genius, your Lego Batman.

399
00:26:01,159 --> 00:26:03,559
And maybe my favorite of all the Batman.
Oh, thank you.

400
00:26:03,559 --> 00:26:05,199
You were also in Batman.

401
00:26:05,199 --> 00:26:07,279
But no, no, I'm serious. I'm serious.
You're so good.

402
00:26:07,719 --> 00:26:10,719
Have you ever considered, you know,
trying to act in front of the camera?

403
00:26:12,479 --> 00:26:14,239
Yeah, I.

404
00:26:14,239 --> 00:26:16,359
In fact, I did this year.

405
00:26:16,359 --> 00:26:17,839
I mean,
I made the movie with Bradley Cooper.

406
00:26:17,839 --> 00:26:19,199
What?

407
00:26:19,199 --> 00:26:21,519
Really? I love that guy.

408
00:26:21,519 --> 00:26:22,559
He's so good.

409
00:26:22,559 --> 00:26:25,559
He, like, just takes so many risks
on, like, non-actors.

410
00:26:25,799 --> 00:26:26,719
He just pulls, like.

411
00:26:26,719 --> 00:26:29,799
Like, you know, like really,
really amazing performances out of them.

412
00:26:29,799 --> 00:26:32,199
Lady Gaga, You. I'm assuming

413
00:26:33,519 --> 00:26:35,679
it's not
really like he's like a miracle worker.

414
00:26:35,679 --> 00:26:37,719
He's like he's like,
just has a magic wand.

415
00:26:37,719 --> 00:26:39,159
He gets everybody nominated.

416
00:26:39,159 --> 00:26:39,919
I'm sure you got nominated.

417
00:26:39,919 --> 00:26:42,879
I did not get it.

418
00:26:42,879 --> 00:26:43,959
Oh, that's okay.

419
00:26:43,959 --> 00:26:44,999
That's okay. Me neither.

420
00:26:44,999 --> 00:26:47,679
So I guess we're both available
for voiceover work. Yeah. Yeah.

421
00:26:47,679 --> 00:26:48,279
All right.

422
00:26:48,279 --> 00:26:51,279
Your nominees for Best Animated
feature are

423
00:26:55,119 --> 00:26:57,239
Argo, Hugo Bienvenu,

424
00:26:57,239 --> 00:27:00,439
Felix Diaz,
Jeffrey, Sophie Mars, and Natalie Portman.

425
00:27:02,279 --> 00:27:05,319
Helio, Madeleine's Russian dummy sheep.

426
00:27:05,679 --> 00:27:08,679
Adrian Molina and Mary Alice Drumm.

427
00:27:10,239 --> 00:27:11,759
K-Pop Demon Hunters.

428
00:27:11,759 --> 00:27:12,879
Maggie Kane.

429
00:27:12,879 --> 00:27:14,119
Chris Evans.

430
00:27:14,119 --> 00:27:16,999
And Michelle Alden. While

431
00:27:16,999 --> 00:27:19,759
Little Emily or the character of Dream,

432
00:27:19,759 --> 00:27:22,999
Miley's villain LeAnn Shogun Media.

433
00:27:22,999 --> 00:27:25,999
Santiago and Andre Magalong.

434
00:27:26,599 --> 00:27:27,879
Zootopia, too.

435
00:27:27,879 --> 00:27:28,999
Jared Bush.

436
00:27:28,999 --> 00:27:30,679
Byron Howard and Event.

437
00:27:30,679 --> 00:27:33,679
Marina.

438
00:27:36,879 --> 00:27:39,879
And the Oscar goes to

439
00:27:40,799 --> 00:27:43,799
K-Pop Demon Hunter.

440
00:27:48,679 --> 00:27:50,399
This is the first Oscar

441
00:27:50,399 --> 00:27:54,719
nominations that Maggie can Criss
Angel hands and the show.

442
00:27:54,759 --> 00:27:55,599
Helen the God.

443
00:28:28,959 --> 00:28:31,599
Oh, oh,

444
00:28:31,599 --> 00:28:34,599
oh, gosh.

445
00:28:35,919 --> 00:28:38,679
You think you.

446
00:28:38,999 --> 00:28:42,999
To the academy
and to all the fans who got us here.

447
00:28:43,879 --> 00:28:47,159
And for those of you who look like me,
I am so sorry

448
00:28:47,159 --> 00:28:50,199
that it took us so long
to see us in a movie like this.

449
00:28:51,399 --> 00:28:54,399
But it is here.

450
00:28:54,439 --> 00:28:57,439
And that means that the next generations
don't have to go long.

451
00:28:57,799 --> 00:29:00,799
This is for Korea
and for Koreans everywhere.

452
00:29:07,759 --> 00:29:10,279
Music and stories have this power

453
00:29:10,279 --> 00:29:14,159
to connect us
as humans across cultures and borders.

454
00:29:14,919 --> 00:29:18,719
So I just want to take a moment
to say to all the young filmmakers,

455
00:29:19,119 --> 00:29:22,119
artists, musicians
in all corners of the globe,

456
00:29:22,839 --> 00:29:23,719
tell your story.

457
00:29:23,719 --> 00:29:25,279
Sing in your voice.

458
00:29:25,279 --> 00:29:28,279
I promise you, the world is waiting.

459
00:29:29,439 --> 00:29:32,119
Thank you to our partners at Netflix. Oh.

460
00:29:36,119 --> 00:29:39,239
to our partners at Netflix
who made all of this possible

461
00:29:39,239 --> 00:29:43,079
and of course, to our crews
at Sony Pictures Animation Image

462
00:29:43,079 --> 00:29:46,079
Works and Sony Pictures Music

463
00:29:47,199 --> 00:29:49,719
for Your Excellence in Making Films.

464
00:29:49,719 --> 00:29:51,879
And Love to our spouses.

465
00:29:51,879 --> 00:29:54,879
Eric Rad and Marine
for all of your support.

466
00:29:54,959 --> 00:29:57,959
Mom, this is for you.

467
00:30:12,799 --> 00:30:14,079
And now the award for Best

468
00:30:14,079 --> 00:30:17,439
Animated Short and the creative people
who bring these animated stories to life.

469
00:30:17,799 --> 00:30:18,519
That's right.

470
00:30:18,519 --> 00:30:24,519
Tonight, we are celebrating people,
not A.I., because animation.

471
00:30:24,519 --> 00:30:27,039
Yeah, it's more than a product.

472
00:30:27,039 --> 00:30:29,399
It's an art form
and it needs to be protected.

473
00:30:29,399 --> 00:30:32,399
AM I right? Oh, my. Right.

474
00:30:33,119 --> 00:30:36,119
Yeah, yeah, yeah.

475
00:30:36,199 --> 00:30:38,039
I feel that way, too.

476
00:30:38,039 --> 00:30:40,039
That too late.
I already won this presenting segment.

477
00:30:40,039 --> 00:30:41,559
I didn't really realize
it was a competition, but.

478
00:30:41,559 --> 00:30:44,079
Yeah, well,
that's why you came in second. All right.

479
00:30:44,079 --> 00:30:45,399
The nominees are

480
00:30:49,559 --> 00:30:52,839
Butterfly, the Horse Media, Enron, Dyas

481
00:30:54,119 --> 00:30:57,239
for Evergreen, Nathan Engelhart
and Jeremy Spears,

482
00:30:58,839 --> 00:31:00,599
the girl Who Cried Pearls.

483
00:31:00,599 --> 00:31:03,599
Chris Davis in March. Aisha Boesky

484
00:31:03,999 --> 00:31:05,199
Retirement Plan.

485
00:31:05,199 --> 00:31:08,199
John Kelly. Andrew Friedman,

486
00:31:08,439 --> 00:31:09,719
The Three Sisters.

487
00:31:09,719 --> 00:31:12,719
Constantine Bronze, Eat.

488
00:31:16,079 --> 00:31:18,599
And the Oscar Goes to the girl

489
00:31:18,599 --> 00:31:21,599
who Cried Pearls.

490
00:31:23,279 --> 00:31:26,199
This is the first Oscar
winning an Oscar nomination

491
00:31:26,199 --> 00:31:29,199
for a march actually

492
00:31:29,719 --> 00:31:32,479
previously nominated
for the animated short

493
00:31:32,479 --> 00:31:35,479
Madam Tutti Frutti.

494
00:31:40,359 --> 00:31:41,559
Oh, boy.

495
00:31:41,559 --> 00:31:43,879
We really are that nervous.

496
00:31:43,879 --> 00:31:46,559
I guess people think it takes patients

497
00:31:46,559 --> 00:31:49,559
to take five years to make a puppet film.

498
00:31:50,319 --> 00:31:53,359
It actually takes patience to live with
someone

499
00:31:53,439 --> 00:31:56,439
who takes
five years to make a puppet film.

500
00:31:56,439 --> 00:31:58,719
So I'd like to thank my wife,

501
00:31:58,719 --> 00:32:01,719
Maya, my daughter Julie,

502
00:32:02,239 --> 00:32:04,879
Stephanie, and our beautiful Mila.

503
00:32:04,879 --> 00:32:09,399
We'd like to thank the National Film
Board, our amazing producers, Julie Lau,

504
00:32:10,039 --> 00:32:14,239
Mark Bertram and Christine Noel,
our wonderful collaborators,

505
00:32:15,039 --> 00:32:18,039
Bridget Henry, Patrick Watson,

506
00:32:18,039 --> 00:32:20,839
Colm Feore, James Heineman.

507
00:32:20,839 --> 00:32:25,679
And to get off quick, we just really want
to thank our amazing neighborhood

508
00:32:26,399 --> 00:32:29,279
and the amazingly talented
community of artists

509
00:32:29,279 --> 00:32:32,279
that we have
had the superb luck to work with.

510
00:32:33,559 --> 00:32:36,039
The fantastic city of Montreal.

511
00:32:36,039 --> 00:32:37,359
Thank you. Canada. Canada.

512
00:32:53,879 --> 00:32:56,079
There are legends of people

513
00:32:56,079 --> 00:33:00,879
making music so true it can pierce the way

514
00:33:02,959 --> 00:33:05,959
between life and death.

515
00:33:07,119 --> 00:33:09,239
The Delta Blues is a form of healing,

516
00:33:09,239 --> 00:33:12,679
the affirmation of the existence of people
who dream.

517
00:33:13,599 --> 00:33:16,599
To those who fall in love,

518
00:33:17,319 --> 00:33:20,079
it is both sacred and profane,

519
00:33:20,079 --> 00:33:22,239
simple yet complex,

520
00:33:22,239 --> 00:33:26,199
both human and divine is powerful magic.

521
00:33:26,199 --> 00:33:29,079
There is a global culture in its image.

522
00:33:29,079 --> 00:33:31,399
Our movie was about that power

523
00:33:31,399 --> 00:33:34,399
in a song about those people

524
00:33:41,679 --> 00:33:44,679
you keep dancing with the devil.

525
00:33:45,399 --> 00:33:48,399
One day he's going to follow you home

526
00:33:51,759 --> 00:33:54,759
to preach on Speak your word.

527
00:33:56,039 --> 00:33:58,959
I know that you've heard.

528
00:33:58,959 --> 00:34:01,959
So I lie to you.

529
00:34:02,519 --> 00:34:05,359
So I'm going to tell

530
00:34:05,359 --> 00:34:07,560
you one time

531
00:34:07,559 --> 00:34:09,560
I didn't mind you

532
00:34:09,559 --> 00:34:11,919
hope you don't lose my mind.

533
00:34:11,919 --> 00:34:12,959
Well, I was just

534
00:34:13,959 --> 00:34:16,879
now eight years old.

535
00:34:16,879 --> 00:34:19,519
You threw me a baboon moment.

536
00:34:19,519 --> 00:34:20,079
This is sick.

537
00:34:20,079 --> 00:34:21,719
You see.

538
00:34:21,719 --> 00:34:23,879
I love you, Papa.

539
00:34:23,879 --> 00:34:26,319
You did all you can do.

540
00:34:26,319 --> 00:34:28,839
They say so.

541
00:34:28,839 --> 00:34:32,079
I lied to you and yes, I lied to you.

542
00:34:33,719 --> 00:34:36,719
Oh, the blues

543
00:34:36,839 --> 00:34:55,679
and somebody

544
00:34:55,679 --> 00:34:59,279
take me in here.

545
00:34:59,399 --> 00:35:02,399
Oh, tonight.

546
00:35:04,159 --> 00:35:08,399
Somebody take me here.

547
00:35:08,439 --> 00:35:11,439
You're almost ten.

548
00:35:13,799 --> 00:35:16,799
Somebody take me,

549
00:35:24,239 --> 00:35:27,239
take me

550
00:35:28,639 --> 00:35:36,119
to stampede.

551
00:35:36,159 --> 00:35:40,999
Oh, preach it all

552
00:35:41,919 --> 00:35:44,919
to you.

553
00:35:48,759 --> 00:35:49,559
Well,

554
00:35:49,559 --> 00:36:10,679
I mean, yes.

555
00:36:28,679 --> 00:36:31,599
To take me

556
00:36:31,599 --> 00:36:34,599
with you

557
00:36:35,959 --> 00:36:38,959
to know

558
00:36:56,199 --> 00:36:59,199
you're.

559
00:37:00,519 --> 00:37:03,519
Oh, yeah.

560
00:37:04,359 --> 00:37:07,959
To show

561
00:37:30,758 --> 00:37:32,318
I'm on a new level.

562
00:37:32,318 --> 00:37:35,158
I have a purpose.

563
00:37:35,157 --> 00:37:36,718
And if you think that
some sort of blessing is not,

564
00:37:36,718 --> 00:37:40,357
it puts me at a huge disadvantage
right now.

565
00:37:41,437 --> 00:37:43,078
It means I have an obligation.

566
00:37:43,078 --> 00:37:46,078
I see a very specific thing through.

567
00:37:48,157 --> 00:37:50,038
And with that obligation comes sacrifice.

568
00:37:52,318 --> 00:37:54,838
What do you plan to do
if this whole dream of yours doesn't work?

569
00:37:54,838 --> 00:37:57,398
That doesn't even enter my consciousness.

570
00:37:57,397 --> 00:38:00,397
I'm on a new level.

571
00:38:01,437 --> 00:38:04,437
Well,

572
00:38:05,958 --> 00:38:06,597
before we go

573
00:38:06,597 --> 00:38:09,677
any further, how about a hand
for our brilliant conductor,

574
00:38:09,677 --> 00:38:12,917
Michael Bearden,
and the Incredible Academy Orchestra?

575
00:38:13,677 --> 00:38:16,677
It's true.

576
00:38:16,758 --> 00:38:19,197
And concert master Charlie Fisher.

577
00:38:19,197 --> 00:38:22,197
Right, sir, We salute you.

578
00:38:24,437 --> 00:38:27,758
And for those of you who are fans
of Mighty Supreme, you'll love

579
00:38:27,758 --> 00:38:30,958
the orchestra's newest instrument,
the Timothy Shalom, a boom

580
00:38:30,958 --> 00:38:33,958
drum.

581
00:38:43,278 --> 00:38:46,038
Tonight,
we're here to celebrate this year's films.

582
00:38:46,038 --> 00:38:47,437
But I need to stress this.

583
00:38:47,437 --> 00:38:51,518
We also care deeply about preserving,
preserving film history.

584
00:38:51,518 --> 00:38:53,197
It must be preserved.

585
00:38:53,197 --> 00:38:56,558
I wanted to highlight
one studio committed to doing just that

586
00:38:56,877 --> 00:38:59,877
for the smartphone generation

587
00:39:00,677 --> 00:39:04,157
A Crossroads Labs is a group of film
preservationists

588
00:39:04,157 --> 00:39:09,478
committed to one simple goal
making movies very tall and very skinny.

589
00:39:09,718 --> 00:39:13,078
As more people depend on
their personal devices for entertainment

590
00:39:13,078 --> 00:39:17,558
venture, A Crossroads is meeting
this need by updating yesterday's classics

591
00:39:17,758 --> 00:39:21,677
for today's movie
audiences Using sophisticated A.I.

592
00:39:21,677 --> 00:39:25,958
software, Ventura Crossroads preserves
only the most visually

593
00:39:25,958 --> 00:39:27,278
interesting parts of the frame.

594
00:39:27,278 --> 00:39:29,558
Yes, Yes. Yes.

595
00:39:29,558 --> 00:39:35,238
So now future audiences can enjoy
re-imagined classics like Two Angry Men.

596
00:39:35,758 --> 00:39:40,478
And on Fat II, Hollywood's
biggest movies made smaller

597
00:39:40,718 --> 00:39:44,238
and taller,
all thanks to Ventura Crossroads.

598
00:39:44,478 --> 00:39:47,758
Oh, and one more thing to Lalani Century.

599
00:39:52,958 --> 00:39:54,518
Important work.

600
00:39:54,518 --> 00:39:56,238
Important work.

601
00:39:56,238 --> 00:39:58,718
It's time to introduce the next presenter.

602
00:39:58,718 --> 00:40:00,038
But let's make this special.

603
00:40:00,038 --> 00:40:01,038
Can we have a boom?

604
00:40:01,038 --> 00:40:04,038
Drum roll, please?

605
00:40:06,117 --> 00:40:07,117
Why Konan? Why?

606
00:40:07,117 --> 00:40:10,038
At one point in my life,
I've had both of their haircuts.

607
00:40:10,038 --> 00:40:13,078
Please welcome Oscar winner
Anne Hathaway and Dame

608
00:40:13,078 --> 00:40:16,278
Anna Wintour, who?

609
00:40:36,637 --> 00:40:38,197
Whether it's two distinct

610
00:40:38,197 --> 00:40:41,558
jewel toned hats,
a meticulously crafted headdress,

611
00:40:41,958 --> 00:40:44,798
a simple pair of semi rimless eyeglasses,

612
00:40:44,798 --> 00:40:48,798
complex and dramatic pieces
that bring to life a gothic classic

613
00:40:49,197 --> 00:40:53,798
or watching Red Turn rust in 16th century
England,

614
00:40:54,397 --> 00:40:57,397
the character's
costume is key to telling a story.

615
00:40:57,958 --> 00:41:01,117
One could argue that one's wardrobe in
real life is also,

616
00:41:02,478 --> 00:41:05,758
does it make one appear
elegant and attractive

617
00:41:05,758 --> 00:41:07,878
on, say,
the most important night in Hollywood

618
00:41:07,877 --> 00:41:11,397
when, say, the most important people
in fashion will be judging how one looks?

619
00:41:11,758 --> 00:41:16,278
Anna, I'm just curious what

620
00:41:18,998 --> 00:41:21,998
what do you think of my dress tonight?

621
00:41:23,078 --> 00:41:26,078
And the nominees are

622
00:41:35,038 --> 00:41:35,798
Avatar,

623
00:41:35,798 --> 00:41:39,158
Fire and Ash Costume Design by Deborah L.

624
00:41:39,197 --> 00:41:40,838
Scott

625
00:41:40,838 --> 00:41:44,478
Frankenstein Costume Design by Kate
Collins.

626
00:41:46,558 --> 00:41:49,318
Prominent Costume Design by Mal Gershon.

627
00:41:49,318 --> 00:41:51,718
Artisan Stuff.

628
00:41:51,718 --> 00:41:53,478
Margie Supreme Costume

629
00:41:53,478 --> 00:41:56,478
Design by Miyako Billingsley

630
00:41:57,197 --> 00:42:00,518
Sinas Costume Design by Ruth E Thomson

631
00:42:04,838 --> 00:42:05,998
and the Oscar

632
00:42:05,998 --> 00:42:08,998
for Best Costume Design Goes to

633
00:42:09,838 --> 00:42:11,558
Frankenstein.

634
00:42:11,558 --> 00:42:14,558
Kate, Holly.

635
00:42:18,437 --> 00:42:21,437
This is the first Oscar nomination
for Okay.

636
00:42:21,758 --> 00:42:24,677
She's an acclaimed New Zealand
born costume designer,

637
00:42:24,677 --> 00:42:27,518
renowned for her work
in fantasy and sci fi.

638
00:42:27,518 --> 00:42:50,238
Since I'm

639
00:42:53,677 --> 00:42:55,478
on behalf of myself

640
00:42:55,478 --> 00:43:00,758
and the amazing team that I work
with, the artisans, the alchemists,

641
00:43:01,117 --> 00:43:05,838
the Dream Weavers, we're so grateful
to the Academy for recognizing our craft,

642
00:43:06,278 --> 00:43:11,677
and it's been such a privilege to stand
alongside Ruth Carter, Miyako, Beletsky,

643
00:43:13,518 --> 00:43:15,798
Mogo Chef, and Dave Scott.

644
00:43:15,798 --> 00:43:18,478
I just it's been amazing, you all.

645
00:43:18,478 --> 00:43:21,078
And Guillermo, I'm not going to cry.

646
00:43:21,078 --> 00:43:26,158
And thank you for the vision
and for taking us on your journey.

647
00:43:26,157 --> 00:43:28,677
It's been a great privilege
to be part of it all.

648
00:43:28,677 --> 00:43:31,478
Our nominations are your nominations.

649
00:43:31,478 --> 00:43:32,998
We share this with you.

650
00:43:32,998 --> 00:43:38,197
A big shout out to our fantastic cast
and an extra one to Dan Alexander

651
00:43:38,197 --> 00:43:41,197
and Dennis and my family,

652
00:43:41,238 --> 00:43:44,238
who've put up with a lot of shit
over the years.

653
00:43:44,558 --> 00:43:48,958
My darling daughter, who's my little
eight to my Big Edie, and just

654
00:43:50,078 --> 00:43:52,598
everybody who supported us along the way,

655
00:43:52,597 --> 00:43:55,597
the Netflix family, Scott Miles,

656
00:43:57,038 --> 00:43:57,958
I don't know any more.

657
00:43:57,958 --> 00:44:00,758
I've lost it, but I'm so, so grateful.

658
00:44:00,758 --> 00:44:03,038
And thank you very much
for recognizing that craft

659
00:44:21,397 --> 00:44:24,397
makeup choices can make a performance
come alive.

660
00:44:24,437 --> 00:44:28,357
These artists delicately balance
being bold yet transparent,

661
00:44:28,718 --> 00:44:32,558
constantly asking themselves,
Do I pull back or do I go for broke?

662
00:44:33,238 --> 00:44:35,998
These five
nominated films are stunning examples

663
00:44:35,998 --> 00:44:38,998
of vision, art and craft.

664
00:44:39,038 --> 00:44:40,958
Anna, would you like to read the nominees?

665
00:44:40,958 --> 00:44:43,958
Thank you, Emily.

666
00:44:44,238 --> 00:44:47,238
And the nominees are

667
00:44:50,318 --> 00:44:52,478
Frankenstein, Michael

668
00:44:52,478 --> 00:44:56,318
Jordan, Samuel and Cliona Fury, Kikuyu.

669
00:44:56,397 --> 00:45:02,558
Kyoko Toya Koa, Naomi
Corvino and Tadashi and Ishimatsu Sinha's.

670
00:45:02,558 --> 00:45:07,558
Kenya's My Crunching and Sunidhi Kothari
The Smashing Machine.

671
00:45:07,637 --> 00:45:08,917
Kazu Hiro.

672
00:45:08,917 --> 00:45:10,518
Glen Griffin and Beyond.

673
00:45:10,518 --> 00:45:13,038
Ray Divine, the Ugly Stepsister.

674
00:45:13,038 --> 00:45:16,038
Thomas Go back and and country and about.

675
00:45:20,518 --> 00:45:23,518
And the Oscar goes to

676
00:45:23,917 --> 00:45:26,798
Michael Jordan, Samuel and Fiona

677
00:45:26,798 --> 00:45:29,798
for Frankenstein.

678
00:45:30,038 --> 00:45:31,758
This is the first Oscar

679
00:45:31,758 --> 00:45:35,478
nomination for Michael Jordan
singing and cleaning this year.

680
00:45:39,397 --> 00:45:42,357
The creature's
transformation took up to 11 hours.

681
00:45:42,357 --> 00:45:45,397
Each day is a 42 individually

682
00:45:45,397 --> 00:45:48,397
prosthetic piece.

683
00:45:57,718 --> 00:46:00,718
Oh, fantastic.

684
00:46:01,478 --> 00:46:04,117
Old school

685
00:46:04,117 --> 00:46:06,877
shit.

686
00:46:06,877 --> 00:46:09,877
Oh, no.

687
00:46:11,318 --> 00:46:11,998
Okay.

688
00:46:11,998 --> 00:46:12,877
Such an odyssey.

689
00:46:12,877 --> 00:46:14,758
Thank you so much.

690
00:46:14,758 --> 00:46:16,958
Crikey.

691
00:46:16,958 --> 00:46:18,558
While we're making this film.

692
00:46:18,998 --> 00:46:21,998
The sense we're part of something very
special, and tonight really confirms that.

693
00:46:21,998 --> 00:46:24,998
So thanks to special
thanks to the Academy.

694
00:46:25,518 --> 00:46:27,718
Deepest thanks to our film nominees.

695
00:46:27,718 --> 00:46:31,157
Thank you to Netflix producers
Miles and Scott.

696
00:46:31,917 --> 00:46:35,157
Thanks to Oscar, Isaac and most beautiful
Mia Gough.

697
00:46:35,558 --> 00:46:39,638
And, of course, my mate Jacob Elordi,
who set sat a 400 hours

698
00:46:40,238 --> 00:46:43,238
in their makeup chair during filming.

699
00:46:44,958 --> 00:46:46,397
A personal thank you to my dear

700
00:46:46,397 --> 00:46:49,478
Maggie
and to our friend Guillermo del Toro.

701
00:46:50,157 --> 00:46:51,397
You did it, man.

702
00:46:51,397 --> 00:46:54,038
You brought our beloved Frankenstein back.

703
00:46:54,038 --> 00:46:56,318
And we want to thank you
for allowing us to help

704
00:46:56,318 --> 00:46:59,238
make your dream project
become our dream project.

705
00:46:59,238 --> 00:46:59,917
Thank you, sir.

706
00:47:02,038 --> 00:47:03,078
We want to thank

707
00:47:03,078 --> 00:47:06,718
all the prosthetic makeup and hair people
for all the hard work they did.

708
00:47:06,758 --> 00:47:09,758
It's shown on the screen,
and we're indebted to you forever.

709
00:47:31,718 --> 00:47:32,318
Coming up,

710
00:47:32,318 --> 00:47:36,758
an all star presentation
for the first ever Oscar for casting

711
00:47:36,958 --> 00:47:39,958
only at the Oscars here on ABC.

712
00:47:49,238 --> 00:47:49,917
You touch Me.

713
00:47:49,917 --> 00:47:52,637
And what did you see?

714
00:47:52,637 --> 00:47:54,998
I saw a landscape

715
00:47:54,998 --> 00:47:58,278
space, this undiscovered country.

716
00:47:59,157 --> 00:48:02,157
The film is about hope.

717
00:48:02,437 --> 00:48:04,197
Empathy,

718
00:48:04,197 --> 00:48:05,998
grief

719
00:48:05,998 --> 00:48:08,598
and love.

720
00:48:08,597 --> 00:48:09,877
We have the power

721
00:48:09,877 --> 00:48:13,318
of transforming these feelings into art.

722
00:48:14,197 --> 00:48:17,197
What do you see?

723
00:48:17,437 --> 00:48:19,038
Loves doesn't die,

724
00:48:19,038 --> 00:48:22,038
just transforms.

725
00:48:25,518 --> 00:48:28,157
Please welcome Paul Moscone.

726
00:48:28,157 --> 00:48:29,437
Gwyneth Paltrow.

727
00:48:29,437 --> 00:48:30,318
Che Simpson.

728
00:48:30,318 --> 00:48:33,238
And to fuck them all down.

729
00:48:33,238 --> 00:48:36,238
Why Linda?

730
00:48:52,718 --> 00:48:55,478
The five of us on this stage
are truly honored

731
00:48:55,478 --> 00:48:59,397
to be presenting the first ever Oscar
for achievement in casting,

732
00:49:05,038 --> 00:49:05,998
a great casting

733
00:49:05,998 --> 00:49:08,998
director identifies the soul of a story.

734
00:49:09,117 --> 00:49:12,798
And Nina, you found the soul of happiness
in William Agnew's

735
00:49:12,798 --> 00:49:15,798
This Family.

736
00:49:17,078 --> 00:49:18,398
They were the heart of the film.

737
00:49:18,397 --> 00:49:19,998
And seeing you work with Chloe Zhao

738
00:49:19,998 --> 00:49:22,998
to bring together
the perfect emotional connection

739
00:49:22,998 --> 00:49:26,157
between the children and Jesse and I,
It was incredible to watch.

740
00:49:26,157 --> 00:49:29,157
So thank you.

741
00:49:33,877 --> 00:49:36,637
Being a part of Marty Supreme
meant stepping

742
00:49:36,637 --> 00:49:40,117
into a cast that felt incredibly alive
from the first day.

743
00:49:40,718 --> 00:49:43,197
And that comes from the brilliance
of Jennifer

744
00:49:43,197 --> 00:49:46,197
and Eddie. Wow.

745
00:49:48,877 --> 00:49:49,437
Jennifer,

746
00:49:49,437 --> 00:49:53,318
you have this rare ability
to see people as they truly are

747
00:49:53,597 --> 00:49:56,798
and understand
exactly how they belong inside a story.

748
00:49:57,518 --> 00:50:00,157
With your background in documentaries,
you know the true

749
00:50:00,157 --> 00:50:02,357
value of lived experience.

750
00:50:02,357 --> 00:50:03,357
It can't be things

751
00:50:04,518 --> 00:50:05,677
in your eyes.

752
00:50:05,677 --> 00:50:08,357
Everyone has a character
with a story to tell.

753
00:50:08,357 --> 00:50:10,718
And as someone
lucky enough to be among them,

754
00:50:10,718 --> 00:50:13,718
I felt that care every day on set.

755
00:50:14,197 --> 00:50:18,038
Tonight, we're celebrating the invisible,
exquisite architecture

756
00:50:18,038 --> 00:50:21,158
you built beneath
every moment of Marty Supreme.

757
00:50:29,078 --> 00:50:33,278
I'm standing here tonight because of a
casting director, Cassandra Culliton.

758
00:50:33,278 --> 00:50:36,278
This.

759
00:50:38,958 --> 00:50:40,877
She spent years searching for Willa,

760
00:50:40,877 --> 00:50:43,877
and she saw something in me
that I didn't even know was there.

761
00:50:43,877 --> 00:50:46,478
Her belief in me
helped me believe in myself.

762
00:50:46,478 --> 00:50:49,598
And thanks to her
determination, imagination and instincts,

763
00:50:49,877 --> 00:50:52,958
I was cast in my first feature
film, One Battle after Another,

764
00:50:53,197 --> 00:50:56,197
which has 13 Oscar nominations next.

765
00:51:00,597 --> 00:51:03,357
Three casting directors like Cassandra

766
00:51:03,357 --> 00:51:06,637
know how to bring together actors
we love with new faces

767
00:51:06,838 --> 00:51:09,998
and make a film feel unexpected
and completely original.

768
00:51:18,758 --> 00:51:21,758
The secret agent.

769
00:51:25,758 --> 00:51:26,318
The Secret

770
00:51:26,318 --> 00:51:30,238
agent is set in Brazil in the late 1970s.

771
00:51:31,157 --> 00:51:33,637
Gabrielle Dominguez

772
00:51:33,637 --> 00:51:36,637
had to populate

773
00:51:36,838 --> 00:51:39,518
She had to populate this film with people

774
00:51:39,518 --> 00:51:43,397
who had faces that looked like
they belonged to that time.

775
00:51:44,677 --> 00:51:47,758
Gabrielle You achieved that goal.

776
00:51:51,197 --> 00:51:54,597
You found those faces

777
00:51:56,078 --> 00:51:59,798
and you did it
by taking as much care and attention

778
00:51:59,798 --> 00:52:04,158
with the smallest parts
as you did with the biggest parts.

779
00:52:04,917 --> 00:52:07,838
And the life it gave to our film

780
00:52:07,838 --> 00:52:10,838
is immeasurable.

781
00:52:11,478 --> 00:52:12,998
You, Gabrielle,

782
00:52:12,998 --> 00:52:16,197
use your technique
to shape an entire world

783
00:52:16,518 --> 00:52:19,518
in the secret agent.

784
00:52:25,838 --> 00:52:28,838
And for that I say, but a bench.

785
00:52:33,038 --> 00:52:36,038
Francine Metzler.

786
00:52:41,478 --> 00:52:44,478
We look back at the cast as sinners.

787
00:52:44,518 --> 00:52:48,878
It's apparent to everyone
you know how to discover new talent.

788
00:52:50,117 --> 00:52:53,197
Very grateful
personally to you that you made room for

789
00:52:54,238 --> 00:52:57,238
one who's been doing this a little while

790
00:52:58,758 --> 00:52:59,798
in centers.

791
00:52:59,798 --> 00:53:03,118
Every character feels singular, distinct,

792
00:53:04,238 --> 00:53:08,038
fully lived in Francine, and yet together

793
00:53:08,038 --> 00:53:12,518
they formed something much larger
a living, breathing world.

794
00:53:13,877 --> 00:53:15,998
It didn't happen by accident.

795
00:53:15,998 --> 00:53:19,238
That happened because you, Francine,
you understood

796
00:53:19,798 --> 00:53:22,677
that identity is cultural,

797
00:53:22,677 --> 00:53:24,998
is generational.

798
00:53:24,998 --> 00:53:27,998
It's communal.

799
00:53:35,637 --> 00:53:37,197
And the very first Oscar

800
00:53:37,197 --> 00:53:40,437
for casting goes to Cassandra for the

801
00:53:48,078 --> 00:53:48,638
Cassandra

802
00:53:48,637 --> 00:53:53,877
Curtis wins the inaugural Best Casting
Oscar, the first new competitive Academy

803
00:53:53,877 --> 00:53:56,877
Award in 24 years.

804
00:54:10,958 --> 00:54:11,677
Yeah, I said that.

805
00:54:11,677 --> 00:54:12,958
Okay.

806
00:54:12,958 --> 00:54:13,798
Wow. Wah, wah, wah, wah.

807
00:54:14,117 --> 00:54:17,357
I have to obviously thank the Academy
for even adding this category

808
00:54:17,357 --> 00:54:18,597
and for the casting directors

809
00:54:18,597 --> 00:54:22,637
that fought tirelessly to make it happen
despite everything in their way.

810
00:54:23,197 --> 00:54:25,078
I dedicate this to you

811
00:54:25,078 --> 00:54:28,718
and to the casting directors
who never got a chance to get out of here.

812
00:54:29,197 --> 00:54:31,958
Who didn't even get a chance
to get their name on the movie.

813
00:54:31,958 --> 00:54:34,758
So better for you guys.

814
00:54:34,758 --> 00:54:36,758
When Paul Thomas Anderson calls you.

815
00:54:36,758 --> 00:54:39,758
You enter the witness protection program
and you

816
00:54:40,117 --> 00:54:41,758
literally don't talk to your friends
and your family

817
00:54:41,758 --> 00:54:43,958
unless they have somebody
that's right for the movie.

818
00:54:45,157 --> 00:54:46,357
And I put them all to

819
00:54:46,357 --> 00:54:49,357
work and I get more out of them
when they haven't provided.

820
00:54:50,238 --> 00:54:53,558
And I have to thank all the crew
who I'm in all of your departments,

821
00:54:53,558 --> 00:54:57,197
whether you like me or not,
whether it's locations, who really gave me

822
00:54:57,318 --> 00:55:00,558
stance, product production, design
or art directors.

823
00:55:00,558 --> 00:55:02,998
Yeah, everyone and editors, obviously.

824
00:55:02,998 --> 00:55:04,157
Thank you.

825
00:55:04,157 --> 00:55:10,197
But like, this is a thing and I just
thank you for I mean, ten movies.

826
00:55:10,197 --> 00:55:12,038
We've done this for over 30 years.

827
00:55:12,038 --> 00:55:13,358
Like, we grew up together, I guess.

828
00:55:13,357 --> 00:55:14,838
And this is frickin insane.

829
00:55:14,838 --> 00:55:18,118
And I have one before you,
which is also crazy high.

830
00:55:18,758 --> 00:55:21,397
So, yeah,
I hope you get one tonight. Yeah.

831
00:55:21,397 --> 00:55:22,718
Thank you very much, everybody.

832
00:55:22,718 --> 00:55:25,718
Yeah.

833
00:55:54,409 --> 00:55:55,649
Why didn't you want to do the role?

834
00:55:57,009 --> 00:55:59,529
We wanted you to do it.

835
00:55:59,529 --> 00:56:02,089
I can't work with him.

836
00:56:02,089 --> 00:56:05,089
We can't really talk.

837
00:56:05,129 --> 00:56:08,129
Because only if I made it not liable.

838
00:56:09,329 --> 00:56:11,169
I try to understand people in the movies.

839
00:56:11,169 --> 00:56:13,689
I make

840
00:56:13,689 --> 00:56:17,289
cinematic language
somehow gets us closer to people

841
00:56:17,289 --> 00:56:20,289
than we can in our everyday life.

842
00:56:21,409 --> 00:56:24,409
We're allowed to really look at others,

843
00:56:44,249 --> 00:56:47,289
not the Oscars

844
00:56:49,889 --> 00:56:51,889
are an international event.

845
00:56:51,889 --> 00:56:55,009
In that spirit,
please welcome live from London,

846
00:56:55,329 --> 00:56:58,329
our announcer, Matt Berry.

847
00:56:58,649 --> 00:57:00,329
Thank you, country.

848
00:57:00,329 --> 00:57:03,089
It's a huge honor
and a thrill to be here tonight.

849
00:57:03,089 --> 00:57:05,929
Well, we're thrilled to have you, Matt.

850
00:57:05,929 --> 00:57:08,329
Who are you excited to see tonight?

851
00:57:08,329 --> 00:57:13,049
Well, I've always been a fan of Benicio
Del Toro, Sigourney Weaver,

852
00:57:13,609 --> 00:57:16,609
and, of course, Basil Rathbone.

853
00:57:18,009 --> 00:57:21,449
Sorry to tell you that Basil Rathbone
died almost 60 years ago.

854
00:57:23,049 --> 00:57:25,249
Is that right?

855
00:57:25,249 --> 00:57:28,209
Well, that's live TV for you.

856
00:57:28,209 --> 00:57:30,049
No, it's not.

857
00:57:30,049 --> 00:57:31,889
Anyway, Matt Berry, I salute you.

858
00:57:31,889 --> 00:57:33,409
And thank you very much for doing this.

859
00:57:33,409 --> 00:57:36,409
I thank you. Yeah. Bless you.

860
00:57:36,769 --> 00:57:38,609
Here to present our next award

861
00:57:38,609 --> 00:57:41,729
is the man who has the body
of a marvel Comics hero

862
00:57:41,849 --> 00:57:44,729
and the voice of a marvel Comics
collector.

863
00:57:44,729 --> 00:57:47,729
Oscar nominee Kumail Nanjiani

864
00:58:00,489 --> 00:58:04,089
says it hurts because it's true.

865
00:58:08,129 --> 00:58:10,969
I got no warning that was going to happen.

866
00:58:10,969 --> 00:58:14,649
I am here to present the Oscar
for Best Live-Action short film.

867
00:58:15,049 --> 00:58:18,889
There is real art to making a short film
to tell a story

868
00:58:18,889 --> 00:58:22,889
that efficiently
takes vision, creativity and discipline.

869
00:58:22,889 --> 00:58:23,929
And I'll say it.

870
00:58:23,929 --> 00:58:27,489
I think many full length movies would work
just as well, if not better,

871
00:58:27,769 --> 00:58:28,889
as short films.

872
00:58:30,369 --> 00:58:31,569
You know what?

873
00:58:31,569 --> 00:58:35,049
We should take some of these feature
films, remake them in shorts,

874
00:58:35,489 --> 00:58:36,489
save us some time.

875
00:58:36,489 --> 00:58:39,049
We have so much going on.

876
00:58:39,049 --> 00:58:42,569
Instead of It's a Wonderful Life,
how about It's a wonderful month?

877
00:58:43,929 --> 00:58:46,929
West Side Anecdote.

878
00:58:46,929 --> 00:58:49,609
The King's Tweet.

879
00:58:49,609 --> 00:58:52,609
Some of that jazz.

880
00:58:53,929 --> 00:58:56,929
Call me by your nickname.

881
00:58:57,129 --> 00:59:00,129
No Country for Old Man.

882
00:59:00,809 --> 00:59:03,809
One Battle.

883
00:59:05,009 --> 00:59:06,649
That's it.

884
00:59:06,649 --> 00:59:08,529
You got one.

885
00:59:08,529 --> 00:59:11,529
Choose wisely, Paul.

886
00:59:11,529 --> 00:59:14,529
Schindler's posted.

887
00:59:15,049 --> 00:59:18,049
The nominees are.

888
00:59:21,169 --> 00:59:22,209
Put your stay.

889
00:59:22,209 --> 00:59:25,209
Meyer, Levinson, Blunt and Lauren Caspi,

890
00:59:26,049 --> 00:59:29,129
a friend of Dorothy
Lee Knight and James Dean.

891
00:59:30,609 --> 00:59:32,649
Jane Austin's period drama

892
00:59:32,649 --> 00:59:35,649
Julia AX and Steve Pinder.

893
00:59:35,889 --> 00:59:39,089
The singers Fannie Davis and Jack hire

894
00:59:40,209 --> 00:59:42,369
two people, exchanging saliva.

895
00:59:42,369 --> 00:59:45,369
Alexandra saying, And that Lima Theater

896
00:59:50,529 --> 00:59:53,529
and the Oscar goes to.

897
00:59:54,129 --> 00:59:55,049
It's a tie.

898
00:59:55,049 --> 00:59:56,169
I'm not joking.

899
00:59:56,169 --> 00:59:57,809
It's actually a tie.

900
00:59:57,809 --> 00:59:59,049
So everyone come down.

901
00:59:59,049 --> 01:00:01,329
We're going to get through this. Focus up.

902
01:00:01,329 --> 01:00:03,529
I'm calm down to remain calm.

903
01:00:03,529 --> 01:00:05,649
I'm going to name one winner.

904
01:00:05,649 --> 01:00:07,129
They'll Come up, accept their award,

905
01:00:07,129 --> 01:00:09,129
and then I'll come back and name
another winner.

906
01:00:09,129 --> 01:00:10,249
And then they'll accept their award.

907
01:00:10,249 --> 01:00:12,609
Okay, here we go.

908
01:00:12,609 --> 01:00:15,289
One Oscar goes to the singers.

909
01:00:22,969 --> 01:00:25,969
first
Oscar win a nomination for Jack Pine.

910
01:00:26,249 --> 01:00:28,969
The first win and second nomination
to Sunday.

911
01:00:28,969 --> 01:00:31,969
Davis,

912
01:00:33,689 --> 01:00:36,689
the tie. Wow.

913
01:00:37,169 --> 01:00:38,049
I didn't know that was.

914
01:00:38,049 --> 01:00:40,529
I don't know. That was the thing. A tie.

915
01:00:40,529 --> 01:00:41,489
But we're happy to be up here.

916
01:00:41,489 --> 01:00:45,169
First, I want to thank my my parents
who convinced the kid from Pottsville,

917
01:00:45,169 --> 01:00:48,609
Michigan,
that this was a viable career avenue.

918
01:00:49,049 --> 01:00:52,689
Thank you, mom and dad to our entire crew,
but especially to these guys

919
01:00:52,689 --> 01:00:53,569
standing behind me.

920
01:00:53,569 --> 01:00:56,569
They Robichaux and Jack Piatt,
my producers.

921
01:00:56,769 --> 01:00:58,849
Who will this thing into existence?

922
01:00:58,849 --> 01:01:01,209
To our incredible cast of first timers.

923
01:01:01,209 --> 01:01:04,609
People who had never acted before
and never really imagined themselves

924
01:01:04,609 --> 01:01:05,649
on the big screen.

925
01:01:05,649 --> 01:01:10,049
Mike Young is here, New York City
Subway Busker as you may have seen him,

926
01:01:11,729 --> 01:01:14,729
thank you to Netflix, to my girlfriend
Paris,

927
01:01:14,769 --> 01:01:18,289
to the La Habra Moose Lodge
and of course, to the Academy.

928
01:01:18,329 --> 01:01:20,049
Crazy sentence, I know.

929
01:01:20,049 --> 01:01:23,529
And finally, the singers is a simple story
about the power of music

930
01:01:23,529 --> 01:01:25,489
and art to bring us together in a moment

931
01:01:25,489 --> 01:01:28,529
when we live in
an increasingly isolated world.

932
01:01:28,929 --> 01:01:31,929
May we keep looking for beauty
in unexpected places?

933
01:01:32,369 --> 01:01:34,689
May we all be brave enough
to keep on singing?

934
01:01:34,689 --> 01:01:37,689
Thank you.

935
01:01:46,049 --> 01:01:48,009
Ironic that the short film Oscar

936
01:01:48,009 --> 01:01:51,009
is going to take twice as long,

937
01:01:53,649 --> 01:01:55,449
and the second Oscar goes

938
01:01:55,449 --> 01:01:58,449
to two people exchanging saliva.

939
01:02:02,209 --> 01:02:05,809
This is the first Oscar win
and nomination for Alexandra Sui

940
01:02:06,169 --> 01:02:09,169
and Natalie Muschietti.

941
01:02:18,249 --> 01:02:18,849
I believe

942
01:02:18,849 --> 01:02:22,329
this is only happened
three times in history before

943
01:02:22,569 --> 01:02:27,129
and we are so happy to be sharing
this Oscar with the singers we love.

944
01:02:27,329 --> 01:02:29,449
All of our fellow nominees.

945
01:02:29,449 --> 01:02:33,649
And we're so, so grateful to everyone
who has supported our film

946
01:02:33,649 --> 01:02:34,929
and who made this film.

947
01:02:34,929 --> 01:02:38,689
Our crew,
the Gallery, Lafayette, The New Yorker,

948
01:02:38,849 --> 01:02:44,369
our EP's, Julianne Moore and Isabelle
Huppert, our family, our friends.

949
01:02:44,649 --> 01:02:48,609
Souvenir and our little girl Sophia sing

950
01:02:49,129 --> 01:02:53,369
and thank you to the Academy for for, for,
for supporting a film

951
01:02:53,369 --> 01:02:56,369
that is weird and that is queer
and that is

952
01:02:57,129 --> 01:03:00,169
made by a majority of women in

953
01:03:04,009 --> 01:03:10,489
and among all

954
01:03:17,409 --> 01:03:18,769
so and

955
01:03:18,769 --> 01:03:23,089
for having rewarded a French film
made by a Franco Indian Brits,

956
01:03:23,409 --> 01:03:27,249
a Romanian American, an Argentinean
and an Italian

957
01:03:27,249 --> 01:03:30,969
with actresses Aurélie Buika,
Vicky Krieps from Luxembourg,

958
01:03:31,849 --> 01:03:34,489
and Pastrami from Kosovo, and Zaw Amir

959
01:03:34,489 --> 01:03:37,489
from Iran, who cannot be here tonight.

960
01:03:38,089 --> 01:03:41,329
She just had a baby girl two days ago.

961
01:03:41,649 --> 01:03:45,489
Nyla Jane, you are the hope in a world

962
01:03:45,489 --> 01:03:49,569
that is dark and absurd
and ridiculous and horrifying.

963
01:03:50,169 --> 01:03:53,649
But that is why we make films,
is not because we believe that art

964
01:03:53,849 --> 01:03:55,449
can change people's souls.

965
01:03:55,449 --> 01:03:58,729
Maybe it takes ten years time,
but we can change society through art,

966
01:03:58,729 --> 01:04:01,729
through creativity,
through theater and ballet, and.

967
01:04:06,009 --> 01:04:07,249
And also cinema.

968
01:04:07,249 --> 01:04:08,049
Thank you so much.

969
01:04:08,049 --> 01:04:11,049
Thank you.

970
01:04:19,489 --> 01:04:22,249
I just want to say congratulations
to both winners.

971
01:04:22,249 --> 01:04:25,569
You just ruined 22 million Oscar pools.

972
01:04:29,129 --> 01:04:30,289
And I know we're tight, but

973
01:04:30,289 --> 01:04:33,289
to retract a microphone on a man

974
01:04:33,409 --> 01:04:36,009
as he speaking is hilarious.

975
01:04:36,009 --> 01:04:39,009
Next up,

976
01:04:41,169 --> 01:04:43,889
next step is a really, really fine fellow.

977
01:04:43,889 --> 01:04:46,889
And Oscar winner
for best Supporting actor.

978
01:04:47,009 --> 01:04:47,569
Please welcome.

979
01:04:47,569 --> 01:04:50,569
I love this guy, Kieran Culkin,

980
01:04:58,449 --> 01:05:06,249
who I have been given the honor

981
01:05:06,249 --> 01:05:09,249
to introduce the nominees for actor
in a supporting role.

982
01:05:10,809 --> 01:05:14,049
Gentlemen, you gave us performances
we will always remember.

983
01:05:14,649 --> 01:05:18,449
And now it is my genuine
pleasure to give one of you a moment

984
01:05:18,449 --> 01:05:21,449
I hope you will never forget.

985
01:05:24,489 --> 01:05:25,689
Benicio Del Toro.

986
01:05:25,689 --> 01:05:27,769
One battle after another.

987
01:05:27,769 --> 01:05:30,529
Whether you talk out of the vehicle back
there,

988
01:05:30,529 --> 01:05:32,809
crash. You sure about that?

989
01:05:32,809 --> 01:05:35,409
Yes, ma'am. You've been drinking today?

990
01:05:35,409 --> 01:05:37,849
I've had a few. A few what?

991
01:05:37,849 --> 01:05:39,649
Small beers.

992
01:05:39,649 --> 01:05:41,409
Jacob Elordi, Frankenstein.

993
01:05:44,929 --> 01:05:46,209
Sean Shaw.

994
01:05:46,209 --> 01:05:47,969
The House

995
01:05:47,969 --> 01:05:50,729
of Correction.

996
01:05:50,729 --> 01:05:53,729
A symbol from the discarded dead

997
01:05:54,889 --> 01:05:57,249
Delroy Lindo centers

998
01:05:57,249 --> 01:06:00,049
around the amount of booze
belong to white folks.

999
01:06:00,049 --> 01:06:01,449
Here at the blues is fine.

1000
01:06:01,449 --> 01:06:04,449
They just don't like the people
who make you

1001
01:06:04,969 --> 01:06:05,969
Sean Penn.

1002
01:06:05,969 --> 01:06:08,809
One battle after another is doesn't line

1003
01:06:08,809 --> 01:06:11,809
up the big screen.

1004
01:06:13,569 --> 01:06:15,289
But if it does line up,

1005
01:06:15,289 --> 01:06:18,249
if it's a straight line,

1006
01:06:18,249 --> 01:06:20,769
you got probably

1007
01:06:20,769 --> 01:06:23,529
Stellan Skarsgard sentimental value.

1008
01:06:23,529 --> 01:06:26,449
He should give us the best actors
of a generation.

1009
01:06:26,449 --> 01:06:27,849
The Lucky, as you see here.

1010
01:06:27,849 --> 01:06:30,849
You should be grateful.

1011
01:06:34,049 --> 01:06:36,849
And the Oscar goes to

1012
01:06:36,849 --> 01:06:37,929
Sean Penn.

1013
01:06:37,929 --> 01:06:40,929
One battle after another.

1014
01:06:46,609 --> 01:06:49,809
Sean Penn couldn't be here this evening
or didn't want to.

1015
01:06:49,849 --> 01:06:52,849
So I'll be accepting the award
on his behalf

1016
01:07:00,809 --> 01:07:03,649
and still

1017
01:07:03,649 --> 01:07:06,649
to come, the awards
for adapted and original screenplay.

1018
01:07:06,889 --> 01:07:08,449
As we celebrate more movies.

1019
01:07:08,449 --> 01:07:13,129
We love being on the Oscars from the Dolby
Theater at Ovation, Hollywood

1020
01:07:31,316 --> 01:07:32,826
and I know who you are.

1021
01:07:33,345 --> 01:07:34,865
I know what you are.

1022
01:07:34,865 --> 01:07:36,545
You know I'm not an alien.

1023
01:07:36,545 --> 01:07:39,545
Like I said afterwards,

1024
01:07:39,666 --> 01:07:43,585
I find fascinating
that people are willing to question

1025
01:07:43,585 --> 01:07:47,585
what reality is
and try and find their own truth.

1026
01:07:49,545 --> 01:07:52,545
It all starts with something

1027
01:07:53,265 --> 01:08:02,345
magnificent, like

1028
01:08:06,345 --> 01:08:08,385
we're like we're barely into this show.

1029
01:08:08,385 --> 01:08:10,666
We already have a tie, right?

1030
01:08:10,666 --> 01:08:13,465
And we have a no show in in Sean Penn.

1031
01:08:13,465 --> 01:08:14,666
This thing's a humdinger.

1032
01:08:14,666 --> 01:08:17,666
You got to stay tuned.

1033
01:08:19,386 --> 01:08:21,426
It's been widely reported

1034
01:08:21,426 --> 01:08:26,066
that some studios are now insisting
filmmakers repeat information

1035
01:08:26,267 --> 01:08:30,987
and restate the plot several times
in their movies in order to accommodate

1036
01:08:31,267 --> 01:08:33,026
the modern movie viewer

1037
01:08:33,026 --> 01:08:36,066
who's half watching because
they're distracted by their phones.

1038
01:08:36,666 --> 01:08:39,307
Some are upset about this.

1039
01:08:39,307 --> 01:08:41,106
I don't think it's a big deal.

1040
01:08:41,106 --> 01:08:44,626
Please enjoy this scene
from an updated Hollywood classic

1041
01:08:47,747 --> 01:08:49,626
Casablanca with CONAN

1042
01:08:49,626 --> 01:08:52,626
O'Brien and Sterling K Brown.

1043
01:08:56,787 --> 01:08:58,507
Of all the gin joints

1044
01:08:58,506 --> 01:09:01,827
and all the towns in all the world,
she walks into mine,

1045
01:09:02,386 --> 01:09:05,386
she being Ilsa right?

1046
01:09:06,827 --> 01:09:08,827
Yeah, That's her name.

1047
01:09:08,827 --> 01:09:09,387
Yeah.

1048
01:09:09,386 --> 01:09:13,986
That's got to be tough because she ghosted
you at that train station in Paris.

1049
01:09:15,747 --> 01:09:18,867
It definitely contributed
to my overall cynicism,

1050
01:09:18,867 --> 01:09:21,867
what with this being World War Two and all

1051
01:09:22,986 --> 01:09:25,506
World War Two.

1052
01:09:25,506 --> 01:09:28,506
That's the Hitler one, right?

1053
01:09:29,347 --> 01:09:32,347
Sure is, Sam. Oh,

1054
01:09:33,066 --> 01:09:36,187
and, Rick, to reiterate,
you're just now realizing

1055
01:09:36,187 --> 01:09:39,787
that you're still in love with Ilsa,
even though she's married.

1056
01:09:41,146 --> 01:09:42,787
That's right, Sam.

1057
01:09:42,787 --> 01:09:45,947
I'm in a love train during World War Two.

1058
01:09:46,986 --> 01:09:48,707
Crazy

1059
01:09:48,707 --> 01:09:50,626
Thank you very much, Sterling K

1060
01:09:50,626 --> 01:09:53,626
Brown, everybody.

1061
01:09:53,946 --> 01:09:56,267
And now,

1062
01:09:56,267 --> 01:09:59,106
now to present the awards
for screenwriting.

1063
01:09:59,106 --> 01:10:02,867
And to be clear, the award we're talking
about is the draft.

1064
01:10:02,906 --> 01:10:03,906
That's correct.

1065
01:10:06,827 --> 01:10:10,387
Please welcome Chris Evans and Oscar
winner

1066
01:10:10,506 --> 01:10:13,506
Robert Downey Jr.

1067
01:10:24,546 --> 01:10:27,787
Wow. The script, right?

1068
01:10:28,146 --> 01:10:30,347
It's the driving force of any film.

1069
01:10:30,347 --> 01:10:34,267
And this has truly been a banner year
for screenwriters to say that.

1070
01:10:34,347 --> 01:10:35,827
Yeah,

1071
01:10:35,827 --> 01:10:38,666
but you gave me for our anniversary.

1072
01:10:38,666 --> 01:10:40,307
Dude, hold on. I'm just. I'm doing.

1073
01:10:40,307 --> 01:10:43,867
It's the 14th year
anniversary of our first Avengers movie.

1074
01:10:43,867 --> 01:10:45,427
I got you. Yeah.

1075
01:10:45,426 --> 01:10:48,946
A signed copy of the original script
signed by the whole cast.

1076
01:10:48,946 --> 01:10:51,146
It's backstage.
Okay. I really thought this through.

1077
01:10:51,146 --> 01:10:52,586
Yeah,

1078
01:10:52,586 --> 01:10:54,426
Yeah, it's not backstage.

1079
01:10:54,426 --> 01:10:55,267
Mine's backstage.

1080
01:10:55,267 --> 01:10:56,947
You didn't get the course.

1081
01:10:56,946 --> 01:10:58,707
I did. Yes, I know you did, bro. I got.

1082
01:10:58,707 --> 01:11:00,267
I got it.

1083
01:11:00,267 --> 01:11:01,427
I got me.

1084
01:11:01,426 --> 01:11:02,106
Look.

1085
01:11:02,106 --> 01:11:05,106
Saw you.

1086
01:11:05,546 --> 01:11:08,546
This is your valet parking ticket.

1087
01:11:08,787 --> 01:11:09,707
You self drove?

1088
01:11:09,707 --> 01:11:11,106
I did. I'm a man of the people,

1089
01:11:12,747 --> 01:11:13,907
but I didn't really think that through.

1090
01:11:13,906 --> 01:11:14,827
I'm going to need it back.

1091
01:11:14,827 --> 01:11:17,827
Sorry.

1092
01:11:18,666 --> 01:11:21,666
The nominees for Best Adapted
Screenplay are

1093
01:11:24,747 --> 01:11:27,747
Begonia Screenplay by Will Tracy.

1094
01:11:27,827 --> 01:11:31,067
And I'm supposed to believe
you're a 45 year old woman,

1095
01:11:32,227 --> 01:11:34,026
human woman.

1096
01:11:34,026 --> 01:11:37,586
I mean, I follow a very strict reverse
aging diet and therapy program.

1097
01:11:39,506 --> 01:11:42,506
Frankenstein
written for the screen by Gamo del Toro.

1098
01:11:42,946 --> 01:11:46,267
If this is not to be construed

1099
01:11:46,386 --> 01:11:49,386
this my son, Wherever you are,

1100
01:11:50,666 --> 01:11:54,747
what recourse do you have to leave him?

1101
01:11:54,747 --> 01:11:57,867
The screenplay by Chloe
Zhao and Maggie Wilson.

1102
01:11:58,906 --> 01:12:00,066
I must be hand Foster to you.

1103
01:12:00,066 --> 01:12:01,586
No one else will do.

1104
01:12:01,586 --> 01:12:03,666
I will speak with your stepmother
and your brother.

1105
01:12:03,666 --> 01:12:06,666
And of course they will not agree. But

1106
01:12:08,026 --> 01:12:10,626
I don't care
because I have no talent for waiting

1107
01:12:12,946 --> 01:12:14,506
one battle after another.

1108
01:12:14,506 --> 01:12:16,867
Written by Paul Thomas Anderson.

1109
01:12:16,867 --> 01:12:18,187
How many women?

1110
01:12:18,187 --> 01:12:19,546
I don't know. A bunch.

1111
01:12:19,546 --> 01:12:22,466
Ten or 20

1112
01:12:22,466 --> 01:12:24,307
weapons.

1113
01:12:24,307 --> 01:12:27,307
I think they're vegetarian.

1114
01:12:27,867 --> 01:12:29,067
Train Dreams

1115
01:12:29,066 --> 01:12:31,867
Screenplay
by Clint Bentley and Greg Brain.

1116
01:12:31,867 --> 01:12:35,267
You worry more and more as something
terrible was following them.

1117
01:12:36,267 --> 01:12:39,267
The deaths I would find him out here

1118
01:12:39,307 --> 01:12:42,307
far away from the only place
he really wanted to be.

1119
01:12:49,026 --> 01:12:51,666
And the Oscar goes to

1120
01:12:51,666 --> 01:12:52,946
one battle after another.

1121
01:12:52,946 --> 01:12:55,946
Paul Thomas Anderson.

1122
01:12:57,747 --> 01:12:59,427
This is the first Oscar win

1123
01:12:59,426 --> 01:13:02,466
and 14th nomination for Paul Thomas fans,

1124
01:13:03,187 --> 01:13:05,867
including his nominations
this year for directing

1125
01:13:05,867 --> 01:13:08,867
Best Picture

1126
01:13:10,267 --> 01:13:25,307
and thank you.

1127
01:13:26,586 --> 01:13:29,347
Thank you very, very much.

1128
01:13:29,347 --> 01:13:32,347
I'm incredibly honored
to be part of this history.

1129
01:13:34,707 --> 01:13:35,586
This is an adaption.

1130
01:13:35,586 --> 01:13:39,146
So I owe a huge debt of of of admiration

1131
01:13:39,146 --> 01:13:42,146
and love to Thomas Pynchon

1132
01:13:42,426 --> 01:13:45,426
and he writer knows that you're

1133
01:13:46,066 --> 01:13:48,466
you either beg for forgiveness
or your special thanks

1134
01:13:48,466 --> 01:13:51,666
is really to your family
and the people that you share a roof with

1135
01:13:51,906 --> 01:13:54,906
who put up with what it means
to live with a writer.

1136
01:13:55,586 --> 01:13:56,227
To Maya.

1137
01:13:57,747 --> 01:14:00,187
Yeah.

1138
01:14:00,187 --> 01:14:03,187
Rainer, Sylvia Gu, Uncle Paul, Jojo.

1139
01:14:03,307 --> 01:14:06,146
I wrote this movie for my kids

1140
01:14:06,146 --> 01:14:08,946
to say sorry for the.

1141
01:14:08,946 --> 01:14:11,187
The housekeeping mess
that we left in this world.

1142
01:14:11,187 --> 01:14:14,907
We're handing off to them,
but also with the encouragement

1143
01:14:15,787 --> 01:14:18,187
that they will be the generation that

1144
01:14:18,187 --> 01:14:21,146
hopefully brings us
some common sense and decency.

1145
01:14:21,146 --> 01:14:24,546
My poor Lucy, Jack and Ida, I love you.

1146
01:14:24,546 --> 01:14:25,626
Thank you very much.

1147
01:14:25,626 --> 01:14:26,586
Thank you very much.

1148
01:14:26,586 --> 01:14:29,586
Thank you.

1149
01:14:47,146 --> 01:14:50,787
No doubt he is very gay.

1150
01:14:52,267 --> 01:14:56,707
Speaking of anniversaries,
it was 50 years ago that Frank Pearson won

1151
01:14:56,707 --> 01:15:01,106
for Best Original screenplay
for Dog Day after news.

1152
01:15:02,106 --> 01:15:03,146
I was just Josh.

1153
01:15:03,146 --> 01:15:05,426
Oh, of course I got you.

1154
01:15:05,426 --> 01:15:07,386
I got you.

1155
01:15:07,386 --> 01:15:09,187
The official

1156
01:15:09,187 --> 01:15:12,026
tanning Chatham thong for Magic Mike.

1157
01:15:12,026 --> 01:15:13,146
It's Sequin, right?

1158
01:15:13,146 --> 01:15:16,347
It's got like a mirror
mirror ball effect, light usage.

1159
01:15:19,026 --> 01:15:20,787
I have no words.

1160
01:15:20,787 --> 01:15:23,787
I haven't need that back, though.

1161
01:15:26,227 --> 01:15:28,707
For what?

1162
01:15:28,707 --> 01:15:30,907
I got to work later room.

1163
01:15:30,906 --> 01:15:33,747
TOTENBERG The nominees for best

1164
01:15:33,747 --> 01:15:36,747
Original Screenplay are

1165
01:15:37,946 --> 01:15:40,946
Blue Moon, written by Robert Kaplan.

1166
01:15:41,146 --> 01:15:44,506
They should put my picture on that
by the whiskey

1167
01:15:44,707 --> 01:15:47,707
that made Lawrence Hart unemployable.

1168
01:15:48,347 --> 01:15:49,947
It was just an accident.

1169
01:15:49,946 --> 01:15:53,347
Written by Jafar Panahi, script
collaborators.

1170
01:15:53,466 --> 01:15:54,546
No, dear. Sorry.

1171
01:15:54,546 --> 01:16:00,227
Bars, Shot Mirror Rothstein, Medhi Mahmoud
Young anymore wanted me around

1172
01:16:00,227 --> 01:16:04,427
dismissal notion, but apparently Scooter
will be Kenny Monaco.

1173
01:16:04,506 --> 01:16:07,026
Additional candor
are getting caught accountable.

1174
01:16:07,026 --> 01:16:08,946
She and he could have had only
a small spatula.

1175
01:16:08,946 --> 01:16:10,506
Candy

1176
01:16:10,506 --> 01:16:13,867
Marty Supreme written by Ronald Brownstein
and Josh Safdie

1177
01:16:15,066 --> 01:16:16,626
do the job.

1178
01:16:16,626 --> 01:16:18,787
No, I mean, table tennis, my job.

1179
01:16:18,787 --> 01:16:20,427
How do you live where I live?

1180
01:16:20,426 --> 01:16:22,026
With the confidence of
I believe in myself.

1181
01:16:22,026 --> 01:16:22,747
The money will follow.

1182
01:16:22,747 --> 01:16:25,267
Ultimately,
my struggle isn't even about money.

1183
01:16:25,267 --> 01:16:27,307
How do you pay rent? I don't.

1184
01:16:28,626 --> 01:16:29,187
Sentimental

1185
01:16:29,187 --> 01:16:32,427
value written by skill, food
and joking truth.

1186
01:16:32,626 --> 01:16:33,666
And here goes.

1187
01:16:33,666 --> 01:16:35,907
Tonight was done.

1188
01:16:35,906 --> 01:16:37,946
It was a buffet. Yeah.

1189
01:16:37,946 --> 01:16:40,946
Thank you for Barnaba

1190
01:16:41,066 --> 01:16:44,066
Sinners written by Ryan Cooper.

1191
01:16:44,747 --> 01:16:47,227
You guys were in the studio

1192
01:16:47,227 --> 01:16:48,947
and think Would you sit up tonight?

1193
01:16:48,946 --> 01:16:49,827
Open up next week?

1194
01:16:49,827 --> 01:16:52,267
You know that it's got to be tonight.

1195
01:16:52,267 --> 01:16:54,187
Grand opening started with a bang.

1196
01:16:54,187 --> 01:16:56,946
Well, we start with a misfire.

1197
01:16:56,946 --> 01:16:59,386
Alaska.

1198
01:16:59,386 --> 01:17:02,386
That's a modified way to be free. Any

1199
01:17:08,146 --> 01:17:11,146
and the Oscar goes to

1200
01:17:12,267 --> 01:17:15,267
Ryan Coogler.

1201
01:17:16,747 --> 01:17:19,987
Ryan Coogler
is three nominations this year

1202
01:17:19,986 --> 01:17:23,187
and this is his first Oscar win
with five nominations

1203
01:17:23,187 --> 01:17:26,187
overall.

1204
01:17:42,707 --> 01:17:45,707
I was struck

1205
01:17:46,146 --> 01:17:48,827
to see

1206
01:17:48,827 --> 01:17:51,187
three, three, three.

1207
01:17:51,187 --> 01:17:53,466
Hey, I

1208
01:17:53,466 --> 01:17:56,227
please, please, please sit out
because because I'm very nervous

1209
01:17:56,227 --> 01:17:57,066
and I got to play me off.

1210
01:17:58,227 --> 01:18:00,307
I'm from I grew up in Oakland,
Richmond, California.

1211
01:18:00,307 --> 01:18:01,387
We can talk a lot.

1212
01:18:01,386 --> 01:18:05,026
So so I'm I want to thank the Academy

1213
01:18:05,026 --> 01:18:07,666
for thinking of our movie
that came out almost a year ago.

1214
01:18:07,666 --> 01:18:08,707
It is an incredible honor.

1215
01:18:08,707 --> 01:18:11,347
I want to thank my fellow nominees,
you guys.

1216
01:18:11,347 --> 01:18:12,827
I want to thank you all for the gifts
that your movie

1217
01:18:12,827 --> 01:18:14,666
is wearing for your friendship
over the past years.

1218
01:18:14,666 --> 01:18:15,946
And once

1219
01:18:15,946 --> 01:18:17,827
I want to thank everybody
that was involved with this movie,

1220
01:18:17,827 --> 01:18:20,827
starting with Warner Brothers,
my companion here, David here somewhere,

1221
01:18:20,827 --> 01:18:23,267
everybody on my cast and crew,
please stand up.

1222
01:18:23,267 --> 01:18:26,267
You guys are amazing.
You guys are amazing.

1223
01:18:26,506 --> 01:18:27,787
You guys, guys.

1224
01:18:27,787 --> 01:18:28,747
Oh, my God.

1225
01:18:28,747 --> 01:18:30,947
You guys, you guys,

1226
01:18:30,946 --> 01:18:32,506
you all, you all that.

1227
01:18:32,506 --> 01:18:35,267
You all are winners in my book.
Y'all are winners in my book.

1228
01:18:35,267 --> 01:18:38,106
So what several high end is, is equal
guys are the best movies in the world.

1229
01:18:38,106 --> 01:18:39,946
Zazie the best wife and mom in the world.

1230
01:18:39,946 --> 01:18:42,946
Every day I look at this movie, which was
better than, the one that came before it.

1231
01:18:43,466 --> 01:18:45,187
It's my parents who are here.

1232
01:18:45,187 --> 01:18:46,146
Thank you all for all your memories.

1233
01:18:46,146 --> 01:18:47,787
Thank you all
for making me believe in myself

1234
01:18:47,787 --> 01:18:49,707
and to my babies
that are all home watching.

1235
01:18:49,707 --> 01:18:52,227
I apologize for all the time away
that loves you.

1236
01:18:52,227 --> 01:18:54,546
Memories, all we have.
I hope I gave you some great ones.

1237
01:18:54,546 --> 01:18:56,707
And when you are blessed
to live a long life

1238
01:18:56,707 --> 01:18:59,187
and that becomes just a memory,
I want you all. I remember this one thing.

1239
01:18:59,187 --> 01:19:00,666
I love you
all more than anything. Thank you.

1240
01:19:12,106 --> 01:19:12,626
Still to

1241
01:19:12,626 --> 01:19:15,707
come, more stars, more envelopes,
more excitement.

1242
01:19:15,707 --> 01:19:20,827
Then later, a celebrity version of the
global sensation K-Pop demon Hunters.

1243
01:19:21,026 --> 01:19:24,026
Here on the Oscars

1244
01:19:37,817 --> 01:19:39,377
every year.

1245
01:19:39,377 --> 01:19:41,017
Thank you.

1246
01:19:41,017 --> 01:19:45,417
Every year we acknowledge
the loss of great artists in our industry.

1247
01:19:45,657 --> 01:19:48,697
And sadly, tonight,
we are faced with the passing

1248
01:19:48,697 --> 01:19:51,697
of some extraordinary giants and film.

1249
01:19:51,937 --> 01:19:56,337
Here to speak about a good friend
and amazing talent is Mr.

1250
01:19:56,337 --> 01:19:59,337
Billy Crystal.

1251
01:20:11,377 --> 01:20:13,017
Thank you so much.

1252
01:20:13,017 --> 01:20:18,017
I first met Rob Reiner in 1975
when I was cast as his best friend

1253
01:20:18,017 --> 01:20:21,697
in an episode of All in the Family
and it went so well, Rob said.

1254
01:20:21,697 --> 01:20:23,337
You know,
it was fun playing your best friend.

1255
01:20:23,337 --> 01:20:25,297
Why don't we keep it going?

1256
01:20:25,297 --> 01:20:27,697
And it was a thrill to see him
evolve from a great comic

1257
01:20:27,697 --> 01:20:30,697
actor to a master storyteller.

1258
01:20:30,977 --> 01:20:33,457
His first film is This is Spinal Tap.

1259
01:20:34,537 --> 01:20:38,417
Yes, you could stop right there.

1260
01:20:39,337 --> 01:20:43,537
The hilarious and brilliant mockumentary
with a comedy was turned up to 11.

1261
01:20:44,497 --> 01:20:47,617
Then John Cusack and Daphne Zuniga
and the Pursuit of Love.

1262
01:20:47,617 --> 01:20:50,617
And the sure thing.

1263
01:20:50,617 --> 01:20:53,137
And then he beautifully portrays

1264
01:20:53,137 --> 01:20:56,217
the pain of boys about to become men
and stand by me.

1265
01:21:00,097 --> 01:21:03,697
Next, the inconceivable tale of true

1266
01:21:03,697 --> 01:21:06,697
love and rodents of unusual size,

1267
01:21:06,817 --> 01:21:10,057
revenge, a gentle giant sword fights

1268
01:21:10,297 --> 01:21:13,297
and an old miracle man
and his wife in The Princess Bride.

1269
01:21:13,657 --> 01:21:16,657
Then with an Oscar
nominated Nora Ephron script.

1270
01:21:17,057 --> 01:21:20,057
Bruno Kirby, Carrie Fisher, Meg Ryan,

1271
01:21:20,497 --> 01:21:23,497
and myself.

1272
01:21:23,817 --> 01:21:25,337
Then it was New York in the fall.

1273
01:21:25,337 --> 01:21:26,417
Katz's Deli.

1274
01:21:26,417 --> 01:21:30,497
I'll have what she's having Baby
fish, mouth pecan pie.

1275
01:21:31,377 --> 01:21:34,537
And Harry telling Sally when, You realize
you want to spend the rest of your life

1276
01:21:34,537 --> 01:21:35,057
with somebody.

1277
01:21:35,057 --> 01:21:38,057
You want the rest of your life
to start as soon as possible.

1278
01:21:38,177 --> 01:21:41,617
Audiences then lined up to see his funny,
charming films.

1279
01:21:41,857 --> 01:21:43,977
So he gave them misery,

1280
01:21:46,297 --> 01:21:47,377
a psychodrama

1281
01:21:47,377 --> 01:21:50,857
and an Oscar for Kathy Bates
playing the psycho in that drama.

1282
01:21:51,337 --> 01:21:56,337
Aaron Sorkin's courtroom thriller
A Best Picture nominee with Moore,

1283
01:21:56,337 --> 01:22:00,577
Kevin Pollak and a few good men named Tom
Cruise and Jack Nicholson,

1284
01:22:01,097 --> 01:22:04,097
who warned us, You can't handle the truth,

1285
01:22:04,137 --> 01:22:07,137
which is simply what we want today.

1286
01:22:07,177 --> 01:22:09,937
Then into the Oval Office,
an American president wrestling

1287
01:22:09,937 --> 01:22:12,937
with a new love and his own morality.

1288
01:22:14,017 --> 01:22:17,297
My friends, Rob's movies
will last for lifetimes

1289
01:22:17,617 --> 01:22:23,697
because they were about what makes us
laugh and cry and what we aspire to be.

1290
01:22:24,417 --> 01:22:27,417
Far in his eyes, far kinder,

1291
01:22:27,417 --> 01:22:30,417
far funnier and far more human.

1292
01:22:30,617 --> 01:22:34,017
And when Michelle Singer entered his life,
they were unstoppable.

1293
01:22:34,537 --> 01:22:37,537
A gifted photographer,
she not only produced films with Rob,

1294
01:22:37,777 --> 01:22:40,777
but it was her energy
that had them working tirelessly

1295
01:22:40,937 --> 01:22:44,137
to fight social injustice in the country
that they both loved.

1296
01:22:45,097 --> 01:22:46,217
Now, Robin, Michelle,

1297
01:22:48,537 --> 01:22:49,257
Robin, Michelle

1298
01:22:49,257 --> 01:22:52,257
Reiner became the driving force
in the landmark decision

1299
01:22:52,257 --> 01:22:55,257
for marriage equality
across the United States,

1300
01:23:03,457 --> 01:23:06,017
and their loss is immeasurable.

1301
01:23:06,017 --> 01:23:07,977
And to the millions
who have enjoyed his films

1302
01:23:07,977 --> 01:23:11,417
all these years, I want you to know here
and around the world

1303
01:23:11,417 --> 01:23:14,697
how many times Rob told me
that it meant everything to him,

1304
01:23:14,977 --> 01:23:19,057
that his work meant something to you
and for us,

1305
01:23:19,657 --> 01:23:24,217
who had the privilege of working with
and knowing him and loving him.

1306
01:23:24,897 --> 01:23:27,897
All we can say is, Buddy,

1307
01:23:28,057 --> 01:23:31,057
what fun we had storming the castle

1308
01:24:00,257 --> 01:24:36,057
and I haven't been able

1309
01:24:36,057 --> 01:24:39,057
to stop thinking about you
since I first met you.

1310
01:25:05,057 --> 01:25:08,057
I hope you'll come back someday.

1311
01:25:49,937 --> 01:25:51,217
Man type things.

1312
01:25:51,217 --> 01:25:52,897
Women tapping.

1313
01:25:52,897 --> 01:25:55,177
What is the creative force
behind the universe?

1314
01:25:55,177 --> 01:25:56,857
Care about such foolishness?

1315
01:25:59,497 --> 01:26:00,577
This past year,

1316
01:26:00,577 --> 01:26:03,617
we lost so many artists,
including actresses

1317
01:26:03,617 --> 01:26:07,057
whose talent and originality
widened the world for all of us.

1318
01:26:07,537 --> 01:26:10,777
Women like Claudia Cardinale,
whose six decade career

1319
01:26:10,777 --> 01:26:13,777
helped bring European cinema to America.

1320
01:26:13,817 --> 01:26:16,337
Three time Oscar nominee Diane Ladd,

1321
01:26:16,337 --> 01:26:19,497
who brought fierce humanity
and wit to every role.

1322
01:26:20,257 --> 01:26:22,897
Comedic genius and scene stealer.

1323
01:26:22,897 --> 01:26:25,897
Our mighty winds,

1324
01:26:29,257 --> 01:26:32,337
and my fellow Canadian, Catherine O'Hara.

1325
01:26:33,057 --> 01:26:36,057
She made us laugh until we cried.

1326
01:26:36,457 --> 01:26:39,457
And the icon Diane Keaton,

1327
01:26:44,737 --> 01:26:47,737
Annie Hall, the Godfather, Reds.

1328
01:26:48,337 --> 01:26:50,857
And that's just her first decade

1329
01:26:50,857 --> 01:26:55,017
for over 50 years,
luminous on screen and indelible in life.

1330
01:26:55,657 --> 01:26:59,137
Believe me when I say
there isn't an actress of my generation

1331
01:26:59,417 --> 01:27:03,817
who was not inspired by and enthralled
with her absolute singularity.

1332
01:27:04,857 --> 01:27:07,657
She wore so many hats,

1333
01:27:07,657 --> 01:27:09,457
literally

1334
01:27:09,457 --> 01:27:11,417
and figuratively.

1335
01:27:11,417 --> 01:27:14,577
Actress, artist, author, activist.

1336
01:27:15,457 --> 01:27:19,857
But no hat more important to her
than being a mother to her two children.

1337
01:27:21,297 --> 01:27:24,297
She meant so much to so many of us.

1338
01:27:24,697 --> 01:27:28,417
I remember she used to sing this old Girl
Scout song on set,

1339
01:27:28,857 --> 01:27:31,857
which is just so her

1340
01:27:31,937 --> 01:27:35,737
make new friends,
but keep the old one in silver

1341
01:27:35,937 --> 01:27:39,097
and the other is called A circle is round.

1342
01:27:39,497 --> 01:27:41,377
It has no end.

1343
01:27:41,377 --> 01:27:44,377
That's how long I'll be your friend.

1344
01:27:45,097 --> 01:27:48,097
And so to our friend Diane Keaton,

1345
01:27:48,217 --> 01:27:51,217
celebrating a life in silver and gold,

1346
01:27:53,217 --> 01:27:56,217
a legend with no end

1347
01:28:06,537 --> 01:28:08,377
attached,

1348
01:28:08,377 --> 01:28:10,737
The audience was there waiting for it.

1349
01:28:10,737 --> 01:28:14,297
And you get caught up
in a heat of the moment and you just,

1350
01:28:14,457 --> 01:28:17,617
you know, you want to give them anything
they want and,

1351
01:28:57,817 --> 01:29:17,137
oh, you think

1352
01:29:17,137 --> 01:29:20,137
if a man sincerely depends
on what they've done wrong,

1353
01:29:20,777 --> 01:29:23,817
they might get to go back to the time
that was happiest for him.

1354
01:29:28,297 --> 01:29:30,577
It's just that,

1355
01:29:30,577 --> 01:29:33,417
again, often

1356
01:29:33,417 --> 01:29:37,217
and sometimes things may
or may not be true,

1357
01:29:38,017 --> 01:29:41,017
but the things I've managed
to believe in the most.

1358
01:29:41,257 --> 01:29:44,257
But people are basically good.

1359
01:29:45,457 --> 01:29:47,217
Honor,

1360
01:29:47,217 --> 01:29:50,217
courage and virtue in everything.

1361
01:29:51,417 --> 01:29:52,577
But I just think of myself

1362
01:29:52,577 --> 01:29:55,577
thinking, you know,
what would you even problem?

1363
01:29:55,577 --> 01:29:58,097
The answer is yes,
that I know exactly where

1364
01:29:58,097 --> 01:30:01,097
I'm supposed to be.

1365
01:30:21,657 --> 01:30:22,577
After I wrote

1366
01:30:22,577 --> 01:30:25,577
the first script of the way where

1367
01:30:26,897 --> 01:30:29,897
I could only imagine one man

1368
01:30:30,777 --> 01:30:33,217
in the role of Hubble.

1369
01:30:33,217 --> 01:30:36,217
And that was Robert Redford.

1370
01:30:36,537 --> 01:30:39,537
But he turned it down
because he said character

1371
01:30:40,257 --> 01:30:42,697
had no backbone.

1372
01:30:42,697 --> 01:30:45,057
He doesn't stand for anything.

1373
01:30:45,057 --> 01:30:47,297
And he was right.

1374
01:30:47,297 --> 01:30:50,017
So many drafts later,

1375
01:30:50,017 --> 01:30:53,017
Bob finally agreed to do it.

1376
01:30:53,897 --> 01:30:57,457
He was a brilliant, subtle actor,

1377
01:30:58,537 --> 01:31:01,177
and we had a wonderful time
playing off each other

1378
01:31:01,177 --> 01:31:06,097
because we never quite knew what the other
one was going to do and see.

1379
01:31:07,777 --> 01:31:10,777
And I'm thrilled that the way we were
is now

1380
01:31:11,737 --> 01:31:15,057
considered a classic love story.

1381
01:31:15,937 --> 01:31:19,257
But it's also about a dark time
in our history.

1382
01:31:20,177 --> 01:31:23,137
The late forties and early fifties

1383
01:31:23,137 --> 01:31:26,137
when people were informing on each other

1384
01:31:26,977 --> 01:31:29,977
and subject to loyalty oaths.

1385
01:31:30,977 --> 01:31:34,657
Now Bob had real backbone

1386
01:31:35,857 --> 01:31:38,097
on off the screen.

1387
01:31:38,097 --> 01:31:40,737
He spoke up to defend

1388
01:31:40,737 --> 01:31:44,137
freedom of the press,
protect the environment,

1389
01:31:44,497 --> 01:31:48,897
and encouraged new voices
at his Sundance Institute,

1390
01:31:49,457 --> 01:31:52,457
and some of whom

1391
01:31:54,577 --> 01:31:55,497
some of whom

1392
01:31:55,497 --> 01:31:58,497
are up for Oscars tonight,
which is so great.

1393
01:31:59,537 --> 01:32:01,697
He was

1394
01:32:01,697 --> 01:32:02,817
he was thoughtful.

1395
01:32:02,817 --> 01:32:05,817
And bold.

1396
01:32:06,377 --> 01:32:09,377
I call him the intellectual cowboy

1397
01:32:09,817 --> 01:32:12,577
who blazed his own trail

1398
01:32:12,577 --> 01:32:15,577
and won the Academy Award
for best director.

1399
01:32:16,377 --> 01:32:19,377
And I miss him now more than ever.

1400
01:32:20,217 --> 01:32:22,737
Even though he loved teasing me,

1401
01:32:23,857 --> 01:32:25,297
he called me.

1402
01:32:25,297 --> 01:32:27,377
He called me Babs.

1403
01:32:27,377 --> 01:32:31,617
And I said, Bob, you know,
do I look like a bad brother?

1404
01:32:31,617 --> 01:32:33,857
Babs? You know?

1405
01:32:33,857 --> 01:32:37,777
But the way he said it made me laugh.

1406
01:32:39,097 --> 01:32:42,097
And many years later, we were

1407
01:32:42,297 --> 01:32:47,177
we were chatting on the phone
about the usual politics

1408
01:32:47,617 --> 01:32:50,617
or modern Johnny, our favorite.

1409
01:32:51,857 --> 01:32:54,857
And as we were hanging up, he said, Babs,

1410
01:32:56,617 --> 01:32:59,617
I love you dearly

1411
01:32:59,737 --> 01:33:02,737
and I always will.

1412
01:33:02,737 --> 01:33:05,897
And in the last note I ever wrote to Bob,

1413
01:33:07,177 --> 01:33:10,377
I ended it with, I love you, too.

1414
01:33:11,737 --> 01:33:14,737
And I signed it.

1415
01:33:14,977 --> 01:33:17,977
Babs.

1416
01:33:28,537 --> 01:33:33,537
So it's laughter.

1417
01:33:35,497 --> 01:33:40,177
The laughter will remember.

1418
01:33:42,337 --> 01:33:47,897
Oh, my. Oh,

1419
01:33:50,097 --> 01:33:53,097
the way we would.

1420
01:33:55,897 --> 01:33:57,937
Oh, yes.

1421
01:33:57,937 --> 01:34:01,017
Who would we.

1422
01:34:02,617 --> 01:34:13,457
Oh! Ooh, Oh,

1423
01:34:24,937 --> 01:34:28,057
thank you so much. Be.

1424
01:34:36,072 --> 01:34:39,072
Forgive me, my son.

1425
01:34:41,032 --> 01:34:43,432
My maker

1426
01:34:43,432 --> 01:34:44,751
told his tale.

1427
01:34:46,392 --> 01:34:49,912
And will tend to mine

1428
01:34:51,352 --> 01:34:53,632
the. The backbone of it all is the idea

1429
01:34:53,632 --> 01:34:56,632
of loving a character that is imperfect.

1430
01:34:56,952 --> 01:35:00,592
And for giving those imperfections,
I can die.

1431
01:35:01,152 --> 01:35:02,432
And I cannot.

1432
01:35:02,432 --> 01:35:05,432
If I love.

1433
01:35:14,352 --> 01:35:15,992
Welcome back.

1434
01:35:15,992 --> 01:35:18,592
Of course, we here at
the Oscars are always trying

1435
01:35:18,592 --> 01:35:21,592
to figure out ways
to reach a younger demographic.

1436
01:35:21,952 --> 01:35:25,271
And I've been assured
this next segment will do just that.

1437
01:35:26,992 --> 01:35:29,912
When your host matching the Oscars
and genuinely

1438
01:35:29,912 --> 01:35:32,992
trying to rise up the younger demographic
by going brain run mode.

1439
01:35:33,271 --> 01:35:35,992
And even though you're uncoated,
it is a bunch of fame filled.

1440
01:35:35,992 --> 01:35:40,192
And because you're still
is to your level or a farming six seven.

1441
01:35:42,231 --> 01:35:43,512
Well,

1442
01:35:43,512 --> 01:35:46,432
that's the message
that the young people will definitely see.

1443
01:35:46,432 --> 01:35:49,432
Watching broadcast television,

1444
01:35:54,032 --> 01:35:58,952
she's appeared in 74 movies
and he appeared in 74 movies last year.

1445
01:35:59,271 --> 01:36:02,952
Please welcome Oscar
nominee Sigourney Weaver and Pedro Pascal

1446
01:36:08,872 --> 01:36:18,472
and the

1447
01:36:21,992 --> 01:36:24,072
production designers possess

1448
01:36:24,072 --> 01:36:28,952
a special kind of movie, Magic
that happens long before the cameras roll.

1449
01:36:29,552 --> 01:36:33,512
It begins with a sketch,
a texture, a doorway,

1450
01:36:33,952 --> 01:36:37,791
and suddenly an entire world
exists Cities,

1451
01:36:38,231 --> 01:36:41,512
palaces, entire galaxies,

1452
01:36:41,512 --> 01:36:45,312
sometimes even alien worlds,
so that our characters live in.

1453
01:36:47,432 --> 01:36:50,432
You've had some experience with those?

1454
01:36:50,512 --> 01:36:52,192
A little.

1455
01:36:52,191 --> 01:36:55,191
The good, the bad.

1456
01:36:55,312 --> 01:36:58,312
And The downright adorable.

1457
01:37:04,072 --> 01:37:07,072
Get away from him, you bitch.

1458
01:37:10,312 --> 01:37:12,711
Wow. Good character recall.

1459
01:37:12,711 --> 01:37:15,632
I peed myself a little.

1460
01:37:15,632 --> 01:37:18,632
It's my soft maternal instinct.

1461
01:37:20,912 --> 01:37:23,912
Kate. Kate.

1462
01:37:24,352 --> 01:37:27,352
I stand by it.

1463
01:37:28,432 --> 01:37:30,032
And now

1464
01:37:30,032 --> 01:37:33,512
the artists and world builders
who are nominated tonight

1465
01:37:33,751 --> 01:37:36,751
for achievement in production design are

1466
01:37:46,152 --> 01:37:49,272
Frankenstein Production Design
by Tamara Devereux.

1467
01:37:49,512 --> 01:37:52,432
Set decoration by Shane Vere,

1468
01:37:52,432 --> 01:37:55,672
Pam Hamnett Production Design
by Fiona Crombie.

1469
01:37:55,872 --> 01:37:58,832
Set Decoration by Alice Felton.

1470
01:37:58,832 --> 01:38:00,952
Marty Supreme Production Design

1471
01:38:00,952 --> 01:38:04,512
by Jackson's set by Adam Willis.

1472
01:38:05,432 --> 01:38:09,432
One Battle after Another Production Design
by Florencia Martin.

1473
01:38:09,592 --> 01:38:14,032
Set Decoration by Anthony Carlino Sinner's
Production

1474
01:38:14,032 --> 01:38:18,232
Design by Hanafi Blue
Set Decoration by Monique Champagne.

1475
01:38:22,791 --> 01:38:25,791
And the Oscar goes to

1476
01:38:27,072 --> 01:38:28,672
Tamara Devereaux

1477
01:38:28,672 --> 01:38:31,672
and Shane Bell for Frankenstein.

1478
01:38:34,032 --> 01:38:36,912
This is the first Oscar win
and second nomination

1479
01:38:36,912 --> 01:38:41,512
for Tamara deserves
a second Oscar win and fourth nomination.

1480
01:38:41,751 --> 01:38:44,751
Pushing the

1481
01:39:07,152 --> 01:39:09,752
Who Thank you to the Academy

1482
01:39:09,751 --> 01:39:13,312
and to all the other nominees
for your inspired work. Wow.

1483
01:39:14,191 --> 01:39:16,072
Guillermo, where are you?

1484
01:39:16,072 --> 01:39:19,072
Thank you for your humanity
and your artistry.

1485
01:39:19,312 --> 01:39:21,592
You are truly a master storyteller.

1486
01:39:21,592 --> 01:39:25,912
It was an honor for us to help steer
your fantastic operatic ship,

1487
01:39:26,992 --> 01:39:30,672
huge two Miles Dale to Scott Stewart
and the entire Netflix team

1488
01:39:30,672 --> 01:39:33,672
for supporting
and uplifting this creative journey.

1489
01:39:34,152 --> 01:39:37,152
We share this with an amazing crew
in Toronto, in the UK, U.K.,

1490
01:39:37,592 --> 01:39:41,272
our scenic paint and construction,
the Mod Squad.

1491
01:39:41,512 --> 01:39:43,992
So many talented hands.

1492
01:39:43,992 --> 01:39:47,512
A shout out to Guy
Davis, our concept artist, and our superb

1493
01:39:48,312 --> 01:39:50,632
art director,
Brant Gordon, who are here tonight.

1494
01:39:50,632 --> 01:39:53,752
First of all, thanks to our families
and friends, to our moms and dads,

1495
01:39:54,112 --> 01:39:57,472
to my husband, Kenny, our kids, Rachel
and David for their love and support.

1496
01:39:57,711 --> 01:40:00,472
And finally,
thank you, Mary Shelley, for the story.

1497
01:40:21,632 --> 01:40:23,432
It's time to pay tribute to

1498
01:40:23,432 --> 01:40:28,032
those who pushed the boundaries of what
we ever thought possible in cinema.

1499
01:40:28,232 --> 01:40:31,632
The artists who blend the virtual
with the real

1500
01:40:31,872 --> 01:40:36,432
to create cinematic effects
that inspire all wonder and excitement.

1501
01:40:37,992 --> 01:40:40,752
Here are this year's nominees
for Achievement

1502
01:40:40,752 --> 01:40:43,752
in visual effects.

1503
01:40:45,552 --> 01:40:48,312
Avatar, Fire and Ash, Julia Terry,

1504
01:40:48,312 --> 01:40:51,312
Richard Beynon, Eric Saindon
and Daniel Barratt,

1505
01:40:52,632 --> 01:40:54,792
F1, Brian Todd Hope,

1506
01:40:54,792 --> 01:40:58,352
Nicholas Chevalier,
Robert Harrington and Keith Dawson.

1507
01:40:58,952 --> 01:41:01,752
Jurassic World Rebirth. David Vicary.

1508
01:41:01,752 --> 01:41:02,792
Steven Aplin.

1509
01:41:02,792 --> 01:41:05,792
Charmaine Chan and Neil Corvo.

1510
01:41:06,032 --> 01:41:08,472
The Lost Bus, Charlie Noble,

1511
01:41:08,472 --> 01:41:12,072
David's already Russell Bowen and Brandon
MacLaughlin

1512
01:41:12,792 --> 01:41:15,792
sinners, Russell Aspinall,

1513
01:41:16,112 --> 01:41:19,112
Cato Walton and Donald Dean

1514
01:41:22,272 --> 01:41:23,472
And the winner.

1515
01:41:23,472 --> 01:41:26,472
And the Oscar goes to

1516
01:41:28,552 --> 01:41:31,552
Avatar Fire.

1517
01:41:34,992 --> 01:41:37,752
This is the sixth Oscar
win in 12 nominations,

1518
01:41:37,752 --> 01:41:41,752
which led to a third win
and third nomination for Richard being

1519
01:41:42,272 --> 01:41:45,672
the second winner and fourth time
nominee Alexandre.

1520
01:41:46,152 --> 01:41:48,312
Five time nominee Daniel Patrick.

1521
01:42:13,712 --> 01:42:16,712
foremost,
I think thank you to our families.

1522
01:42:17,192 --> 01:42:22,032
Honestly,
the love support our wives, our partners.

1523
01:42:22,272 --> 01:42:24,192
It's like there's 2200 artists.

1524
01:42:24,192 --> 01:42:27,232
This is a massive,
massive collaboration on the VFX side.

1525
01:42:27,552 --> 01:42:30,552
We also overlap with everybody
on the on the movie.

1526
01:42:30,752 --> 01:42:35,592
So to all our families, it's like,
this is everything.

1527
01:42:36,032 --> 01:42:38,592
Again, truly truly everything.

1528
01:42:38,592 --> 01:42:41,592
Jim Cameron Gaugamela Maha got the,

1529
01:42:42,232 --> 01:42:45,072
you know, he literally informs
every frame of the movie

1530
01:42:45,072 --> 01:42:48,632
and I think has a big part of the effects
to race and Cheney.

1531
01:42:49,112 --> 01:42:52,112
Everyone effects industrial light magic.

1532
01:42:52,392 --> 01:42:53,312
Thank you.

1533
01:42:53,312 --> 01:42:56,472
And to the one
we're missing up here tonight, Jon Landau.

1534
01:42:56,872 --> 01:42:58,632
We miss you.

1535
01:42:58,632 --> 01:43:01,152
You're still the heart
and soul of this movie.

1536
01:43:01,152 --> 01:43:03,672
Thank you. Thank you.

1537
01:43:03,672 --> 01:43:06,672
Our cast.

1538
01:43:18,313 --> 01:43:19,034
I'm sorry.

1539
01:43:19,033 --> 01:43:22,033
I was just backstage
and I noticed something.

1540
01:43:22,193 --> 01:43:25,073
They cut to grow goo in the audience,

1541
01:43:25,073 --> 01:43:27,833
and I realized grow goo can't clap or

1542
01:43:29,354 --> 01:43:30,994
try to clap for you. Try.

1543
01:43:30,993 --> 01:43:32,033
Try to clap.

1544
01:43:32,033 --> 01:43:35,033
No, no. What a cruel thing to do.

1545
01:43:35,033 --> 01:43:38,033
To bring a creature
who can't clap to an award show.

1546
01:43:38,113 --> 01:43:40,394
Is there no bottom to these people?

1547
01:43:40,394 --> 01:43:43,074
We'll be right back with more Oscars
clad crow who?

1548
01:43:43,073 --> 01:43:46,993
Quack, quack, quack, quack.

1549
01:43:59,354 --> 01:44:02,354
His world is intricately stitched
together.

1550
01:44:04,513 --> 01:44:05,633
Every thread we pull,

1551
01:44:05,633 --> 01:44:08,633
we know
not how it affects the design of things.

1552
01:44:09,673 --> 01:44:12,673
This story really explores
how we navigate love

1553
01:44:14,433 --> 01:44:17,433
and loss

1554
01:44:17,673 --> 01:44:20,593
as the world transforms around us.

1555
01:44:20,593 --> 01:44:22,833
Beautiful in it.

1556
01:44:22,833 --> 01:44:25,833
What is it?

1557
01:44:28,033 --> 01:44:31,033
Evan,

1558
01:44:34,273 --> 01:44:37,553
Please welcome Jimmy Kimmel and

1559
01:44:50,263 --> 01:44:51,638
Jimmy Kimmel,

1560
01:44:51,638 --> 01:44:54,718
and welcome to the 98th Annual Academy

1561
01:44:54,718 --> 01:44:57,718
Awards.

1562
01:44:58,118 --> 01:45:00,078
Wait, am I not hosting the show?

1563
01:45:00,078 --> 01:45:02,479
Oh, well, this is embarrass.

1564
01:45:02,479 --> 01:45:04,918
Actually,
CONAN went outside to get some air.

1565
01:45:04,918 --> 01:45:09,438
I inadvertently exposed his face to the
sun and was incinerated. So

1566
01:45:10,758 --> 01:45:13,158
I will
be finishing out the rest of the program.

1567
01:45:13,158 --> 01:45:16,479
I am here to present the Oscars
for documentary films,

1568
01:45:16,958 --> 01:45:19,958
and we hear a lot about

1569
01:45:22,878 --> 01:45:25,878
we hear a great deal.

1570
01:45:31,838 --> 01:45:33,479
They're going to cut down on your tickets

1571
01:45:33,479 --> 01:45:36,479
for next year.

1572
01:45:36,479 --> 01:45:38,838
We hear a lot about courage
at shows like this,

1573
01:45:38,838 --> 01:45:43,598
but telling a story that could get
you killed for telling it is real courage.

1574
01:45:43,918 --> 01:45:47,838
As you know, there are some countries
whose leaders don't support free speech.

1575
01:45:48,598 --> 01:45:51,598
I'm not at liberty to say where.

1576
01:45:51,918 --> 01:45:54,918
Let's just leave it at North Korea
and CBS.

1577
01:45:55,198 --> 01:45:58,198
Fortunately Fortunately,

1578
01:46:02,918 --> 01:46:06,838
fortunately for all of us, there is
an international community of filmmakers

1579
01:46:06,838 --> 01:46:11,398
dedicated to telling the truth, oftentimes
at great risk to make films.

1580
01:46:11,558 --> 01:46:15,479
Teach us that call out injustice,
then inspire us to take action.

1581
01:46:15,998 --> 01:46:19,518
And there are also documentaries
where you walk around the White House

1582
01:46:19,518 --> 01:46:21,118
trying on shoes.

1583
01:46:21,118 --> 01:46:24,958
Here are the nominees
for documentary short film,

1584
01:46:30,318 --> 01:46:33,318
Empty Rooms, Joshua Seftel and Connell
Jones.

1585
01:46:34,198 --> 01:46:35,598
Armed only with a camera.

1586
01:46:35,598 --> 01:46:39,998
The Life and Death of Brett Renaud, Craig
Renaud and Juan Arredondo.

1587
01:46:40,278 --> 01:46:42,838
Children No more were and are gone.

1588
01:46:42,838 --> 01:46:45,838
De La Maddalena and Sheila Nevins.

1589
01:46:46,438 --> 01:46:47,718
The devil is busy.

1590
01:46:47,718 --> 01:46:50,718
Krystal and Hampton and Geeta
are going to be

1591
01:46:51,558 --> 01:46:53,038
perfectly a strangeness.

1592
01:46:53,038 --> 01:46:56,038
Alison McAlpin

1593
01:46:59,838 --> 01:47:01,039
All right.

1594
01:47:01,038 --> 01:47:03,558
And the Oscar for documentary short

1595
01:47:03,558 --> 01:47:06,638
film goes to all the empty Rooms

1596
01:47:08,238 --> 01:47:11,238
and Joan,

1597
01:47:11,638 --> 01:47:12,838
this is the first Oscar

1598
01:47:12,838 --> 01:47:15,878
win and second nomination
for Joshua Seftel

1599
01:47:16,038 --> 01:47:19,038
and Colonel Jones.

1600
01:47:36,758 --> 01:47:38,638
To the Academy,

1601
01:47:38,638 --> 01:47:41,638
to the amazing Steve Hartman,

1602
01:47:44,838 --> 01:47:47,838
both, to Netflix, Ted, Adam and Chloe,

1603
01:47:48,638 --> 01:47:51,638
and to our incredibly compassionate
filmmaking team.

1604
01:47:52,158 --> 01:47:55,638
The empty rooms in our film
belong belong to four young

1605
01:47:55,638 --> 01:47:58,758
children
who were all killed in school shootings.

1606
01:48:00,198 --> 01:48:03,278
Holly, Gracie, Dominick and Jackie.

1607
01:48:05,558 --> 01:48:07,518
My daughter Jackie was nine

1608
01:48:07,518 --> 01:48:10,518
years old when she was killed in Uvalde.

1609
01:48:11,278 --> 01:48:14,638
Since that day,
her bedroom has been frozen in time.

1610
01:48:15,598 --> 01:48:18,479
Jackie is more than just a headline.

1611
01:48:18,479 --> 01:48:21,079
She is our light and our life.

1612
01:48:21,078 --> 01:48:24,678
Gun violence is now the number one
cause of death in kids and teens.

1613
01:48:25,398 --> 01:48:28,758
We believe that if the world could see
their empty bedrooms,

1614
01:48:29,158 --> 01:48:30,958
would it be a different America?

1615
01:48:30,958 --> 01:48:33,958
Thank you.

1616
01:48:53,438 --> 01:48:56,438
The next Oscar is for documentary
feature film,

1617
01:48:56,479 --> 01:48:59,479
which is like a documentary short film,

1618
01:49:00,438 --> 01:49:01,958
but longer.

1619
01:49:01,958 --> 01:49:04,958
Here are the nominees.

1620
01:49:08,038 --> 01:49:08,678
The Alabama

1621
01:49:08,678 --> 01:49:11,678
Solution,
Andrew Direct and Charlie Kaufman.

1622
01:49:12,958 --> 01:49:14,559
Come See Me in the Good Life.

1623
01:49:14,558 --> 01:49:18,078
Ryan White, Jessica Hargrave,
Tig Notaro and Stef Willard.

1624
01:49:20,038 --> 01:49:21,078
Cutting Through Rocks.

1625
01:49:21,078 --> 01:49:23,598
Sara, Kathy and Mohammad Reza. Amy.

1626
01:49:25,558 --> 01:49:27,558
Mr.. Nobody against Putin.

1627
01:49:27,558 --> 01:49:28,838
David Bornstein.

1628
01:49:28,838 --> 01:49:32,878
Paul To Lefebvre and better Caracalla

1629
01:49:34,758 --> 01:49:36,318
the perfect neighbor.

1630
01:49:36,318 --> 01:49:39,918
Either come to the release of pain
me come from two

1631
01:49:40,198 --> 01:49:43,198
and Sam Bisbee.

1632
01:49:46,798 --> 01:49:48,238
Oh man, is he going to be mad?

1633
01:49:48,238 --> 01:49:51,238
His wife was nominated for this.

1634
01:49:55,238 --> 01:49:56,238
And the Oscar

1635
01:49:56,238 --> 01:49:59,958
for documentary feature film goes to Mr.

1636
01:49:59,958 --> 01:50:05,758
Nobody Against David
Born to Travel to Lincoln, Alabama

1637
01:50:05,758 --> 01:50:08,758
and How to Better Kill Escobar.

1638
01:50:09,718 --> 01:50:10,878
This is the first Oscar

1639
01:50:10,878 --> 01:50:13,878
win and nomination for David Bernstein.

1640
01:50:13,998 --> 01:50:16,998
How about tons of elevating

1641
01:50:17,358 --> 01:50:20,358
angles, better covers?

1642
01:50:38,238 --> 01:50:39,838
Thank you to the academy.

1643
01:50:39,838 --> 01:50:41,079
Thank you to our family.

1644
01:50:41,078 --> 01:50:42,438
Thank you to our friends.

1645
01:50:42,438 --> 01:50:43,838
And thank you to the other

1646
01:50:43,838 --> 01:50:46,838
documentary nominees
who have become such good friends of ours.

1647
01:50:47,198 --> 01:50:51,678
Mr.. Nobody against Putin
is about how you lose your country

1648
01:50:52,158 --> 01:50:55,598
and what we saw when working
with this footage that you it's that

1649
01:50:55,598 --> 01:50:59,598
you lose it through countless
small little acts of complicity.

1650
01:51:00,158 --> 01:51:04,998
When we act complicit, when a government
murders people on the streets

1651
01:51:04,998 --> 01:51:09,318
of our major cities, when we don't say
anything, when the oligarchs

1652
01:51:09,558 --> 01:51:14,558
take over the media and control
how we could produce it and consume it,

1653
01:51:21,078 --> 01:51:23,838
we all face a moral choice.

1654
01:51:23,838 --> 01:51:28,638
But luckily, even a
nobody is more powerful than you think.

1655
01:51:28,998 --> 01:51:31,998
And here's part to Long
and the main character of our film.

1656
01:51:35,078 --> 01:51:36,798
Thank you both.

1657
01:51:36,798 --> 01:51:38,598
As each theory go, there was more to him.

1658
01:51:38,598 --> 01:51:40,558
That's because Narnia is a god.

1659
01:51:40,558 --> 01:51:41,878
The were some of us.

1660
01:51:41,878 --> 01:51:44,119
Nasrallah for four years.

1661
01:51:44,118 --> 01:51:48,238
We look at the sky for a shooting stars
to make a very important wish

1662
01:51:50,718 --> 01:51:53,718
nor yes training yes

1663
01:51:54,398 --> 01:51:57,519
is just the right to drone.

1664
01:51:58,038 --> 01:52:01,518
But there are countries
where instead of shooting stars,

1665
01:52:01,638 --> 01:52:04,638
they have shooting bombs and shooting
drones.

1666
01:52:05,118 --> 01:52:07,878
Viremia Nash of a bullish Ava via

1667
01:52:07,878 --> 01:52:11,838
Jay Aston TVG See Avoiding seashells

1668
01:52:12,438 --> 01:52:16,159
in the name of our future
In the name of all of our children.

1669
01:52:16,438 --> 01:52:19,039
Stop all of these wars now

1670
01:52:20,438 --> 01:52:23,438
by C-Band

1671
01:52:43,998 --> 01:52:45,238
There's this moment

1672
01:52:45,238 --> 01:52:48,318
in the car where everything goes quiet.

1673
01:52:49,518 --> 01:52:51,798
My heartbeat slows

1674
01:52:51,798 --> 01:52:54,278
and I can see everything

1675
01:52:54,278 --> 01:52:57,278
is flying.

1676
01:53:00,158 --> 01:53:03,158
The last thing I do is drive that car.

1677
01:53:03,398 --> 01:53:06,398
I will take that life.

1678
01:53:06,718 --> 01:53:09,718
If you win,

1679
01:53:10,238 --> 01:53:13,238
you are the absolute best in the world.

1680
01:53:22,878 --> 01:53:24,318
Such a fun movie.

1681
01:53:24,318 --> 01:53:25,598
Hey, another quick, fun fact.

1682
01:53:25,598 --> 01:53:28,598
Brad Pitt and I are the exact same age.

1683
01:53:28,998 --> 01:53:29,918
True.

1684
01:53:29,918 --> 01:53:33,278
I was told this by my wife with tears
streaming

1685
01:53:33,278 --> 01:53:36,278
down her face.

1686
01:53:38,838 --> 01:53:41,519
These next presenters
are the only reason the phrase

1687
01:53:41,518 --> 01:53:45,278
wedding dress street
diarrhea is in my search history.

1688
01:53:45,798 --> 01:53:51,039
The only reason here to celebrate the 15th
anniversary of Bridesmaids, please

1689
01:53:51,038 --> 01:53:54,958
welcome Maya Rudolph, Kristen
Wiig, Rose Byrne, Liz McCarthy and Ellie

1690
01:53:54,958 --> 01:53:57,958
Kemper.

1691
01:54:18,479 --> 01:54:21,159
Oh, thank you.

1692
01:54:21,158 --> 01:54:25,198
We are so happy to all be here together
tonight.

1693
01:54:25,198 --> 01:54:28,518
I cannot believe that
it's been 15 years now.

1694
01:54:28,518 --> 01:54:32,518
We are not good with numbers,
but we figured out backstage

1695
01:54:32,518 --> 01:54:35,758
that means shot this movie in 1883.

1696
01:54:37,158 --> 01:54:37,758
Yeah.

1697
01:54:37,758 --> 01:54:40,758
And we are so happy to be back here

1698
01:54:40,798 --> 01:54:43,798
to present the Oscar for Best Score.

1699
01:54:43,878 --> 01:54:47,398
Now, a film score helps us to feel

1700
01:54:47,678 --> 01:54:50,558
it invites us into a world.

1701
01:54:50,558 --> 01:54:53,558
Oh, sorry. What's happening?

1702
01:54:53,558 --> 01:54:55,038
Oh, what are these?

1703
01:54:55,038 --> 01:54:58,038
Are these notes

1704
01:54:58,479 --> 01:54:59,798
people on the audience?

1705
01:54:59,798 --> 01:55:03,838
Oh, here I a this is strange.

1706
01:55:03,878 --> 01:55:09,878
Okay, well, mine says, first of all, you
ladies look extremely beautiful tonight.

1707
01:55:09,918 --> 01:55:12,918
Oh, nine star. Thank you.

1708
01:55:13,278 --> 01:55:16,278
You're all aging well,

1709
01:55:16,678 --> 01:55:19,678
so signed Stellan Skarsgard star.

1710
01:55:26,918 --> 01:55:29,918
Oh, this one's for me.

1711
01:55:30,118 --> 01:55:32,758
Rose, can you please stop looking at me?

1712
01:55:32,758 --> 01:55:34,638
The eye contact is too much.

1713
01:55:34,638 --> 01:55:36,918
I'm thinking of leaving
very uncomfortable.

1714
01:55:36,918 --> 01:55:39,918
Sincerely, Leonardo DiCaprio.

1715
01:55:44,038 --> 01:55:47,278
Oh, I apologize.

1716
01:55:47,278 --> 01:55:49,158
I have been staring at you.

1717
01:55:49,158 --> 01:55:51,838
I thought you were somebody else.

1718
01:55:51,838 --> 01:55:52,519
It happens.

1719
01:55:52,518 --> 01:55:54,198
It happens to him a lot.

1720
01:55:54,198 --> 01:55:57,198
Oh, this is a must. See.

1721
01:55:57,558 --> 01:56:00,198
I have to say
mine is almost impossible to read.

1722
01:56:00,198 --> 01:56:02,598
The handwriting is really pretty terrible.

1723
01:56:02,598 --> 01:56:03,278
Says Hi.

1724
01:56:03,278 --> 01:56:06,398
I'm with Stellan Skarsgard
writing my own separate note.

1725
01:56:06,398 --> 01:56:09,398
I also agree. You ladies look radiant.

1726
01:56:09,398 --> 01:56:13,438
All The things you've done to
your faces are very tasteful.

1727
01:56:14,838 --> 01:56:17,838
Yours truly, Elle Fanning.

1728
01:56:17,998 --> 01:56:21,398
Oh, okay.

1729
01:56:22,078 --> 01:56:23,718
Wait, wait. There's more.

1730
01:56:23,718 --> 01:56:25,518
It says, Just kidding.

1731
01:56:25,518 --> 01:56:26,479
It's me again.

1732
01:56:26,479 --> 01:56:29,479
Stellan Skarsgard. Oh.

1733
01:56:29,678 --> 01:56:32,678
Oh, sorry.

1734
01:56:32,958 --> 01:56:33,798
Okay. All right.

1735
01:56:33,798 --> 01:56:36,798
Well, mine's kind of short.

1736
01:56:37,078 --> 01:56:39,678
You guys have been talking
for a long time.

1737
01:56:39,678 --> 01:56:42,318
This bit could have been a lot shorter.

1738
01:56:42,318 --> 01:56:44,479
This is really going on and on.

1739
01:56:44,479 --> 01:56:47,838
You aren't even talking about score,
that's all.

1740
01:56:48,078 --> 01:56:49,398
Love you lots.

1741
01:56:49,398 --> 01:56:52,039
Benicio Del Toro.

1742
01:56:52,038 --> 01:56:55,198
Or for those of you
who refuse to learn Spanish,

1743
01:56:55,198 --> 01:56:58,918
it's Benedict of the Rings.

1744
01:57:01,398 --> 01:57:02,918
Give it up.

1745
01:57:02,918 --> 01:57:05,159
Okay,

1746
01:57:05,158 --> 01:57:05,998
I think that's me up.

1747
01:57:05,998 --> 01:57:09,358
Here we go. Well, this last one is quick.

1748
01:57:09,358 --> 01:57:12,559
It just says I'm tired
and I want to go home.

1749
01:57:13,038 --> 01:57:16,038
This show is very long
and there's no pizza.

1750
01:57:16,158 --> 01:57:19,158
Sign the kid from Hamlet.

1751
01:57:25,518 --> 01:57:26,358
We'll get to it.

1752
01:57:26,358 --> 01:57:29,358
The nominees for best score are

1753
01:57:33,798 --> 01:57:35,798
Frankenstein by Alexandra.

1754
01:57:35,798 --> 01:57:38,798
This pop

1755
01:57:39,958 --> 01:57:44,039
in one battle

1756
01:57:44,038 --> 01:57:47,038
after another by Jonny Greenwood,

1757
01:57:54,918 --> 01:57:57,918
Begonia by deerskin bench drinks,

1758
01:58:03,558 --> 01:58:06,558
Hamnet by Max Richter

1759
01:58:11,838 --> 01:58:14,838
Sinners by Ludvig Goransson.

1760
01:58:30,798 --> 01:58:35,118
And the Oscar goes to sinners.

1761
01:58:40,718 --> 01:58:43,718
This is the third Oscar win
for Little Begotten Son,

1762
01:58:43,758 --> 01:58:46,758
who previously won in this category
for Black Panther

1763
01:58:46,878 --> 01:58:49,878
and Oppenheimer.

1764
01:58:59,838 --> 01:59:02,838
Wow. Um,

1765
01:59:02,878 --> 01:59:05,238
my dad bought his first blues

1766
01:59:05,238 --> 01:59:08,238
album in Sweden 1964.

1767
01:59:08,598 --> 01:59:11,838
It was a John Lee Hooker album,
and even though

1768
01:59:12,198 --> 01:59:14,238
it was on the other side of the world
from the place,

1769
01:59:14,238 --> 01:59:17,238
my dad never been in the place,
could not relate to.

1770
01:59:17,398 --> 01:59:20,639
The music was so powerful
that it changed my dad's life and

1771
01:59:20,638 --> 01:59:22,998
he devoted his whole life to the music.

1772
01:59:22,998 --> 01:59:25,598
And when I was about
seven years old, a little,

1773
01:59:26,838 --> 01:59:28,398
he put a guitar in my

1774
01:59:28,398 --> 01:59:32,918
arms and I loved the guitar
and became everything to me.

1775
01:59:32,918 --> 01:59:34,198
And it was the guitar

1776
01:59:34,198 --> 01:59:37,518
that opened up a lot of doors for me,
and it was the guitar that brought me

1777
01:59:37,518 --> 01:59:41,558
over to the States, and it was the guitar
that eventually led me

1778
01:59:41,558 --> 01:59:44,558
to one of the greatest storytellers
of our time, Ryan Coogler.

1779
01:59:48,558 --> 01:59:50,318
Ryan,

1780
01:59:50,318 --> 01:59:52,278
thank you for your vision

1781
01:59:52,278 --> 01:59:55,278
and making a movie
that resonated with the world.

1782
01:59:55,438 --> 01:59:58,438
Thank you

1783
02:00:07,758 --> 02:00:13,198
so we are also here

1784
02:00:13,198 --> 02:00:16,198
to present the Oscar
for Achievement in Sound.

1785
02:00:16,718 --> 02:00:20,878
You know, earlier today when I was
counting my money, I asked myself,

1786
02:00:22,438 --> 02:00:24,878
What is sound, really?

1787
02:00:24,878 --> 02:00:26,158
Am I right?

1788
02:00:26,158 --> 02:00:28,718
Well, it's a mystery, Maya.

1789
02:00:28,718 --> 02:00:31,598
I mean, the best scientists,
the best in the world,

1790
02:00:31,598 --> 02:00:34,798
including Steven Spielberg,
and even he doesn't know.

1791
02:00:34,798 --> 02:00:38,118
So once again, I find myself
disappointed with you, Steven.

1792
02:00:41,118 --> 02:00:43,638
You know, I actually think I can help out
here.

1793
02:00:43,638 --> 02:00:47,678
I was just talking about this with a woman
I met on a roller coaster,

1794
02:00:48,038 --> 02:00:51,078
and she said that without sound,

1795
02:00:52,438 --> 02:00:54,599
we wouldn't hear anything.

1796
02:00:54,598 --> 02:00:55,678
What?

1797
02:00:55,678 --> 02:00:56,198
Yeah.

1798
02:00:56,198 --> 02:00:57,838
Yeah, that's right, Kristen.

1799
02:00:57,838 --> 02:01:00,598
And it's especially important in film.

1800
02:01:00,598 --> 02:01:03,598
I tried watching models to frame
with the volume down.

1801
02:01:03,878 --> 02:01:06,878
No idea what anybody was playing. No.

1802
02:01:08,678 --> 02:01:10,838
Curating these sounds is an art.

1803
02:01:10,838 --> 02:01:15,438
It's how directors throughout history have
created the classics, their own style.

1804
02:01:15,438 --> 02:01:20,278
I mean, when we think of Martin Scorsese,
we all think of his go to favorite

1805
02:01:20,598 --> 02:01:23,598
of all

1806
02:01:23,958 --> 02:01:26,958
Marty classic Marty Marty

1807
02:01:27,558 --> 02:01:29,758
and the nominees for achievement

1808
02:01:29,758 --> 02:01:32,758
in sound are

1809
02:01:35,998 --> 02:01:38,358
F1, Gareth, John,

1810
02:01:38,358 --> 02:01:40,999
Al Nelson, Gwendolyn Yates,

1811
02:01:40,998 --> 02:01:43,758
Gary Rizzo and Juan.

1812
02:01:43,758 --> 02:01:45,638
There's still a way to go in this race.

1813
02:01:46,798 --> 02:01:48,118
Frankenstein.

1814
02:01:48,118 --> 02:01:49,318
Greg Chapman.

1815
02:01:49,318 --> 02:01:51,958
Nathan Bogota. Nelson Ferrero.

1816
02:01:51,958 --> 02:01:54,958
Christian Cooke and Brad Thorn.

1817
02:01:57,758 --> 02:01:59,598
One battle after another.

1818
02:01:59,598 --> 02:02:02,878
Jose Antonio Garcia,
Christopher Starr Beauchamp

1819
02:02:02,958 --> 02:02:05,958
and Tony Villa, Florida in

1820
02:02:07,238 --> 02:02:08,198
centers.

1821
02:02:08,198 --> 02:02:13,038
Chris Logan, Benjamin Abbott,
Felipe Pacheco, Brendan Proctor

1822
02:02:13,158 --> 02:02:16,158
and Steve Bo Tucker.

1823
02:02:16,958 --> 02:02:19,958
See, right, Amanda, I love you.

1824
02:02:20,518 --> 02:02:23,598
Maya Casanovas and Yasmina Haidara.

1825
02:02:30,438 --> 02:02:33,679
And the Oscar goes to F1

1826
02:02:37,598 --> 02:02:40,598
for the track.

1827
02:02:42,998 --> 02:02:46,678
This is the first Oscar win
and for full time nominee Gwendolyn

1828
02:02:46,678 --> 02:02:49,958
Yates, Whitaker
and first time nominee Juan Peralta,

1829
02:02:50,678 --> 02:02:54,638
the second win and second nomination
for Gareth, John and Al Nelson

1830
02:02:55,158 --> 02:02:57,958
and the third win
an eighth nomination for Gary.

1831
02:02:57,958 --> 02:03:00,958
I was a

1832
02:03:15,798 --> 02:03:18,798
thank you to the Academy.

1833
02:03:19,598 --> 02:03:21,838
I want to thank Joe Kosinski.

1834
02:03:21,838 --> 02:03:23,358
You're a genius.

1835
02:03:23,358 --> 02:03:26,358
Jerry Bruckheimer, Brad Pitt, Plan B,

1836
02:03:27,038 --> 02:03:29,758
Lewis Hamilton, Formula One,
and everyone at Apple for supporting

1837
02:03:29,758 --> 02:03:31,758
such a fun cinematic experience.

1838
02:03:31,758 --> 02:03:33,758
This award is for the whole production
sound team.

1839
02:03:33,758 --> 02:03:35,999
Everyone at Skywalker
Sound, thanks to Hans Zimmer

1840
02:03:35,998 --> 02:03:38,998
and a big shout out to our amazing
first lady, Toby Pfefferman.

1841
02:03:39,038 --> 02:03:41,838
It's for our partners,
our parents, our children

1842
02:03:43,278 --> 02:03:45,278
that.

1843
02:03:45,278 --> 02:03:47,798
Excuse me.

1844
02:03:47,798 --> 02:03:50,039
Sorry, sorry, sorry, sir.

1845
02:03:50,038 --> 02:03:52,638
Our gratitude goes to our partners,
our parents,

1846
02:03:52,638 --> 02:03:54,238
our children and grandchildren.

1847
02:03:54,238 --> 02:03:57,238
Movies are made for you. Go see the block.

1848
02:03:57,558 --> 02:03:58,998
Go see the blockbusters.

1849
02:03:58,998 --> 02:04:00,638
Go see the Independent.

1850
02:04:00,638 --> 02:04:02,238
Be inspired. Go with a friend.

1851
02:04:02,238 --> 02:04:04,118
Get a fresh point of view.

1852
02:04:04,118 --> 02:04:07,118
Thank You

1853
02:04:13,038 --> 02:04:16,238
please welcome the president
of the Academy of Motion

1854
02:04:16,238 --> 02:04:19,758
Picture Arts and Sciences, Leonard Taylor.

1855
02:04:30,598 --> 02:04:32,118
For 98 years

1856
02:04:32,118 --> 02:04:35,278
you have heard the words
Thank you to the Academy.

1857
02:04:36,038 --> 02:04:39,038
But have you ever wondered
who is the Academy?

1858
02:04:39,198 --> 02:04:42,718
The Academy of Motion Picture
Arts and Sciences is over

1859
02:04:42,718 --> 02:04:46,198
11,000 storytellers
from all over the world.

1860
02:04:46,678 --> 02:04:50,598
And yes, we are most known
for giving out awards on this night.

1861
02:04:50,918 --> 02:04:54,039
But the Academy's work
extends far beyond this stage.

1862
02:04:54,878 --> 02:04:57,878
Last year
at the scientific and technical Awards,

1863
02:04:57,918 --> 02:05:02,039
we honored 14 innovations
that pushed filmmaking forward,

1864
02:05:02,358 --> 02:05:05,878
and we awarded an Oscar to the community
that created

1865
02:05:05,878 --> 02:05:11,438
and supports captioning accepted
by the trailblazing Marlee Matlin

1866
02:05:18,518 --> 02:05:20,118
at the Student Academy Awards.

1867
02:05:20,118 --> 02:05:24,318
We champion the next generation
of filmmakers and celebrate extraordinary

1868
02:05:24,318 --> 02:05:27,878
lifetime contributions to cinema
at the annual Governors awards

1869
02:05:28,118 --> 02:05:32,718
where last year Tom Cruise, Debbie Allen
when Thomas and Dolly

1870
02:05:32,718 --> 02:05:35,718
parton were honored.

1871
02:05:39,438 --> 02:05:40,639
We also preserve,

1872
02:05:40,638 --> 02:05:43,678
curate and program our global film history

1873
02:05:43,958 --> 02:05:47,238
through the 52 million items
in our Academy collection

1874
02:05:47,398 --> 02:05:50,599
and our spectacular Academy
Museum of Motion Pictures.

1875
02:05:56,438 --> 02:05:58,398
Growing up in Liverpool, England,

1876
02:05:58,398 --> 02:06:01,639
it was the movies that connected me
to the rest of the world.

1877
02:06:02,318 --> 02:06:05,318
We all need
the joy and entertainment of cinema.

1878
02:06:05,878 --> 02:06:10,158
Films that shine a light on truth,
illuminate our complicated history

1879
02:06:10,438 --> 02:06:13,718
and connect us through our diverse
experiences.

1880
02:06:14,158 --> 02:06:16,878
Movies can change perspectives.

1881
02:06:16,878 --> 02:06:20,599
So tonight, I would like to say
thank you to the Academy,

1882
02:06:20,998 --> 02:06:25,398
because I don't know where any of us
would be without our storytellers.

1883
02:06:28,718 --> 02:06:30,358
She wasn't just a movie star.

1884
02:06:30,358 --> 02:06:31,878
She was iconic.

1885
02:06:31,878 --> 02:06:33,958
Marilyn Monroe, Hollywood Icon.

1886
02:06:33,958 --> 02:06:38,918
The new exhibition opening May 31st
at the Museum of Motion Pictures

1887
02:06:38,918 --> 02:06:43,119
in Los Angeles, featuring a stunning array
of original objects,

1888
02:06:43,118 --> 02:06:46,398
an extensive showcase of Marilyn's
movie costumes.

1889
02:06:46,758 --> 02:06:49,918
Tickets are on sale now
at Academy Museum Doors

1890
02:07:02,054 --> 02:07:04,294
in two key

1891
02:07:04,293 --> 02:07:06,333
features for the school night.

1892
02:07:06,333 --> 02:07:07,494
Jessica comes to us from Peter.

1893
02:07:07,494 --> 02:07:12,293
But I didn't really to make a film
about the dictatorship.

1894
02:07:13,374 --> 02:07:16,374
I wanted to rebuild a sense of time

1895
02:07:16,773 --> 02:07:18,934
in very difficult situations,

1896
02:07:18,934 --> 02:07:21,934
and people get together,
and they protect each other.

1897
02:07:22,374 --> 02:07:24,974
To view

1898
02:07:24,974 --> 02:07:27,974
the two for two

1899
02:07:28,133 --> 02:07:31,133
can of event,

1900
02:07:37,454 --> 02:07:38,534
please welcome Bill

1901
02:07:38,534 --> 02:07:41,534
Pullman and Louis Pullman.

1902
02:07:50,894 --> 02:07:52,173
Yeah.

1903
02:07:52,173 --> 02:07:53,454
Film editing.

1904
02:07:53,454 --> 02:07:57,374
It's sometimes it can seem
almost like it's an invisible art form.

1905
02:07:57,733 --> 02:07:58,534
You know?

1906
02:07:58,534 --> 02:07:59,293
It's right. Yeah.

1907
02:07:59,293 --> 02:08:02,293
The better
the editing, the less it stands out.

1908
02:08:02,374 --> 02:08:06,414
But behind the scenes,
editors are always shaping the story.

1909
02:08:07,014 --> 02:08:08,333
Yeah, kind of like

1910
02:08:10,133 --> 02:08:13,133
growing up with the famous dad.

1911
02:08:14,374 --> 02:08:15,374
Yeah.

1912
02:08:15,374 --> 02:08:17,333
Yeah, a little bit.

1913
02:08:17,333 --> 02:08:19,813
Yeah.

1914
02:08:19,813 --> 02:08:24,614
But I didn't really shape anything,
you know, I stayed behind the scenes, and

1915
02:08:24,653 --> 02:08:29,293
I did think that there would be a place
for you in livestock management, right?

1916
02:08:29,293 --> 02:08:29,854
That's right.

1917
02:08:29,854 --> 02:08:32,293
Yeah, but that didn't really work out.

1918
02:08:32,293 --> 02:08:33,054
Yeah, Yeah.

1919
02:08:33,054 --> 02:08:34,534
Big disappointment there. But.

1920
02:08:34,534 --> 02:08:37,454
Yeah, but you know, you all on your own.

1921
02:08:37,454 --> 02:08:40,454
You did just fine.

1922
02:08:40,454 --> 02:08:43,054
Thank you for saying that.

1923
02:08:43,054 --> 02:08:44,054
We're lucky.

1924
02:08:44,054 --> 02:08:48,134
Turns out audiences don't always,
you know, mine, the sequel.

1925
02:08:49,054 --> 02:08:54,934
I hope that they like the sequel even
more than the original, but a little more.

1926
02:08:55,014 --> 02:08:58,014
Well, jury's still out. Yeah,

1927
02:08:58,574 --> 02:09:00,454
but tonight we're lucky

1928
02:09:00,454 --> 02:09:04,253
because we get to celebrate the artists
who make the final cut.

1929
02:09:05,213 --> 02:09:07,133
The editors

1930
02:09:07,133 --> 02:09:08,094
here are the nominees.

1931
02:09:12,894 --> 02:09:15,454
F1 Steven Marion.

1932
02:09:15,454 --> 02:09:18,454
I hear my name through

1933
02:09:18,934 --> 02:09:19,454
worse.

1934
02:09:19,454 --> 02:09:22,454
My bad,

1935
02:09:22,494 --> 02:09:23,813
Marty Supreme,

1936
02:09:23,813 --> 02:09:26,813
Ronald Bronstein and Josh Safdie.

1937
02:09:28,854 --> 02:09:32,253
Just one battle after another.

1938
02:09:32,414 --> 02:09:35,414
Andy Jurgensen

1939
02:09:40,693 --> 02:09:41,974
Sentimental Value.

1940
02:09:41,974 --> 02:09:44,974
Olivia Booga Cutie

1941
02:09:49,054 --> 02:09:49,813
Sinners.

1942
02:09:49,813 --> 02:09:52,813
Michael Piece of

1943
02:10:06,173 --> 02:10:08,974
And the winner is

1944
02:10:08,974 --> 02:10:12,134
one battle after another and knee

1945
02:10:12,173 --> 02:10:15,173
jerk action

1946
02:10:16,054 --> 02:10:17,813
This is the first Oscar win I'm

1947
02:10:17,813 --> 02:10:20,813
nomination for Andy Jurgensen

1948
02:10:29,213 --> 02:10:33,494
Well well thank you very much.

1949
02:10:35,133 --> 02:10:37,333
First off, I want to give a shout out
to all my friends

1950
02:10:37,333 --> 02:10:40,333
who are at a bar right now watching me so

1951
02:10:40,733 --> 02:10:43,733
you can order shots now

1952
02:10:44,414 --> 02:10:47,454
I want to give a special
thank you to my editorial crew

1953
02:10:48,054 --> 02:10:50,934
who worked their butts off
behind the scenes.

1954
02:10:50,934 --> 02:10:52,534
You guys are amazing.

1955
02:10:52,534 --> 02:10:53,374
Thank you to Paul.

1956
02:10:53,374 --> 02:10:56,974
Thank you for taking me on this journey
and our collaboration.

1957
02:10:57,974 --> 02:11:00,974
Thank you to the wonderful cast and crew.

1958
02:11:01,773 --> 02:11:05,574
Loved to my parents and sisters
who are up in the balcony somewhere,

1959
02:11:05,813 --> 02:11:10,094
and to my partner Bill, who brings so much
joy to my life every day.

1960
02:11:10,894 --> 02:11:13,854
And lastly,
I would like to dedicate this to my Aunt

1961
02:11:13,854 --> 02:11:18,414
Barbara Hall, who was a film archivist
for the Academy for over 25 years.

1962
02:11:19,733 --> 02:11:21,894
She loved her job and she loved

1963
02:11:21,894 --> 02:11:25,094
showing me old
and teaching me about film history.

1964
02:11:25,333 --> 02:11:26,974
And I miss her every day.

1965
02:11:26,974 --> 02:11:29,694
And I would not be up here
if it wasn't for her and my Uncle Val.

1966
02:11:29,693 --> 02:11:31,813
So thank you very much.

1967
02:11:31,813 --> 02:11:34,813
Thank you.

1968
02:11:42,494 --> 02:11:45,773
Please welcome Oscar nominee Demi Moore.

1969
02:12:01,133 --> 02:12:02,614
Cinematography

1970
02:12:02,614 --> 02:12:05,614
is the language of light and movement.

1971
02:12:05,974 --> 02:12:09,534
It's how a film
breathes, how a moment becomes.

1972
02:12:11,173 --> 02:12:12,773
It's what makes us feel.

1973
02:12:12,773 --> 02:12:16,894
Turning images into emotion and moments
into memory.

1974
02:12:17,374 --> 02:12:21,293
Tonight, we honor the storytellers
who shaped the way we see a film.

1975
02:12:21,733 --> 02:12:24,733
Here are the nominees for achievement
in cinematography.

1976
02:12:29,374 --> 02:12:32,374
Frankenstein, Dan Lutz and

1977
02:12:33,374 --> 02:12:36,374
Marty Supreme Country.

1978
02:12:37,614 --> 02:12:39,174
One Battle after Another.

1979
02:12:39,173 --> 02:12:42,173
Michael Baumann.

1980
02:12:42,253 --> 02:12:43,054
Sinners.

1981
02:12:43,054 --> 02:12:46,054
Adam Duvall.

1982
02:12:46,733 --> 02:12:48,213
Train Dreams.

1983
02:12:48,213 --> 02:12:51,213
A Doctor was amazing.

1984
02:12:55,253 --> 02:12:58,253
And the Oscar goes to

1985
02:12:59,414 --> 02:13:02,414
sinners. Adam

1986
02:13:06,773 --> 02:13:08,374
This is the first Oscar winner

1987
02:13:08,374 --> 02:13:11,374
and nomination
for all time dwelling Occupy

1988
02:14:00,974 --> 02:14:05,654
oh eight And

1989
02:14:06,173 --> 02:14:09,173
where are you at?

1990
02:14:12,454 --> 02:14:15,454
Well, um,

1991
02:14:15,773 --> 02:14:18,094
whenever I say thank you to Ryan,

1992
02:14:18,094 --> 02:14:20,934
he replies and says, No, thank you.

1993
02:14:20,934 --> 02:14:24,494
Thank you for believing in me
and thank you for trusting me.

1994
02:14:24,534 --> 02:14:27,374
And that's the kind guy
that I get to make films with.

1995
02:14:27,374 --> 02:14:30,173
Um, it's a very,

1996
02:14:30,173 --> 02:14:32,293
very honorable person.

1997
02:14:32,293 --> 02:14:35,693
Um, and he means it,
and he really truly means it.

1998
02:14:35,693 --> 02:14:39,253
And I feel like I had to meet him.

1999
02:14:39,253 --> 02:14:42,854
Like this little girl
that their mother who's over

2000
02:14:42,854 --> 02:14:45,974
there told them that they could do
anything, had to meet Ryan.

2001
02:14:46,773 --> 02:14:49,614
That girl also had to look up
Ellen Cross's

2002
02:14:49,614 --> 02:14:52,774
name, who's also in this room today. Um,

2003
02:14:54,173 --> 02:14:55,333
and that girl also

2004
02:14:55,333 --> 02:14:58,333
had to meet Rachel Morrison.

2005
02:14:59,494 --> 02:15:00,333
Um, I'm

2006
02:15:00,333 --> 02:15:04,173
so honored to be here, and I really want
all the women in the room to stand up

2007
02:15:04,934 --> 02:15:07,534
because I feel like I don't get here

2008
02:15:07,534 --> 02:15:10,534
without you guys.

2009
02:15:24,173 --> 02:15:27,173
I really, really, truly mean that.

2010
02:15:27,773 --> 02:15:31,333
Um, I have felt so much love
from all the women

2011
02:15:31,454 --> 02:15:35,293
on this whole campaign
and gotten to meet so many people.

2012
02:15:35,614 --> 02:15:38,694
And I just feel like moments
like this happened because of you guys.

2013
02:15:38,693 --> 02:15:41,534
And I want to thank you for that.
I want to thank Warner Brothers.

2014
02:15:41,534 --> 02:15:44,293
Lindsey serve my whole crew.

2015
02:15:44,293 --> 02:15:49,653
Ethan, Brian, McGill, Dre, Josh,
all people that work their hearts out.

2016
02:15:49,974 --> 02:15:51,614
And my cast.

2017
02:15:51,614 --> 02:15:54,894
Michael, Delroy, Rumi, Miles,

2018
02:15:54,894 --> 02:15:57,894
Jamie, Omar, Lily,

2019
02:15:58,653 --> 02:16:01,653
Jack, Hailey.

2020
02:16:01,813 --> 02:16:03,293
These are so beautiful.

2021
02:16:03,293 --> 02:16:04,614
These people are so beautiful.

2022
02:16:04,614 --> 02:16:07,174
And I'm honored to be there
photographing them.

2023
02:16:07,173 --> 02:16:10,574
And my husband and my son, Aiden,
and my parents back there.

2024
02:16:10,934 --> 02:16:13,934
Thank you so much.
This is this is an honor.

2025
02:16:14,253 --> 02:16:14,773
Thank you.

2026
02:16:43,973 --> 02:16:46,973
Demons have always been terrible,

2027
02:16:47,093 --> 02:16:49,133
stealing our souls and channeling

2028
02:16:49,133 --> 02:16:52,133
strength back to their

2029
02:16:53,053 --> 02:16:56,053
until humans arose to defend us.

2030
02:16:57,173 --> 02:17:00,253
Born with voices
that could drive back the darkness

2031
02:17:01,293 --> 02:17:03,534
our music ignites soul and brings

2032
02:17:03,534 --> 02:17:06,534
people together.

2033
02:17:18,173 --> 02:17:22,374
With this connection, the first hunters
created a shield to protect.

2034
02:17:22,374 --> 02:17:27,854
Oh, I know that To be false, to view

2035
02:17:28,854 --> 02:17:29,574
the world.

2036
02:17:29,574 --> 02:17:31,614
Who knew you as pop stars?

2037
02:17:31,614 --> 02:17:34,253
But you be much more than God.

2038
02:17:34,253 --> 02:17:37,253
You will be centers.

2039
02:17:53,093 --> 02:17:54,173
I was a girl.

2040
02:17:54,173 --> 02:17:55,333
I was alone.

2041
02:17:55,333 --> 02:17:58,093
Who told you

2042
02:17:58,374 --> 02:18:00,933
I'm gay

2043
02:18:00,933 --> 02:18:01,933
in the throng.

2044
02:18:01,933 --> 02:18:04,933
I didn't know who to believe.

2045
02:18:05,093 --> 02:18:06,654
I was a queen.

2046
02:18:06,654 --> 02:18:11,454
Determined to be to Nigerian people side.

2047
02:18:12,173 --> 02:18:18,574
I tell to

2048
02:18:20,454 --> 02:18:23,694
tell the state

2049
02:18:24,293 --> 02:18:29,213
that anyone should become but

2050
02:18:31,093 --> 02:18:33,013
be dreaming.

2051
02:18:33,013 --> 02:18:35,414
Making sure

2052
02:18:35,414 --> 02:18:38,734
whoever we

2053
02:18:39,854 --> 02:18:44,534
go, go.

2054
02:18:47,253 --> 02:18:50,173
Yeah.

2055
02:18:50,173 --> 02:18:52,093
You're

2056
02:18:52,093 --> 02:18:55,093
gonna be

2057
02:18:57,173 --> 02:18:59,013
outside

2058
02:18:59,013 --> 02:19:04,614
like no,

2059
02:19:06,614 --> 02:19:09,614
that's right.

2060
02:19:10,973 --> 02:19:13,973
You know,

2061
02:19:18,293 --> 02:19:23,814
like these guys

2062
02:19:50,213 --> 02:19:53,213
coming off the award
for Best Original song.

2063
02:19:53,213 --> 02:19:55,933
To hear all of tonight's
original song nominees.

2064
02:19:55,933 --> 02:19:58,933
Scan the QR code on your screen. Now.

2065
02:20:14,539 --> 02:20:15,939
Guess this is the end of the line.

2066
02:20:15,939 --> 02:20:18,939
N ot for you

2067
02:20:20,298 --> 02:20:22,659
Revolution begins by any means.

2068
02:20:22,659 --> 02:20:24,139
I need to find my daughter.

2069
02:20:24,138 --> 02:20:27,258
I've been holding on to something
for a while now.

2070
02:20:28,659 --> 02:20:30,659
I wanted to protect you.

2071
02:20:30,659 --> 02:20:33,659
I cannot remember the answer
to your question.

2072
02:20:33,739 --> 02:20:34,819
I understand.

2073
02:20:34,819 --> 02:20:37,819
And the question is

2074
02:20:51,258 --> 02:20:52,779
this is a historic night.

2075
02:20:52,779 --> 02:20:56,259
I believe Autumn Durand,
aka Power, was the first woman to win

2076
02:20:56,258 --> 02:20:59,338
Best Cinematography, The amazing,

2077
02:21:00,819 --> 02:21:03,819
incredible, really.

2078
02:21:05,418 --> 02:21:07,499
I love that.

2079
02:21:07,499 --> 02:21:10,739
One of our next presenters
is married to one of the Jonas Brothers.

2080
02:21:10,739 --> 02:21:13,059
The other pronounces them Jonas Brothers.

2081
02:21:13,058 --> 02:21:17,138
Please welcome Priyanka
Jonas and Oscar winner Honey are Bardem

2082
02:21:34,819 --> 02:21:37,259
not to walk

2083
02:21:37,258 --> 02:21:40,258
on free Palestine.

2084
02:21:46,418 --> 02:21:47,098
My love

2085
02:21:47,098 --> 02:21:50,098
for cinema comes from his unique ability

2086
02:21:50,338 --> 02:21:53,338
to connect the human experience across
cultures.

2087
02:21:53,819 --> 02:21:57,579
The nominees for international feature
film brings us stories

2088
02:21:57,579 --> 02:21:58,859
from around the world.

2089
02:21:58,859 --> 02:22:02,739
It's rooted in forces
that are deeply familiar to us all,

2090
02:22:04,539 --> 02:22:06,579
visceral and engrossing.

2091
02:22:06,579 --> 02:22:10,859
They remind us
that international is never truly far away

2092
02:22:11,418 --> 02:22:14,019
because every story sends a ripple

2093
02:22:14,019 --> 02:22:16,859
far beyond where it begins.

2094
02:22:16,859 --> 02:22:20,019
Here are the nominees
for Best International feature film

2095
02:22:24,218 --> 02:22:25,178
from Brazil.

2096
02:22:25,178 --> 02:22:28,619
The secret agent broke the bones of film

2097
02:22:30,218 --> 02:22:31,138
from France.

2098
02:22:31,138 --> 02:22:34,539
It was just an action
and directed by Jennifer McCarthy

2099
02:22:36,178 --> 02:22:36,979
from Norway.

2100
02:22:36,979 --> 02:22:40,099
Sentimental Value, directed by Yong Kim,
created

2101
02:22:41,378 --> 02:22:43,258
from Spain,

2102
02:22:43,258 --> 02:22:46,258
directed by Oliver Lussier

2103
02:22:46,258 --> 02:22:51,298
from Tunisia, the voice of King
Raja, directed by Countach, Ben Kano.

2104
02:22:55,699 --> 02:23:00,779
Hey, and
the Oscar goes to Sentimental Value

2105
02:23:00,939 --> 02:23:03,939
movie was here.

2106
02:23:08,939 --> 02:23:12,458
This is the first Oscar win
and seventh nomination for Norway.

2107
02:23:12,739 --> 02:23:15,939
Sentimental Value has nine nominations,
including

2108
02:23:15,939 --> 02:23:18,939
Best Picture.

2109
02:23:38,298 --> 02:23:41,298
Oh, it's.

2110
02:23:42,819 --> 02:23:44,059
Thank you.

2111
02:23:44,058 --> 02:23:46,058
Oh, my goodness.

2112
02:23:46,058 --> 02:23:48,178
Thank you so much.

2113
02:23:48,178 --> 02:23:49,779
I'm just a film nerd from Norway.

2114
02:23:49,779 --> 02:23:50,539
Thank you so much.

2115
02:23:50,539 --> 02:23:51,619
Honestly, the work.

2116
02:23:51,619 --> 02:23:56,019
Many thanks to the academy
and and thanks to Neon,

2117
02:23:56,019 --> 02:23:59,019
who brought our film over here to help us

2118
02:23:59,619 --> 02:24:02,258
with this film.

2119
02:24:02,258 --> 02:24:05,499
It's about a very dysfunctional family,
and it's the opposite of what I felt

2120
02:24:05,499 --> 02:24:07,659
with this beautiful group behind me.

2121
02:24:07,659 --> 02:24:11,739
I think I make films to feel at home
with people and I've really felt at home

2122
02:24:11,739 --> 02:24:12,779
with the crew.

2123
02:24:12,779 --> 02:24:16,259
There's 1072 people on these credits
and I love them all,

2124
02:24:16,258 --> 02:24:17,499
and I share this with them.

2125
02:24:17,499 --> 02:24:19,819
The cast behind me,
I've never been so proud.

2126
02:24:19,819 --> 02:24:20,378
Thanks for

2127
02:24:21,619 --> 02:24:23,819
wanting to work with me,

2128
02:24:23,819 --> 02:24:27,219
my real family,
my mom and dad for showing me movies,

2129
02:24:27,539 --> 02:24:32,258
my wife Hella for, you know, it's
not so easy to be with filmmakers.

2130
02:24:32,258 --> 02:24:35,178
I love you, my kids.

2131
02:24:35,178 --> 02:24:39,418
It might be a good idea and I want to

2132
02:24:39,819 --> 02:24:43,139
because I'm in this category
and I feel I represent global filmmakers.

2133
02:24:43,138 --> 02:24:46,819
And in a moment like this, I just want
to recognize the wonderful films

2134
02:24:47,859 --> 02:24:51,659
we were nominated together with important,
beautiful film

2135
02:24:51,659 --> 02:24:55,539
that reflect our present crisis
and the crisis of the past.

2136
02:24:55,779 --> 02:25:00,579
And I want to end by quoting or not
actually quoting, paraphrasing, rather,

2137
02:25:00,819 --> 02:25:03,819
the wonderful American writer
James Baldwin,

2138
02:25:03,939 --> 02:25:06,339
who makes us remember that

2139
02:25:06,338 --> 02:25:11,499
all adults are responsible,
all children, and let's not vote

2140
02:25:11,499 --> 02:25:14,499
for a politician who does not take
this seriously into account.

2141
02:25:15,178 --> 02:25:16,098
Okay. Thank you.

2142
02:25:40,739 --> 02:25:43,859
Please welcome Oscar winner Lionel Richie.

2143
02:25:58,979 --> 02:26:10,379
Oh, all right, All right.

2144
02:26:10,579 --> 02:26:13,579
Okay. All right,

2145
02:26:13,899 --> 02:26:15,299
all right. I'm back.

2146
02:26:15,298 --> 02:26:17,739
I'm back, I'm back.

2147
02:26:17,739 --> 02:26:20,298
Wow. Let me just tell you,
all 40 years ago,

2148
02:26:20,298 --> 02:26:24,619
I was lucky enough to stand on this stage
and win an Oscar for

2149
02:26:24,619 --> 02:26:27,619
say you say me from the movie
White Knights.

2150
02:26:31,058 --> 02:26:33,138
Did I just say 40 years ago?

2151
02:26:33,138 --> 02:26:36,138
That's. That's ridiculous.

2152
02:26:36,418 --> 02:26:38,579
And now I'm tortured with the idea

2153
02:26:38,579 --> 02:26:41,579
that my birthday comes every Thursday.

2154
02:26:41,659 --> 02:26:43,859
It's getting worse by the minute.

2155
02:26:43,859 --> 02:26:46,859
Stories cannot be told without music.

2156
02:26:46,859 --> 02:26:49,619
And let me tell you,
writing a song for a movie

2157
02:26:49,619 --> 02:26:52,619
is not as easy as you may think.

2158
02:26:52,899 --> 02:26:58,019
You're asked to capture the heart
and soul of a story in just a few minutes.

2159
02:26:58,739 --> 02:27:01,859
Tonight,
we're going to celebrate these writers.

2160
02:27:02,378 --> 02:27:06,539
Here are the nominees
for Best Original Song

2161
02:27:11,019 --> 02:27:12,819
Dear Me from Diane Warren,

2162
02:27:12,819 --> 02:27:15,819
Relentless Music and Lyrics
by Diane Warren.

2163
02:27:17,499 --> 02:27:19,859
Gonna be all right.

2164
02:27:19,859 --> 02:27:22,859
All right.

2165
02:27:23,258 --> 02:27:25,539
Pass me on.

2166
02:27:25,539 --> 02:27:30,579
The pain is All Gonna See You Train Dreams

2167
02:27:30,699 --> 02:27:36,218
From Train Dreams Music by Nick and Bryce
Dessner Lyrics by Nick Cave.

2168
02:27:36,258 --> 02:27:41,019
Lately
I've been dreaming these crazy dreams.

2169
02:27:41,019 --> 02:27:47,299
I can't explain a woman
standing in a few flowers and screaming

2170
02:27:47,298 --> 02:27:52,178
and a locomotive dreaming
crazy dreams that go on for

2171
02:27:53,178 --> 02:27:55,979
sweet dreams of joy From Viva Verdi

2172
02:27:55,979 --> 02:28:04,219
Music and Lyrics by Nicholas Pike Oh,

2173
02:28:07,539 --> 02:28:12,939
so I Lied to You from Sinners,

2174
02:28:13,178 --> 02:28:16,699
Music and Lyrics by Raphael Saadiq
and new Dancing

2175
02:28:17,739 --> 02:28:22,338
Golden from K-Pop
Demon Hunter's Music and Lyrics by D.J.

2176
02:28:22,539 --> 02:28:24,579
Mark Sunday, June two.

2177
02:28:24,579 --> 02:28:28,539
What you Honey Key to Mom, Chunky,

2178
02:28:28,579 --> 02:28:31,579
Soft and Teddy Pop.

2179
02:28:36,178 --> 02:28:38,298
And the Oscar goes to

2180
02:28:42,579 --> 02:28:45,579
Golden

2181
02:28:49,539 --> 02:28:52,779
Goose and
K-Pop Demon Hunter has just made Academy

2182
02:28:52,779 --> 02:28:57,579
Awards history becoming first K-Pop
song to win Best Original Song.

2183
02:28:58,378 --> 02:29:00,699
This is the first Oscar nomination

2184
02:29:00,699 --> 02:29:03,699
for each of the songwriting team.

2185
02:29:11,178 --> 02:29:14,178
Thank Like you.

2186
02:29:16,298 --> 02:29:19,298
so much to the Academy State Awards.

2187
02:29:19,539 --> 02:29:22,539
We got three

2188
02:29:22,899 --> 02:29:23,779
oh going up.

2189
02:29:23,779 --> 02:29:26,259
You know,
people make fun of me, like in K-Pop,

2190
02:29:26,258 --> 02:29:30,739
but now they're everyone's
singing our song and all the lyrics.

2191
02:29:30,739 --> 02:29:32,378
I'm so proud.

2192
02:29:32,378 --> 02:29:34,619
And I realized, like the song

2193
02:29:34,619 --> 02:29:37,859
this award is about,
not about success, it's about resilience.

2194
02:29:38,499 --> 02:29:42,019
And I'm just so grateful to our team and.

2195
02:29:42,699 --> 02:29:46,019
I just want to thank my mom
or dad, my brother,

2196
02:29:46,019 --> 02:29:49,339
my fiance, my manager,
of course, for always staying with me.

2197
02:29:49,338 --> 02:29:53,458
And I also want to think, of course,
the resilience has kept you and Hunter's.

2198
02:29:53,458 --> 02:29:55,659
Thank you so much to Maggie King
and to Chris

2199
02:29:55,659 --> 02:29:59,378
Hawes, that our producer, Michelle Ward,
thank you so much for this film.

2200
02:29:59,418 --> 02:30:02,019
Thank you to Netflix.
Thank you. Sony Animation.

2201
02:30:02,019 --> 02:30:05,500
Thank you for Eisendrath
and Spring Casper's. And

2202
02:30:07,258 --> 02:30:10,258
I do like to.

2203
02:30:21,739 --> 02:30:24,739
come, the awards for best director
and best actor.

2204
02:30:25,019 --> 02:30:28,019
Here on the Oscars from the Dolby Theater
at a function

2205
02:30:28,058 --> 02:30:31,058
in Hollywood.

2206
02:30:37,714 --> 02:30:39,315
We're back at the Oscars.

2207
02:30:39,315 --> 02:30:42,435
Please
welcome Zendaya and Robert Pattinson.

2208
02:30:56,794 --> 02:30:59,315
Directing is a rare kind of vision.

2209
02:30:59,315 --> 02:31:02,435
It's the ability
to see a whole world for anyone else can

2210
02:31:02,834 --> 02:31:06,075
and then invite hundreds of people
to help bring it to life.

2211
02:31:06,554 --> 02:31:11,235
Actors, designers, cinematographers,
editors, all guided by their voice.

2212
02:31:12,235 --> 02:31:14,995
The five filmmakers
we celebrate tonight, each created

2213
02:31:14,995 --> 02:31:18,875
something unforgettable stories
that moved us, surprised us,

2214
02:31:19,155 --> 02:31:22,155
and reminded us
why we love going to the movies.

2215
02:31:22,674 --> 02:31:25,674
Here are the nominees for achievement
in directing

2216
02:31:29,474 --> 02:31:32,474
Chloe Zhao and

2217
02:31:33,754 --> 02:31:36,754
Josh Safdie, Matthew suffering,

2218
02:31:37,834 --> 02:31:40,834
Paul Thomas Anderson,
One Battle after another.

2219
02:31:41,794 --> 02:31:44,195
Yong Kim Trip Sentimental not for

2220
02:31:45,514 --> 02:31:46,754
Ryan Coogler.

2221
02:31:46,754 --> 02:31:49,754
Since

2222
02:31:54,995 --> 02:31:57,995
and the Oscar goes to

2223
02:31:58,594 --> 02:32:00,075
one battle after another.

2224
02:32:00,075 --> 02:32:03,075
Paul Thomas Anderson

2225
02:32:04,955 --> 02:32:06,554
This is the second Oscar win

2226
02:32:06,554 --> 02:32:09,875
tonight and 14th nomination for Paul
Thomas.

2227
02:32:09,875 --> 02:32:12,875
Anderson,

2228
02:32:35,834 --> 02:32:37,754
thank you very much.

2229
02:32:37,754 --> 02:32:39,155
Thank you very, very, very much.

2230
02:32:39,155 --> 02:32:40,915
You make a guy work for one of these.

2231
02:32:40,915 --> 02:32:43,915
I really appreciate it.

2232
02:32:45,594 --> 02:32:47,115
I share this

2233
02:32:47,115 --> 02:32:50,115
with a friend of mine
on the other side of the shadows

2234
02:32:50,434 --> 02:32:53,434
who name Adam Sumner, who's up at a

2235
02:32:55,195 --> 02:32:57,875
is it up in a really big bar up in the sky
right now?

2236
02:32:57,875 --> 02:33:00,915
And he's having a gin and tonic
and he is so happy for me

2237
02:33:01,355 --> 02:33:04,355
and our crew.

2238
02:33:04,754 --> 02:33:06,115
I want to thank the Academy

2239
02:33:06,115 --> 02:33:09,115
for finding my work
worthy of this highest honor.

2240
02:33:11,794 --> 02:33:14,275
And my classmates, Chloe

2241
02:33:14,275 --> 02:33:17,275
Ryan Jochem

2242
02:33:17,634 --> 02:33:18,514
and Josh,

2243
02:33:19,955 --> 02:33:22,955
I couldn't ask for a better class.

2244
02:33:23,794 --> 02:33:24,634
It's an honor

2245
02:33:24,634 --> 02:33:27,634
to be counted amongst you guys.

2246
02:33:28,235 --> 02:33:29,915
There will always be some,

2247
02:33:29,915 --> 02:33:32,915
some doubt in your heart
that you deserve it.

2248
02:33:32,915 --> 02:33:36,155
But is there is no question
that the pleasure of having it

2249
02:33:36,155 --> 02:33:39,155
for myself,

2250
02:33:45,195 --> 02:33:48,195
I'm here because of people's faith in me.

2251
02:33:48,474 --> 02:33:51,474
They give me their faith in their time.

2252
02:33:52,594 --> 02:33:53,434
And that's the best part

2253
02:33:53,434 --> 02:33:56,434
about being on a film
crew is being with people.

2254
02:33:56,915 --> 02:33:58,955
So we need each other.

2255
02:33:58,955 --> 02:34:01,955
This is a wonderful gift
and I'm so happy to call the movies home.

2256
02:34:01,955 --> 02:34:03,915
This is really terrific.

2257
02:34:03,915 --> 02:34:05,355
Thank you. From the bottom of my heart.

2258
02:34:05,355 --> 02:34:05,955
I love it.

2259
02:34:05,955 --> 02:34:06,594
Thank you, guys.

2260
02:34:06,594 --> 02:34:09,594
Thank you very much.

2261
02:34:23,235 --> 02:34:24,475
Our next presenter

2262
02:34:24,474 --> 02:34:28,355
heroically saved last year's
Oscars from running short.

2263
02:34:28,915 --> 02:34:31,714
Please welcome Oscar winner Brody.

2264
02:34:42,315 --> 02:34:45,315
Good evening.

2265
02:34:45,794 --> 02:34:49,355
Know all you did.

2266
02:34:54,995 --> 02:34:57,995
I know this has been a long night,

2267
02:34:59,794 --> 02:35:01,955
but, uh.

2268
02:35:01,955 --> 02:35:05,235
But I just one thing here to.

2269
02:35:12,315 --> 02:35:12,834
All right, all right.

2270
02:35:13,115 --> 02:35:14,794
Stop, stop, stop.

2271
02:35:14,794 --> 02:35:17,794
Hold on. Hold the music, please.

2272
02:35:17,794 --> 02:35:20,794
I do have something very important to say.

2273
02:35:22,754 --> 02:35:25,955
And the nominees for lead actor are

2274
02:35:30,554 --> 02:35:31,674
Ethan Hawke.

2275
02:35:31,674 --> 02:35:32,514
Blue Moon.

2276
02:35:32,514 --> 02:35:35,355
You tell me Heart is Drunk.

2277
02:35:35,355 --> 02:35:37,555
This beauty

2278
02:35:37,554 --> 02:35:39,875
tells us the word drunk.

2279
02:35:40,235 --> 02:35:43,235
No more The secret agent. No,

2280
02:35:43,794 --> 02:35:46,794
no film.

2281
02:35:48,754 --> 02:35:50,834
I just kind of

2282
02:35:50,834 --> 02:35:53,395
do my stuff on my pillow.

2283
02:35:53,395 --> 02:35:56,395
Michael B Jordan Since

2284
02:36:00,275 --> 02:36:02,955
the war, we're all fine

2285
02:36:02,955 --> 02:36:06,714
until it is
Timothy Charlemagne, the Supreme.

2286
02:36:07,474 --> 02:36:08,834
Because nothing sentimental.

2287
02:36:08,834 --> 02:36:09,514
Settle down now.

2288
02:36:09,514 --> 02:36:10,315
Keep it out of your mind.

2289
02:36:10,315 --> 02:36:13,155
I will not settle down right now. Okay.

2290
02:36:13,155 --> 02:36:15,754
Leonardo DiCaprio after.

2291
02:36:22,155 --> 02:36:23,195
Thank you.

2292
02:36:23,195 --> 02:36:25,555
Hey. Thank you, Sensei.

2293
02:36:25,554 --> 02:36:26,235
Thank you so much, sir.

2294
02:36:26,235 --> 02:36:29,235
Thank you.

2295
02:36:38,794 --> 02:36:41,794
And the Oscar goes to

2296
02:36:43,275 --> 02:36:46,275
Michael B Jordan.

2297
02:36:55,115 --> 02:36:56,555
This is the first Oscar win

2298
02:36:56,554 --> 02:36:59,554
and nomination for Michael Jordan.

2299
02:37:41,634 --> 02:37:45,754
Man. God is good.

2300
02:37:46,474 --> 02:37:48,235
God is good.

2301
02:37:48,235 --> 02:37:52,355
And your mama was up.

2302
02:37:55,155 --> 02:37:57,834
Y'all know how I feel about my mother
and my father.

2303
02:37:58,235 --> 02:38:01,115
Were you at my dad?

2304
02:38:01,115 --> 02:38:02,395
My dad came in from Ghana.

2305
02:38:02,395 --> 02:38:04,595
He flew in from Ghana to be here.

2306
02:38:04,594 --> 02:38:06,075
My brother, my sister's here.

2307
02:38:06,075 --> 02:38:07,674
My family.

2308
02:38:07,674 --> 02:38:08,275
I want to think.

2309
02:38:08,275 --> 02:38:10,315
I want to think.
I want to thank Warner brothers.

2310
02:38:10,315 --> 02:38:14,875
I think Mike and Pam for believing in this
this dream, this vision of Ryan Coogler,

2311
02:38:15,115 --> 02:38:18,995
embedded on a culture, embedded
on original ideas and original artistry.

2312
02:38:19,594 --> 02:38:21,995
And you're an amazing, amazing person.

2313
02:38:21,995 --> 02:38:26,075
I'm so honored to call you a collaborator
and a friend, and you gave me

2314
02:38:26,075 --> 02:38:29,195
an opportunity and space
for me to too, to be seen

2315
02:38:29,754 --> 02:38:32,594
and allow you to lead the deaf.

2316
02:38:32,594 --> 02:38:33,594
I would like to thank

2317
02:38:34,794 --> 02:38:36,674
who my incredible cast.

2318
02:38:36,674 --> 02:38:40,275
I want to thank you so much for giving
smoke opportunity to be him.

2319
02:38:40,834 --> 02:38:42,115
Haley at home.

2320
02:38:42,115 --> 02:38:43,915
You know, just, you know.
Do you really have a baby right now?

2321
02:38:43,915 --> 02:38:47,434
Thank you so much for being the other
of the other half of stack

2322
02:38:49,594 --> 02:38:54,395
Delroy, Jamie,
everybody, Lily, Omar, the entire cast.

2323
02:38:54,434 --> 02:38:56,554
Thank you guys for
for support me through this.

2324
02:38:56,554 --> 02:38:59,315
My team, Phil Sutton, Greg Stewart,

2325
02:38:59,315 --> 02:39:02,315
Lindsey Gallant

2326
02:39:03,514 --> 02:39:06,514
who may go

2327
02:39:08,955 --> 02:39:10,915
as I stand here

2328
02:39:10,915 --> 02:39:13,915
for because of the people that came
before me.

2329
02:39:13,955 --> 02:39:16,955
Sidney Poitier, Denzel Washington,
Halle Berry,

2330
02:39:17,075 --> 02:39:20,075
Jamie Foxx, Forest Whitaker, Will Smith.

2331
02:39:20,474 --> 02:39:25,275
And to be amongst those giants, amongst
those great greats, amongst my ancestors,

2332
02:39:25,275 --> 02:39:26,195
amongst my

2333
02:39:26,195 --> 02:39:27,834
Thank you, everybody in this room

2334
02:39:27,834 --> 02:39:30,315
and everybody at home
for supporting me over my career.

2335
02:39:30,315 --> 02:39:31,275
I feel it.

2336
02:39:31,275 --> 02:39:34,955
I know you guys want me to do well
and and I want to do that

2337
02:39:35,195 --> 02:39:36,555
because you guys bet on me.

2338
02:39:36,554 --> 02:39:39,355
So thank you for keep
up, but keep betting on me

2339
02:39:40,834 --> 02:39:44,554
gonna keep stepping up and I'm keep being
the best version of myself I could be.

2340
02:39:44,554 --> 02:39:45,155
So I just want

2341
02:39:45,155 --> 02:39:47,754
say thank you for everybody in this room
to have something to do with my success.

2342
02:39:47,754 --> 02:39:49,875
I love you guys and everybody at home

2343
02:39:49,875 --> 02:39:51,634
who supported centers,
who went to go see the movie

2344
02:39:51,634 --> 02:39:53,955
once, twice, three or four or five times.
Thank you.

2345
02:39:53,955 --> 02:39:55,195
Because you guys made this movie.

2346
02:39:55,195 --> 02:39:56,235
It is. I love you.

2347
02:39:56,674 --> 02:39:59,674
I love.

2348
02:40:20,434 --> 02:40:23,434
to come, the awards
for best actress and best picture

2349
02:40:23,794 --> 02:40:26,794
only at the Oscars here on ABC.

2350
02:40:45,900 --> 02:40:48,900
I know what that was about.

2351
02:40:50,060 --> 02:40:50,940
Get there.

2352
02:40:50,940 --> 02:40:52,860
We're almost there.

2353
02:40:52,860 --> 02:40:55,180
Almost. They're

2354
02:40:55,180 --> 02:40:56,820
almost there.

2355
02:40:56,820 --> 02:40:59,820
And they go

2356
02:41:04,100 --> 02:41:07,100
that you never know

2357
02:41:08,140 --> 02:41:10,940
that this next presenter may bring back

2358
02:41:10,940 --> 02:41:14,621
painful memories of accidentally
watching a Nora with your parents.

2359
02:41:14,700 --> 02:41:15,340
Please welcome

2360
02:41:16,980 --> 02:41:19,980
I did Oscar winner Maggie Madison

2361
02:41:22,660 --> 02:41:37,180
and as artists,

2362
02:41:37,180 --> 02:41:40,661
we're always learning
how to listen to our instincts,

2363
02:41:41,020 --> 02:41:45,180
to one another and to the fundamental
truths inside a story.

2364
02:41:46,180 --> 02:41:51,060
Jessie Rose, Kate, Renata and Emma.

2365
02:41:51,700 --> 02:41:54,460
You left me, all of us, and are

2366
02:41:54,460 --> 02:41:57,460
with your performances.

2367
02:42:00,140 --> 02:42:03,140
Jessie Buckley, Hamnet and

2368
02:42:04,500 --> 02:42:07,941
I left on the ground for what I know.

2369
02:42:07,980 --> 02:42:10,140
I don't know.

2370
02:42:10,140 --> 02:42:10,860
Rose Byrne.

2371
02:42:10,860 --> 02:42:13,860
If I had legs, I keep you not

2372
02:42:14,260 --> 02:42:15,340
none.

2373
02:42:15,340 --> 02:42:17,701
This isn't going to be what it's like.
This, isn't it?

2374
02:42:17,700 --> 02:42:19,780
This can't be it.

2375
02:42:19,780 --> 02:42:24,860
Kate Hudson songs and the bad things
happen over and over and

2376
02:42:24,860 --> 02:42:27,860
I just want to sing and I want to shine

2377
02:42:28,020 --> 02:42:30,420
before another car runs into me.

2378
02:42:30,420 --> 02:42:34,300
Renata rains
that sentimental times shift on

2379
02:42:38,060 --> 02:42:39,980
talking about.

2380
02:42:39,980 --> 02:42:40,860
But she would talk a lot

2381
02:42:41,900 --> 02:42:42,740
that I knew her last.

2382
02:42:42,740 --> 02:42:47,460
Tomorrow was Emma Stone, Begonia
You killed her.

2383
02:42:49,020 --> 02:42:50,581
I figured you'd be apprehended feeding

2384
02:42:50,581 --> 02:42:53,581
antifreeze to a coma patient,
and then I'd be freed.

2385
02:42:53,581 --> 02:42:55,021
I could return to my work.

2386
02:42:55,020 --> 02:42:58,420
But you actually got away with it,
you sick ape.

2387
02:43:04,140 --> 02:43:07,140
And the Oscar goes to

2388
02:43:07,140 --> 02:43:10,140
Jessie Buckley.

2389
02:43:11,740 --> 02:43:12,940
This is the first Oscar

2390
02:43:12,940 --> 02:43:15,940
winner
and second nomination for Jessie Buckley.

2391
02:43:15,980 --> 02:43:18,621
Previously,
she was nominated for a supporting role

2392
02:43:18,621 --> 02:43:21,621
in the Lost Daughter.

2393
02:43:45,581 --> 02:43:53,741
Yeah. Wow.

2394
02:43:56,140 --> 02:43:59,140
Thank you so much.

2395
02:43:59,260 --> 02:44:02,260
This is

2396
02:44:04,380 --> 02:44:07,260
really something.

2397
02:44:07,260 --> 02:44:11,460
Thank you to the incredible women
that I stand beside.

2398
02:44:11,700 --> 02:44:14,541
Am inspired by your art and your heart.

2399
02:44:14,541 --> 02:44:17,541
And I want to work
with every single one of you.

2400
02:44:17,541 --> 02:44:22,581
And to the producers
who created this ship for us to stand in.

2401
02:44:23,100 --> 02:44:25,780
And my shipmates for Life, Hilda,

2402
02:44:25,780 --> 02:44:30,020
Jessica, Lindsay,
Zach None of this is possible without you.

2403
02:44:30,860 --> 02:44:33,860
My family, my Irish family,
they're all here.

2404
02:44:34,140 --> 02:44:36,860
Ireland bought them flight. Where are you

2405
02:44:38,621 --> 02:44:41,101
now? Where can you just fly up?

2406
02:44:41,100 --> 02:44:45,020
Mom? Dad, thank you for teaching us
to dream and to never be defined

2407
02:44:45,020 --> 02:44:48,180
by expectation,
but to carve from your own passion.

2408
02:44:50,380 --> 02:44:52,980
You. Fred.

2409
02:44:52,980 --> 02:44:55,100
I love you, man.

2410
02:44:55,100 --> 02:44:55,780
I love you.

2411
02:44:55,780 --> 02:44:58,260
You're the most incredible
dad. You're my best friend.

2412
02:44:58,260 --> 02:45:00,581
And I want to have 20,000
more babies with you.

2413
02:45:00,581 --> 02:45:03,581
I tell you I do.

2414
02:45:03,581 --> 02:45:06,420
And I love my little girl
who is eight months,

2415
02:45:06,420 --> 02:45:10,020
who has absolutely no idea what's going on
and is probably dreaming milk.

2416
02:45:10,581 --> 02:45:13,140
This is kind of a big deal.

2417
02:45:13,140 --> 02:45:14,940
And I love you and I love being your mom.

2418
02:45:14,940 --> 02:45:17,860
And I can't wait to discover
life beside you.

2419
02:45:17,860 --> 02:45:20,820
Chloe and Maggie

2420
02:45:20,820 --> 02:45:24,180
you two get to know

2421
02:45:25,380 --> 02:45:29,060
this incandescent woman and journey to

2422
02:45:30,260 --> 02:45:32,701
understand the capacity of a mother's

2423
02:45:32,700 --> 02:45:35,940
love is the greatest collision of my life.

2424
02:45:37,260 --> 02:45:38,940
It's.

2425
02:45:38,940 --> 02:45:41,940
It's day in the UK today,

2426
02:45:46,140 --> 02:45:48,900
so I would like to dedicate this

2427
02:45:48,900 --> 02:45:51,900
to the beautiful chaos
of a mother's heart.

2428
02:45:56,420 --> 02:45:58,741
We and we all come from

2429
02:45:58,740 --> 02:46:01,940
a lineage of women
who continue to create, against all odds.

2430
02:46:02,780 --> 02:46:05,060
Thank you for recognizing me in this role.

2431
02:46:05,060 --> 02:46:06,420
This is the greatest honor.

2432
02:46:06,420 --> 02:46:07,980
I can't even believe it.

2433
02:46:07,980 --> 02:46:08,700
Gert. Mm.

2434
02:46:08,700 --> 02:46:11,700
My Sloane.

2435
02:46:23,541 --> 02:46:26,581
Please
welcome Ewan McGregor and Oscar winner

2436
02:46:26,860 --> 02:46:29,860
Nicole Kidman.

2437
02:46:45,621 --> 02:46:46,981
So I have to say,

2438
02:46:46,980 --> 02:46:49,980
I adored all of the films this year.

2439
02:46:50,660 --> 02:46:52,500
Adored?

2440
02:46:52,500 --> 02:46:55,500
Would you say you loved them?

2441
02:46:56,660 --> 02:46:57,780
What? Love?

2442
02:46:57,780 --> 02:47:01,060
You know, like love is like oxygen.

2443
02:47:02,060 --> 02:47:06,820
Oh, love is a many splendid thing.

2444
02:47:06,820 --> 02:47:09,820
Love lifts us up where we belong.

2445
02:47:12,260 --> 02:47:15,420
say, Nicole,
even though it's been 25 years.

2446
02:47:15,541 --> 02:47:18,861
Oh, every time I hear the word love,
I still imagine someone's

2447
02:47:18,860 --> 02:47:21,860
going to lure a chandelier
and cue the orchestra.

2448
02:47:21,860 --> 02:47:23,260
Oh, don't tempt me.

2449
02:47:24,900 --> 02:47:27,300
But I have to say, these nominees

2450
02:47:27,300 --> 02:47:30,300
remind us why we fell in love
with the movies in the first.

2451
02:47:31,700 --> 02:47:34,860
Because all you need is love.

2452
02:47:35,700 --> 02:47:38,140
All you need is love her.

2453
02:47:38,140 --> 02:47:41,660
Her love is all you need.

2454
02:47:45,900 --> 02:47:48,220
And here are the nominations

2455
02:47:48,220 --> 02:47:51,220
for Best picture.

2456
02:47:55,860 --> 02:47:58,780
Agony in Agony and Andrew Moment.

2457
02:47:58,780 --> 02:48:02,140
Yorgos Lanthimos,
Emma Stone and Lesbianism.

2458
02:48:03,020 --> 02:48:03,940
If one.

2459
02:48:03,940 --> 02:48:07,621
Chad Owen, Brad Pitt, Judy Gardner, Jeremy

2460
02:48:07,621 --> 02:48:11,061
Kleiner, Joseph
Kosinski and Jerry Bruckheimer.

2461
02:48:11,900 --> 02:48:14,660
Frankenstein. Guillermo del Toro, J.

2462
02:48:14,660 --> 02:48:17,900
Miles Dale and Scott Stuber Hamnet.

2463
02:48:18,100 --> 02:48:21,820
Liza Marshall,
Pippa Harris, Nicolas Gonda, Steven

2464
02:48:21,820 --> 02:48:25,500
Spielberg and Sam Mendes Marry Supreme.

2465
02:48:25,940 --> 02:48:26,740
Eli Bush.

2466
02:48:26,740 --> 02:48:30,180
Roma Bernstein, Josh Safdie,
Anthony Cattaraugus.

2467
02:48:30,380 --> 02:48:32,821
Timothee Chalamet.

2468
02:48:32,820 --> 02:48:34,500
One Battle after Another.

2469
02:48:34,500 --> 02:48:37,741
Adam Song
Not So Murphy and Paul Thomas Anderson,

2470
02:48:38,780 --> 02:48:39,900
The Secret Agent.

2471
02:48:39,900 --> 02:48:43,020
Emily Lasky, Sentimental Value,

2472
02:48:43,140 --> 02:48:46,060
Maria
Alcohol and Andre a Balanced and Organic

2473
02:48:47,500 --> 02:48:49,621
Simmons Zindzi Coupon

2474
02:48:49,621 --> 02:48:52,621
Ceremony and Ryan Coogler

2475
02:48:53,581 --> 02:48:56,821
train dreams in and Teddy Schwarzman

2476
02:48:57,220 --> 02:48:59,940
will generate Ashley Schaefer

2477
02:48:59,940 --> 02:49:02,940
and Michael Heineman.

2478
02:49:07,780 --> 02:49:11,541
The Oscar goes to one battle

2479
02:49:11,541 --> 02:49:14,541
after another another.

2480
02:49:18,660 --> 02:49:21,660
Frank Darabont Norman

2481
02:49:22,500 --> 02:49:25,140
Academy Awards,
One battle after another won

2482
02:49:25,140 --> 02:49:30,500
six Oscars tonight for casting actor
in a supporting role, adapted screenplay,

2483
02:49:30,700 --> 02:49:33,700
film editing, directing and Best Picture.

2484
02:50:09,260 --> 02:50:12,260
Occupy.

2485
02:50:12,660 --> 02:50:14,500
Thank you.

2486
02:50:14,500 --> 02:50:17,060
Uh, getting to make this film

2487
02:50:17,060 --> 02:50:20,060
with this cast and this crew,

2488
02:50:20,140 --> 02:50:23,140
Paul has already been the

2489
02:50:23,660 --> 02:50:27,260
greatest filmmaking experience
I can fathom, so receiving this award is

2490
02:50:28,541 --> 02:50:32,021
just beyond
my heart is exploding with gratitude.

2491
02:50:32,420 --> 02:50:36,661
You Thank you to Mike,
Mike and Pammy at Warner Brothers.

2492
02:50:36,980 --> 02:50:39,980
Thank you, Brian. Lord,

2493
02:50:40,260 --> 02:50:42,541
thank you to my producing partners,
Adam Sumner,

2494
02:50:42,541 --> 02:50:45,420
Bill Wise,
Erica Frome and I share this with you.

2495
02:50:46,541 --> 02:50:48,781
Thank you to my family

2496
02:50:48,780 --> 02:50:52,660
of four of my parents,
my beautiful brothers, Fannie,

2497
02:50:53,820 --> 02:50:55,780
Josh, Ryan, I love you.

2498
02:50:55,780 --> 02:50:58,260
I'm grateful for you. Polly Okay?

2499
02:50:58,260 --> 02:51:01,260
I just want to say that in 1975,

2500
02:51:01,500 --> 02:51:05,500
the Oscar nominees for Best Picture
were Dog Day, Afternoon, One

2501
02:51:05,500 --> 02:51:10,260
Flew Over the Cuckoo's
Nest, Jaws, Nashville, and Barry Lyndon.

2502
02:51:10,700 --> 02:51:13,140
There is no best among them.

2503
02:51:13,140 --> 02:51:16,140
There is
just what that mood might be that day,

2504
02:51:16,740 --> 02:51:19,140
but we're happy to be part of this.

2505
02:51:19,140 --> 02:51:21,940
A wonderful, wonderful journey
with our fellow nominees.

2506
02:51:21,940 --> 02:51:24,940
Our fellow filmmakers are film filmmakers
that even weren't

2507
02:51:25,380 --> 02:51:26,701
recognized by the Academy.

2508
02:51:26,700 --> 02:51:30,980
There's so many great films this
and I really blew it when I won a Best

2509
02:51:30,980 --> 02:51:33,980
Director award
and I forgot to thank my cast

2510
02:51:35,340 --> 02:51:37,741
with Leo, Benicio, Tiana, Sean,

2511
02:51:39,020 --> 02:51:42,420
Regina,
and especially Chase My American Girl.

2512
02:51:42,420 --> 02:51:46,140
Chase, you are the heart of this movie,
this entire team.

2513
02:51:46,740 --> 02:51:49,020
What a night
you guys, let's have a martini.

2514
02:51:49,020 --> 02:51:51,940
This is pretty amazing heights. Cheers.
Thank you very much.

2515
02:51:51,940 --> 02:51:54,060
Thank you. Thank you.

2516
02:51:54,541 --> 02:51:57,541
Thank

2517
02:52:03,060 --> 02:52:05,820
an honor and a joy, everybody.

2518
02:52:05,820 --> 02:52:08,820
Marty Short tonight.

2519
02:52:23,140 --> 02:52:23,820
Great show.

2520
02:52:23,820 --> 02:52:26,500
CONAN. Just terrific.

2521
02:52:26,500 --> 02:52:28,180
Gee, thanks.

2522
02:52:28,180 --> 02:52:32,180
In fact, we liked it so much
we've decided to make you

2523
02:52:32,860 --> 02:52:35,860
Oscars Host for life.

2524
02:52:35,860 --> 02:52:38,860
Host for Life. That's right.

2525
02:52:38,860 --> 02:52:40,740
I don't know what to say.

2526
02:52:40,740 --> 02:52:42,740
Let's go see your new office.

2527
02:52:42,740 --> 02:52:45,060
I'd like that very much.

2528
02:52:45,060 --> 02:52:48,020
Your efforts have pleased the Academy
greatly.

2529
02:52:48,020 --> 02:52:51,220
Wow. People have not stopped
talking about your performance.

2530
02:52:52,060 --> 02:52:53,820
It was really something.

2531
02:52:53,820 --> 02:52:56,820
Well, coming from the academy,
that's a real honor, sir.

2532
02:52:57,020 --> 02:52:57,900
An honor you've earned.

2533
02:52:59,100 --> 02:53:00,660
And here we

2534
02:53:00,660 --> 02:53:03,541
suite 55.

2535
02:53:03,541 --> 02:53:05,300
All this for me.

2536
02:53:05,300 --> 02:53:08,300
That's your name, isn't it?

2537
02:53:08,940 --> 02:53:11,940
Going get settled.

2538
02:53:13,420 --> 02:53:16,020
This view is

2539
02:53:16,020 --> 02:53:19,020
incredible.

2540
02:53:20,340 --> 02:53:21,821
Damn it.

2541
02:53:21,820 --> 02:53:22,980
I forgot your keys.

2542
02:53:22,980 --> 02:53:25,980
I'll be right back.

2543
02:53:36,100 --> 02:53:39,100
Host for lie.

2544
02:57:11,220 --> 02:57:11,980
All eligible

2545
02:57:11,980 --> 02:57:15,581
Academy members
participate in Oscars for best picture.

2546
02:57:15,581 --> 02:57:19,661
Nominations are determined by all
eligible members in other categories,

2547
02:57:19,660 --> 02:57:23,020
the nominations are determined by members
of a specific branch

2548
02:57:23,020 --> 02:57:26,581
of voters who meet the categories
eligibility requirements.

2549
02:57:26,660 --> 02:57:30,740
All rounds of Oscars voting are done
by secret ballot that is tabulated

2550
02:57:30,740 --> 02:57:34,740
by the independent
accounting firm of PricewaterhouseCoopers.

2551
02:57:34,820 --> 02:57:38,820
The results of the final round of secret
voting are known only to done.

2552
02:57:38,820 --> 02:57:41,780
Please see, until the sealed
envelopes are opened on the.